| Photos (see all 23 | slideshow) |
Directed by | |||
| Kenneth Johnson | |||
Writing credits | ||
| Kenneth Johnson | (written by) | |
Produced by | |||
| Chuck Bowman | .... | producer | |
| Patrick Boyriven | .... | associate producer | |
| Kenneth Johnson | .... | executive producer | |
| Brandon Tartikoff | .... | executive producer (uncredited) | |
Original Music by | |||
| Joseph Harnell | (as Joe Harnell) | ||
Cinematography by | |||
| John McPherson | (director of photography) | ||
Film Editing by | |||
| Paul Dixon | |||
| Alan C. Marks | (as Alan Marks) | ||
| Robert K. Richard | (as Robert Richard) | ||
| Jack W. Schoengarth | (as Jack Schoengarth) | ||
Casting by | |||
| Phyllis Huffman | |||
Production Design by | |||
| Charles R. Davis | |||
Art Direction by | |||
| Gary A. Lee | (as Gary Lee) | ||
Set Decoration by | |||
| John M. Dwyer | (as John Dwyer) | ||
Costume Design by | |||
| Brienne Glyttov | |||
Makeup Department | |||
| Werner Keppler | .... | makeup technician | |
| Leo Lotito Jr. | .... | makeup supervisor (as Leo Le Tito) | |
| Jan Van Uchelen | .... | hairdesser | |
| Faith Vecchio | .... | hair stylist (uncredited) | |
Production Management | |||
| Art Seidel | .... | unit production manager (as Arthur Seidel) | |
Second Unit Director or Assistant Director | |||
| Richard Forrest | .... | second assistant director | |
| Alisa Matlovsky | .... | second assistant director (as Alisa A. Matlovsky) | |
| Paul Samuelson | .... | first assistant director | |
Art Department | |||
| Gary Antista | .... | property master | |
| Peter Albes | .... | construction coordinator (uncredited) | |
| Tom Duffield | .... | assistant art director (uncredited) | |
| Joseph C. Nemec III | .... | assistant art director (uncredited) | |
| Tom Southwell | .... | production illustrator (uncredited) | |
| John Wilcox | .... | set painter (uncredited) | |
Sound Department | |||
| Claude Riggins | .... | production sound mixer (as Claud Riggens) | |
| Jerry Trent | .... | foley artist (uncredited) | |
| James Troutman | .... | supervising sound editor (uncredited) | |
Special Effects by | |||
| Tom Ryba | .... | special effects | |
| Peter Albiez | .... | special effects (uncredited) | |
| Joe Goss | .... | special effects (uncredited) | |
| Carl Incorvaia | .... | special effects (uncredited) | |
| Tom Tokunaga | .... | special effects (uncredited) | |
Visual Effects by | |||
| Robert D. Bailey | .... | head of visual effects: Pacific Title (uncredited) | |
| Gregory Jein | .... | model constructor: DQI (uncredited) | |
| Bill Kent | .... | motion control operator (uncredited) | |
| Michael Lawler | .... | visual effects cameraman (uncredited) | |
| Michele Moen | .... | matte artist (uncredited) | |
| Eugene P. Rizzardi | .... | model spervisor (uncredited: Coast Special Effects) | |
| Scott Squires | .... | visual effects (uncredited) | |
| David Stipes | .... | visual effects supervisor (uncredited) | |
| Hoyt Yeatman | .... | visual effects (uncredited) | |
| Matthew Yuricich | .... | matte artist (uncredited) | |
Stunts | |||
| David R. Ellis | .... | stunt coordinator (as David Ellis) | |
| Steve M. Davison | .... | stunts (uncredited) | |
| Buddy Joe Hooker | .... | stunt coordinator (uncredited) | |
| Pat Romano | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Adam Glick | .... | set lighting technician (uncredited) | |
| Rick F. Gunter | .... | camera operator (uncredited) | |
| Owen Marsh | .... | camera operator (uncredited) | |
| Michael Douglas Middleton | .... | still photographer: props (uncredited) | |
| Tom Neuwirth | .... | still photographer (uncredited) | |
| Bill Record | .... | best boy grip (uncredited) | |
| Ron Record | .... | key grip (uncredited) | |
| Jack S. Schlosser | .... | gaffer (uncredited) | |
| Bob Stewart | .... | first assistant camera (uncredited) | |
| Robert E. Stuard | .... | assistant camera (uncredited) | |
| Paul E. Sutton | .... | dolly grip (uncredited) | |
Costume and Wardrobe Department | |||
| Fred Long | .... | costumer: men | |
| Diana Wilson | .... | costumer: women (as Diana Jones-Wilson) | |
| Jerry Herrin | .... | costumer (uncredited) | |
| Wingate Jones | .... | costumer (uncredited) | |
Music Department | |||
| Leigh Phillips | .... | orchestrator: special orchestrations (uncredited) | |
| Ted Roberts | .... | music editor | |
| Don Davis | .... | orchestrator (uncredited) | |
| Robert Fernandez | .... | score recordist (uncredited) | |
Other crew | |||
| Jeanne Byrd | .... | script supervisor (as Jeanne Marie Byrd) | |
| John Gamble | .... | helicopter pilot (uncredited) | |
| Murray Miller | .... | location manager (uncredited) | |
| Daniel Schneider | .... | key location manager (uncredited) | |
| Charles A. Tamburro | .... | helicopter pilot (uncredited) | |
Thanks | |||
| Dominique Dunne | .... | in loving memory of | |
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This is one of those rare epics that come only once in a blue moon. This is one of the best 'First Contact' genres ever made. No movie on the big screen so far - no, not Independence Day or even Close Encounters of the Third Kind (amongst my favorite films, I might add) have been able to give you the kind of goose pimples that watching 'V' gave me.
The ensemble cast with Marc Singer, Faye Grant, Jane Badler and others have done a fantastic job and Kenneth Johnson has done a superb job making this show. Not only is the storyline and plot very capturing, the characters in this really come to life and you actually get involved with them unlike many other shows. And this is even more amazing because there are SO MANY characters and each one of them has their own story which is depicted very well. I love the way the characters all start off in different settings and events and don't know each other, but gradually they come together.
The Nazi-esquire theme also works out well. The special effects for 1983 are cool enough to be used today and the lasagnas on 'V' are the absolutely coolest ones ever. Better than Star Trek 'phasers' or Star Wars 'blasters'. Not to mention the Mother Ships and the various classes of shuttles.
This is a good one and this is certainly something I am hoping they give more. Either a movie or a remake. There is supposed to be a 'V-The next generation' in the making. I can hardly wait!