| Photos (See all 32 | slideshow) |
| Richard Chamberlain | ... | Ralph de Bricassart (4 episodes, 1983) | |
| Rachel Ward | ... | Meggie Cleary (4 episodes, 1983) | |
| Christopher Plummer | ... | Archbishop Vittorio Contini-Verchese (4 episodes, 1983) | |
| Bryan Brown | ... | Luke O'Neill (4 episodes, 1983) | |
| Brett Cullen | ... | Bob Cleary (4 episodes, 1983) | |
| Stephanie Faracy | ... | Judy (4 episodes, 1983) | |
| Barry Corbin | ... | Pete (4 episodes, 1983) | |
| John de Lancie | ... | Alastair MacQueen (4 episodes, 1983) | |
| Barbara Stanwyck | ... | Mary Carson (4 episodes, 1983) | |
| Jean Simmons | ... | Fiona 'Fee' Cleary (3 episodes, 1983) | |
| Piper Laurie | ... | Anne Mueller (3 episodes, 1983) | |
| Earl Holliman | ... | Luddie Mueller (3 episodes, 1983) | |
| Philip Anglim | ... | Dane O'Neill (3 episodes, 1983) | |
| John Friedrich | ... | Frank Cleary (3 episodes, 1983) | |
| Stephen W. Burns | ... | Jack Cleary (3 episodes, 1983) | |
| Bill Morey | ... | Angus MacQueen (3 episodes, 1983) | |
| Holly Palance | ... | Miss Carmichael (3 episodes, 1983) | |
| Allyn Ann McLerie | ... | Mrs. Smith (3 episodes, 1983) | |
| Ken Howard | ... | Rainer Hartheim (2 episodes, 1983) | |
| Richard Kiley | ... | Paddy Cleary (2 episodes, 1983) | |
| Mare Winningham | ... | Justine O'Neil / ... (2 episodes, 1983) | |
| Richard Venture | ... | Harry Gough (2 episodes, 1983) | |
| Dwier Brown | ... | Stuart Cleary (2 episodes, 1983) | |
| Antoinette Bower | ... | Sarah MacQueen (2 episodes, 1983) | |
| Chard Hayward | ... | Arne Swenson (2 episodes, 1983) |
Series Directed by | |||
| Daryl Duke | (4 episodes, 1983) | ||
Series Writing credits | ||
| Carmen Culver | (4 episodes, 1983) | |
| Colleen McCullough | (4 episodes, 1983) | |
| Lee Stanley | (unknown episodes) | |
Series Produced by | |||
| Irving Paul Lazar | .... | associate producer (4 episodes, 1983) | |
| Edward Lewis | .... | executive producer (4 episodes, 1983) | |
| Stan Margulies | .... | producer (4 episodes, 1983) | |
| David L. Wolper | .... | executive producer (4 episodes, 1983) | |
| Lee Stanley | .... | co-producer (unknown episodes) | |
Series Original Music by | |||
| Henry Mancini | (4 episodes, 1983) | ||
Series Cinematography by | |||
| Bill Butler | (4 episodes, 1983) | ||
Series Film Editing by | |||
| Carroll Timothy O'Meara | (2 episodes, 1983) | ||
| Robert F. Shugrue | (2 episodes, 1983) | ||
Series Casting by | |||
| Lynn Stalmaster | (4 episodes, 1983) | ||
Series Production Design by | |||
| Robert MacKichan | (4 episodes, 1983) | ||
Series Art Direction by | |||
| Robert MacKichan | (unknown episodes) | ||
Series Set Decoration by | |||
| Jerry Adams | (4 episodes, 1983) | ||
Series Costume Design by | |||
| Travilla | (4 episodes, 1983) | ||
Series Makeup Department | |||
| Del Acevedo | .... | makeup artist (4 episodes, 1983) | |
| Lee Crawford | .... | hair stylist (4 episodes, 1983) | |
| Marina Hart | .... | hair stylist (unknown episodes) | |
| Sharleen Rassi | .... | hair stylist (unknown episodes) | |
Series Production Management | |||
| Henry Kline | .... | unit production manager (4 episodes, 1983) | |
| George Taylor | .... | post-production supervisor (4 episodes, 1983) | |
Series Second Unit Director or Assistant Director | |||
| Jim Gardner | .... | first assistant director (4 episodes, 1983) | |
| Warren Gray | .... | second assistant director (4 episodes, 1983) | |
| Eric Jones | .... | second assistant director (4 episodes, 1983) | |
Series Art Department | |||
| Victor E. Petrotta Sr. | .... | property master (4 episodes, 1983) | |
| Ray Pedler | .... | scenic artist (unknown episodes) | |
Series Sound Department | |||
| Richard Wagner | .... | sound (4 episodes, 1983) | |
| Don Crosby | .... | sound effects editor (3 episodes, 1983) | |
| Al Kajita | .... | sound effects editor (3 episodes, 1983) | |
| Larry Kaufman | .... | sound effects editor (3 episodes, 1983) | |
| Alan Potter | .... | sound effects editor (3 episodes, 1983) | |
Series Special Effects by | |||
| Doug Hubbard | .... | special effects (unknown episodes) | |
Series Visual Effects by | |||
| David Stipes | .... | visual effects (unknown episodes) | |
Series Stunts | |||
| Carol Daniels | .... | stunt double: Barbara Stanwyck, Rachel Ward (4 episodes, 1983) | |
| Kim Kahana | .... | stunts (unknown episodes) | |
Series Camera and Electrical Department | |||
| Emmanuel Vouniozos | .... | on-set technician (4 episodes, 1983) | |
| Colin J. Campbell | .... | gaffer (unknown episodes) | |
| Dave Friedman | .... | still photographer (unknown episodes) | |
| Adam Glick | .... | set lighting technician (unknown episodes) | |
| To Lee | .... | camera assistant trainee (unknown episodes) | |
| Johnny Walker | .... | first assistant camera (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Thomas S. Dawson | .... | costume: men (4 episodes, 1983) | |
| Donna Roberts | .... | costume supervisor: women (4 episodes, 1983) | |
| Jerry Herrin | .... | costumer (unknown episodes) | |
Series Music Department | |||
| Richard Nash | .... | musician: trombone soloist (4 episodes, 1983) | |
| Jay Alfred Smith | .... | music editor (4 episodes, 1983) | |
| Henry Mancini | .... | composer: song "Anywhere the Heart Goes" (unknown episodes) | |
Series Other crew | |||
| Paul Pav | .... | location manager (4 episodes, 1983) | |
| Sandra Seacat | .... | acting coach: Rachel Ward (4 episodes, 1983) | |
| Terrance Sweeney | .... | technical advisor / religious consultant (4 episodes, 1983) | |
| Anne Warner | .... | script supervisor (3 episodes, 1983) | |
| Elise Ganz | .... | studio teacher (unknown episodes) | |
| Carol Green | .... | unit publicist (unknown episodes) | |
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| Monsignor | Giant | The Shoes of the Fisherman | In the Time of the Butterflies | The Godfather: Part III |
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My mother was given the box set DVD for Christmas, we sat down to watch it on Christmas day at about 8 o'clock, and didn't move until the early hours of the next morning. I simply couldn't drag my eyes away from the screen for one second. I became such an instant fan that as soon as I could I rushed off and bought the book, and before I knew it, I'd finished that as well! Towards the end of the film I felt myself identifying more with Justine, than I had done with Meggie the younger and elder throughout the film. Fate is always so cruel, how could Dane leave Meggie, and how could Justine desert her mother, and just how long did Fee live? That women seemed everlasting! Overall, I loved every second of it, and felt, as every women does, a very strong attraction to Richard Chamberline THROUGHOUT! I probably would've starved and gone without sleep if the book hadn't been prised away from my hands.