| Photos (See all 21 | slideshow) |
Directed by | |||
| J. Lee Thompson | |||
Writing credits | ||
| William Roberts | (written by) | |
| J. Lee Thompson | story (uncredited) | |
Produced by | |||
| Yoram Globus | .... | executive producer | |
| Menahem Golan | .... | executive producer | |
| Lance Hool | .... | producer | |
| Pancho Kohner | .... | producer | |
Original Music by | |||
| Robert O. Ragland | |||
Cinematography by | |||
| Adam Greenberg | (photography) | ||
Film Editing by | |||
| Peter Lee-Thompson | |||
Casting by | |||
| John Crowther | |||
Art Direction by | |||
| Jim Freiburger | |||
Set Decoration by | |||
| Cecilia Rodarte | |||
Makeup Department | |||
| Laurie Loverde | .... | hair stylist | |
| Alan Marshall | .... | makeup artist | |
Production Management | |||
| Karen Hoenig | .... | post-production supervisor (as K.V. Hoenig) | |
| Christopher Pearce | .... | executive in charge of production | |
| John Zane | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Terence D. Buchinsky | .... | second assistant director (as Terry Buchinsky) | |
| Barbara Michaels | .... | first assistant director | |
Art Department | |||
| Randy Gunter | .... | property | |
Sound Department | |||
| David Campling | .... | supervising sound editor | |
| Craig Felburg | .... | production sound mixer | |
| Jay M. Harding | .... | re-recording mixer | |
| Mike Le Mare | .... | sound effects editor (as Mike Le-Mare) | |
| Michael P. Redbourn | .... | adr editor (as Michael Redbourn) | |
| Hal Schwartz | .... | boom operator | |
| Paul A. Sharpe | .... | re-recording mixer (as Paul Sharp) | |
| Michael R. Sloan | .... | foley editor (as Michael Sloan) | |
| Gregory H. Watkins | .... | re-recording mixer | |
Stunts | |||
| Ernie F. Orsatti | .... | stunt coordinator (as Ernie Orsati) | |
Camera and Electrical Department | |||
| Scott Buttfield | .... | best boy | |
| Ronny Dana | .... | second assistant camera | |
| Ted H. Hauser | .... | first assistant camera (as Ted Hauser) | |
| David King | .... | still photographer (as Dave King) | |
| Avraham Leibman | .... | gaffer (as Avraham Liebman) | |
| Alan Levin | .... | still photographer (as Alan Levine) | |
| Diane Schneier | .... | second assistant camera | |
| Dylan Shephard | .... | key grip (as Dylan Shepard) | |
Casting Department | |||
| Dennis Hansen | .... | extras casting (as Dennis Hanson) | |
Costume and Wardrobe Department | |||
| Del Adey-Jones | .... | costumer: women | |
| Poppy Cannon-Reese | .... | costume supervisor (as Poppy Cannon) | |
| Robert Dale | .... | costumer: men | |
Editorial Department | |||
| Richard Marx | .... | first assistant editor | |
| Pam Wagner | .... | color timer | |
| Debra Whitcomb | .... | assistant editor | |
| Donald Freeman | .... | final colorist (uncredited) | |
Location Management | |||
| Robert C. Ortwin Jr. | .... | location manager (as Robert Ortwin) | |
Music Department | |||
| Michael Linn | .... | music editor | |
| Robert O. Ragland | .... | conductor | |
Transportation Department | |||
| Frank 'Cat' Ballou | .... | transportation coordinator (as Frank Ballou) | |
| Ron White | .... | transportation captain | |
Other crew | |||
| Karin Cooper | .... | script supervisor | |
| Elliott Fils | .... | production accountant (as Elliott J. Fils) | |
| Paul Ford | .... | production assistant | |
| Mischa Hausserman | .... | aerial sequences | |
| William Hool | .... | technical advisor: police | |
| Leslie Lytel | .... | production assistant | |
| E. Ann Overman | .... | production coordinator | |
| Connie Sanchez | .... | production coordinator | |
| Gunther Stotz | .... | title designer | |
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| So Sweet, So Dead | Dirty Harry | Tightrope | 15 Minutes | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
A very solid movie! Charles Bronson is absolutely great in this film. The fact that the killer was a handsome guy really emphasized that he was a sociopath and all around creep (smart character development). Lisa Eilbacher is damn cute! A good psychological action/thriller!
I do not understand why people consider this a "cheesy?" movie or a "rip-off" of Death Wish.
Leo Kessler is a hardened cop. Paul Kersey was an architect who took on the role of vigilante after a life changing event. The two characters really aren't that similar at all.
I wonder what Lisa Eilbacher is up to nowadays.