It's the 1930s, the Depression era, and the Board of Directors of Thomas Dickson's bank want Dickson to merge with New York Trust and resign. He refuses. One night, Dickson's bank is robbed... See full summary »
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal ... See full summary »
This melodrama revolves around the post-war meeting reunion an intelligent front-line officer, now happily married, and a woman street vendor. This encounter reawakens in them submerged ... See full summary »
In a 360° circular panoramic shot the camera slowly pans an entire apartment (or house). When it first passes the bedroom there is nobody there but each time it shows the room again Chantal... See full summary »
THE EIGHTIES marks the turning point in Chantal Akerman's career. It stands as the end of her more experimental films of previous years and as the beginning of her more mainstream efforts of later years. The bulk of the film consists of auditions and rehearsals for a musical. In the final act, we get to see some segments of that musical. It's a wholly original and brilliant motion picture experience. Like most of Akerman's films, though, it's not for everyone. Her films are experiences for those who aren't into mainstream cinema. The songs in the film are catchy and unforgettable, and it's a special treat to see Akerman herself pop in a few times and give the performers some direction. The only downside of this film is that it's only available on an old VHS. The Criterion Collection has gotten a hold on her earlier films; maybe some day they'll get a hold of this one, as well. Another interesting aspect to this film is that it serves as a prelude to her next feature film, GOLDEN EIGHTIES or WINDOW SHOPPING.
6 of 7 people found this review helpful.
Was this review helpful to you?