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Ardh Satya (1983)

 -  Crime | Drama  -  18 November 1983 (India)
7.9
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Ratings: 7.9/10 from 765 users  
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A newly appointed police rookie deals with corruption, romance, and brutality.

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(poems), (dialogue), 3 more credits »
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Title: Ardh Satya (1983)

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Cast

Cast overview, first billed only:
...
...
Jyotsna Gokhale
...
Faujdar Velankar
Shafi Inamdar ...
Inspector Hyder Ali
Achyut Potdar ...
Inspector Patil
Sadashiv Amrapurkar ...
Rama Shetty
...
Mike Lobo
Prabhakar Patankar
Rafique Mukadam
Madhuri Purandare
Shanta Gokhale
Ila Arun ...
Neha Vajpayee
Leela Jariwala
Arun Kakde
Suresh Bhagwat ...
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Storyline

After having watched his cop father abuse his mother and compel him to become a Sub-Inspector with Maharashtra Police, Anant Velankar, who had wanted to complete his MBA, re-locates to live in Bombay. It is here he meets and falls in love with a Lecturer, Jyotsna Gokhale. Proud of his profession and hoping to make a change, he soon realizes that the police are manipulated by politicians like Rama Shetty to do their bidding. Frustrated, he turns his anger on suspects held in cells and beats them mercilessly. His frustrations arise after he is sidelined for a medal while apprehending a dacoit, and being counseled by Jyotsna to resign from this job. Things only get worse after he is humiliated by Rama Shetty, who is now campaigning to be a Municipal Councillor, as well his superior, Inspector Patil. He takes to alcohol, gets suspended and with a Delhi-contact gets reinstated. Things only get worse after he brutally assaults another suspect resulting in death. It is this news that will ... Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Add Synopsis

Genres:

Crime | Drama

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Release Date:

18 November 1983 (India)  »

Also Known As:

Half Truth  »

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Trivia

The entire film was shot as per the script written by Vijay Tendulkar. But during the climax, Govind Nihalani somehow had a different vision than the writer. But Vijay Tendulkar was too senior a person and Govind Nihalani did not want to let him down. So Govind Nihalani shot two ends for the film - one that was written by Vijay Tendulkar in the script and other that was his own vision. He showed both versions to the writer and finally Vijay Tendulkar gave Govind Nihalani consent to retain his own ending. See more »

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User Reviews

 
A cop story with a difference; Om Puri nails it
25 April 2011 | by (Earth) – See all my reviews

Ardh Satya is an excellently made film. Govind Nihalani leaves no stone unturned in his portrayal of the trials and tribulations of the main character Anant Velankar. He never wanted to be a policeman, but he reluctantly accepted the job because circumstances forced him to as his domineering father did not give him any other option. Now, as a policeman, Anant is honest, hard-working and justice-seeking. No, not at all what we get to see in mindless action films with their exaggerated portrayals of policemen going all nuts over their profession and their fake patriotism being the main issue. Here you will not see any of the silly action sequences or the caricature villains. Ardh Satya is a realistic film, its authenticity is more present than anything else in it. It's a true depiction of the life of an Indian cop and it does not submit to stereotypes, which could have been the easiest way to go.

As Anant, Om Puri plays a man who tries to fight criminals and those who break the low, but ends up having to fight against injustice within the system itself. This movie is just his story, not necessarily as a cop. It's about his dedication to his job, his frustration, his deterioration and fall from grace. Nihalani directs this feature with great integrity, and Vijay Tendulkar's script and dialogues are fantastic. Anant's relationships with those who surround him are aptly portrayed. The sequences showing his interaction with Jyotsna, a young lecturer of literature, are stupendous and are of the best in the film, right from their first meeting which opens the film to the time when they are already considering a future marriage. There isn't a lot of romanticism about it, but there's a lot of humanity and respect. Even the portrayal of his relationship with his parents, in spite of the minimal screen time it is given, is spot on and is very troubling.

Ardh Satya is a one-man show, and needless to say, it is Om Puri who dominates the proceedings with his heartfelt, brilliant performance as Anant. Puri is an actor who has very rarely delivered something unworthy, although he has been given stuff unworthy of his talent. This performance ranks amongst the finest works of his illustrious career. He captures Anant's honesty, determination, anger and devastation with sheer intensity, and is always moving, credible and convincing. The acting in general is very good in this film, but the rest of the cast are just here to support him, and they do it well. Amrish Puri, as the tough, violent and authoritarian father, is unsurprisingly excellent. He manages to convey a lot of his character's essence through just a few scenes. The same can be said about Sadashiv Amrapurkar, who does a lot with so little. Shafi Inamdar is also pretty good as Anant's boss.

Last but certainly not least, Smita Patil is first-rate in a role that was totally in need of someone with her intellectual capabilities and would have turned into inconsequential by a lesser actress. This is not at all one of those powerful author-backed roles she was known for playing, but it's still a very special one in her career. She does not try to impress or steal the show. As Jyotsna, she is natural, pleasant and exudes a certain warmth that is missing in the film. Above all, she had the ability to listen. I highly recommend you to observe the scene in which Anant shares with her his deep devastation towards the end. This scene, devoid of clichés, is one of the finest in the film, showing Om Puri's highpoint but at the same time Patil's wonderfully unconventional reaction of just being there, quietly listening and ultimately lending him a hand of support. The film's climax is most unexpected, and Ardh Satya is overall an excellent, involving movie that is highly recommended.


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