Atlanta, 1873. It's another day (Melanie's funeral, in fact), and Scarlett is determined to win back Rhett (who's spending a lot of time with Belle Watling). First, she goes to Tara and ... See full summary »
A fictional account of the real life, eleven day, never explained 1926 disappearance of famed murder mystery writer Agatha Christie is presented. On a cold winter day, her damaged car with ... See full summary »
An 11 year old boy starts throwing temper tantrums, vomiting on and attacking people, and swearing uncontrollably. Furnature begin to move on its own when he is around, and he doesn't ... See full summary »
Steven E. de Souza
Mike is a struggling artist who draws the 'Brenda Starr' strip for the papers. When Brenda comes to life in the strip and sees how unappreciated she is by Mike, she leaves the strip. To get... See full summary »
Set in early 1900's France, a widow renews a former romantic interest until it is discovered that he has had a past fling with one of her new employees, a nanny. This sets the two women ... See full summary »
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Marlo Manners is enjoying her honeymoon with Sir Michael Barrington, husband number 6. As luck would have it, an international conference is taking place in the same hotel and the Russian ... See full summary »
Imagining that Mistress Ford and Mistress Page have each fallen for him, the fat knight Sir John Falstaff decides to seduce them both, as much for their husbands' money as for their ... See full summary »
Disappointing adaptation of the Shakespearean tragedy
I will admit I was disappointed with this film adaptation, when I watched it as I am studying Antony and Cleoptra for English at school. Though to be fair, Antony and Cleopatra is a very complicated play, but for me despite some good moments, this didn't work for me. It is faithful to Shakespeare's play, however there were some scenes that just fell flat; Antony and Cleopatra's reconciliation came across as unintentionally funny rather than heart-rending, and the whipping of the messenger Thydias could have been such an effective scene, sadly it wasn't. The sets and costumes weren't lavish enough, Cleopatra's dresses were nice to look at, if rather simple, but Antony looked as though he was a poor person for most of the production, and Octavious Caesar's costumes just didn't show off his character. And the sets looked rather amateurish for my liking. The performances were variable. I wasn't fond of Timothy Dalton as Antony, he looked the part, but I didn't feel his heart was in it, and when Antony loses his dignity and honour, I felt Dalton overdid it here. Aquitting herself much better is Lynn Redgrave as Cleopatra, true I didn't think she was vivacious enough, but she did have some excellent delivery, and mostly she was bang on target with her character. Sadly, most of her scenes weren't as effective as they could have been, but that wasn't Redgrave's fault, the maids were very static, and throughout I found the direction unusually sluggish. The worst performance was easily Antony Geary as Caesar, he wasn't right for the part at all. Ceasar is cold, calculating and authoritative, and Geary as far as I was concerned didn't do any of those things in his performance, and I found Sharon Barr bland as Octavia. Barrie Ingham however was superb as Enobarbus, he brought a sense of loyalty and poignancy to his part, and that was highly appreciative. Walter Koenig relishes his role as Pompey. Finally, the camera work was okay, a little rough in places. Overall, disappointing. The version with Janet Suzman was better. 5/10 Bethany Cox
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