O anthropos me to garyfallo (1980)The story of Nikos Belogiannis member of the communist party and officer of Ellas that has come back to Greece only to get arrested, tried for espionage on behalf of Russia and executed. A ... See full summary » Director:Nikos Tzimas |
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Title: O anthropos me to garyfallo (1980)
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Cast
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Alekos Alexandrakis | ... |
Georgios Kartalis
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Angelos Antonopoulos | ... |
Tom
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Kostas Kazakos |
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Vangelis Kazan | ... |
Major Georgios Papadopoulos
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Petros Fyssoun |
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Manos Katrakis | ... |
Nikolaos Plastiras
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Foivos Gikopoulos | ... |
Nikos Belogiannis
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Costas Arzoglou |
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Anestis Vlahos | ... |
Apostolos
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Dora Volanaki |
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Spyros Kalogirou |
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Giannis Katranis |
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Spyros Konstadopoulos |
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Tasos Lertas |
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Mirka Papakonstantinou | ... |
Elli Ioannidou
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Plot Summary
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Storyline
The story of Nikos Belogiannis member of the communist party and officer of Ellas that has come back to Greece only to get arrested, tried for espionage on behalf of Russia and executed. A photograph of his bearing a carnation has circulated internationally and gives the name of the film. Written by scanoni
Plot Keywords:
political prisoner | communist oppression | post civil war | politics | prime minister |Parents Guide:
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Details
Country:
GreeceRelease Date:
23 November 1980 (Greece) See more »Also Known As:
The Man with the Carnation See more »Filming Locations:
Athens, GreeceCompany Credits
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Technical Specs
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Sound Mix:
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Written by Apostolos Kaldaras
Performed by Stella Haskil
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Soundtracks
"Nyhtose horis fengari"Written by Apostolos Kaldaras
Performed by Stella Haskil
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This is an excellent film, political and well crafted, concerning a crucial time in modern Greek history, the post-Civil War era and the intrusive US presence in the political life of Greece. Granted, the communist threat was still ever-present in the Greek psyche but the US Ambassador and the Pentagon's presence in Greek political life, and the influence the US Embassy wielded on the government and the Palace is well handled. The acting is controlled and not excessive as is usual in Greek films and except for the opening vignettes of police actions against the Greek leftists and their suffering on the prison IsIand (perhaps Makronissos) is convincing.