After a nuclear war, society breaks down into two groups, the evil Euraks and the rebel Federation. A mercenary named Parsifal is hired by the Federation to infiltrate New York City, which ...
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A cyborg is programmed to kill a scientist who holds the fate of mankind in his hands. He fails and hides in a diner in a desert run by a woman who likes him. The people who sent him are after him and so is the local arm wrestling champ.
A tale that takes place at the dawn of history. The movie tells the story of a tribe that discovers how to fashion weapons out of iron and use them for their own survival. However, the ... See full summary »
A priest comes to a small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.
After a nuclear war, society breaks down into two groups, the evil Euraks and the rebel Federation. A mercenary named Parsifal is hired by the Federation to infiltrate New York City, which is controlled by the Euraks, to rescue the only fertile woman left on Earth. Written by
The weapons used by the white-suited guards of the 'American' government look exactly like the weapon the Jane Fonda used in Barbarella. (It even featured on some of the posters.) If they aren't the same props being recycled, then they are very faithful replicas. See more »
As the two then-surviving members of the Four Pirates of New Orleans push Parsifal's car over the cliff, there is a brief shot of what are supposed to be the driver's legs and feet working the pedals. The legs and feet are actually Parsifal's, not the driver's, as can be seen from the pants and boots. See more »
The film's credits list this as an "Italo-Frenchy" co-production. See more »
Twenty years after a nuclear holocaust ravaged the Earth, the Euraks and the Pan American Confederacy continue the battle for supremacy. Mercenary Parsifal (Michael Sopkiw) is recruited by the Confederacy to try and locate the only fertile woman on Earth, hidden somewhere in the ruins of Manhattan. He is joined on his quest by warriors Bronx (Paolo Maria Scalondro) and Ratchet (Romano Puppo), pretty blonde Giara (Valentine Monnier), dwarf Shorty (Louis Ecclesia) and hulking half-man/half-monkey mutant Big Ape (George Eastman).
One of many Italian post-apocalyptic action flicks to follow in the wake of Mad Max and Escape From New York, Sergio Martino's 2019: After The Fall Of New York is a wholly unoriginal, shoddily made, poorly acted crap-fest full of really badly choreographed action scenes, lousy special effects, manky props, amusing costumes, and seriously dumb characters. Opening with an unconvincing miniature model of nuked New York and ending with the launch of an equally cruddy model spacecraft, with all manner of cheap-jack nonsense packed in between, one might imagine the film to be hugely entertaining as a result, but Martino's uninspired direction and his cast's abysmal performances suck the life out of even the most silly of scenes.
Possibly just about worth watching for the robot clown with a massive glowing eyeball on its head, Shorty's valiant death ("Bastaaaarrrds!"), Big Ape throwing his sword to decapitate several of his enemy, and the hilarious eye-gouging (seriously, how did he not see that coming?), but don't bank on it. 3.5 out of 10, rounded up to 4 for IMDb.
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