Wifes and children of the Mormon Orville Beecham become victims of a massacre in his own house. The police believes the crime had a religious motive. Orville doesn't give any comment on the... See full summary »
J. Lee Thompson
Trish Van Devere,
In Los Angeles, the rookie Detective Paul McAnn teams up with the veteran Detective Leo Kessler to investigate the murder of Betty Johnson and her boyfriend that were stabbed by a naked serial-killer in a park. Detective Kessler recognizes the victim, who lived in the same neighborhood many years ago and childhood friend of his daughter Laurie Kessler. The killer Warren Stacy goes to the funeral and overhears Betty's father telling Detective Kessler that his daughter had a diary. Warren breaks in Betty's apartment and stabs and kills her roommate Karen Smalley trying to find the diary. But Karen had already delivered the journal to Detective Kessler. Leo Kessler is sure that Warren is the serial-killer and her plants a false evidence in his apartment. However, Warren's defense lawyer presses Detective McAnn accusing him of perjury and Warren is released. Now the Warren is stalking Laurie to revenge against her father. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This movie's original script title was "Bloody Sunday". Producer Pancho Kohner has said that he and Cannon Group chairman Menahem Golan gave this movie its "10 To Midnight" title despite it having no apparent relevance to the film's story, after Kohner successfully pitched the title, Bronson in the lead and a description of "great action and great danger and great revenge" to buyers without a script, then "scrambled to find a story" and settled on the already-written "Bloody Sunday" screenplay. Later, marketing for the movie did suggest a connection with the title: the theatrical release movie poster presented artwork with the villain character's arms forming the 11:50 pm time (10 to Midnight) on a clock-face whilst the movie's DVD tagline read: "A cop. A killer. A deadline". See more »
Just before Warren is shot in the head, his hair is messed up from running. When the bullet hits him, his hair is neatly parted with his forehead totally exposed. See more »
One user comment sums this movie up as "standard fare"?! When push comes to shove there really isn't anything standard about "10 to Midnight."
The villain is a young, deeply disturbed man who turns on by knifing people to death in the nude, and needless to say the movie is filled with a large amount of nudity.
The hero is a veteran homicide detective who decides to stop at nothing to get his man, even if it means fabricating evidence. The latter part is portrayed by the grand-daddy of all tough action heroes, Sir Charles Bronson (OK, I know he wasn't a Sir, I just wanted to see how it looked :) Compared to most of the other movies Bronson did with director J. Lee-Thompson here he really turns in a memorable performance as detective Leo Kessler. Take for instance the scene where he finds the chief-suspects electric vagina, the look on Bronson's face is worth the price of admission alone! And the interrogation scene later where Bronson confronts the suspect with his sex toy: priceless!
The finale deserves notice for being both disturbing and downright scary, with it's echoes of the real-life Richard Speck-massacre in 1966.
If you are a Bronson-fan you are almost guaranteed to like "10 to Midnight", one of his best from the 1980's.
18 of 23 people found this review helpful.
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