IMDb > "Mansfield Park" (1983)

"Mansfield Park" (1983) More at IMDbPro »TV mini-series 1983-

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Impoverished Fanny Price is sent to live with her more affluent uncle and aunt. The arrival of new neighbors brings a chance for romance to Fanny and her cousins. Full summary »
2 nominations See more »
User Reviews:
Better than the film See more (40 total) »


 (Series Cast Summary - 16 of 26)

Anna Massey ... Mrs. Norris (6 episodes, 1983)
Angela Pleasence ... Lady Bertram (6 episodes, 1983)

Sylvestra Le Touzel ... Fanny Price (6 episodes, 1983)

Nicholas Farrell ... Edmund Bertram (6 episodes, 1983)
Jackie Smith-Wood ... Mary Crawford (6 episodes, 1983)
Robert Burbage ... Henry Crawford (6 episodes, 1983)

Gorden Kaye ... Dr. Grant (6 episodes, 1983)
Susan Edmonstone ... Mrs. Grant (6 episodes, 1983)
Neville Phillips ... Baddely (6 episodes, 1983)
Snuff ... Pug (6 episodes, 1983)
Bernard Hepton ... Sir Thomas Bertram (5 episodes, 1983)

Samantha Bond ... Maria Bertram / ... (5 episodes, 1983)

Christopher Villiers ... Tom Bertram (5 episodes, 1983)
Liz Crowther ... Julia Bertram (5 episodes, 1983)
Jonathan Stephens ... Mr. Rushworth (5 episodes, 1983)
Gillian Martell ... Mrs. Rushworth, Senior / ... (3 episodes, 1983)

Series Directed by
David Giles (6 episodes, 1983)
Series Writing credits
Jane Austen (6 episodes, 1983)
Ken Taylor (6 episodes, 1983)

Series Produced by
Betty Willingale .... producer (6 episodes, 1983)
Series Original Music by
Derek Bourgeois (6 episodes, 1983)
Series Cinematography by
Chris Wickham (6 episodes, 1983)
Trevor Wimlett (6 episodes, 1983)
Series Film Editing by
Stan Pow (5 episodes, 1983)
Series Production Design by
John Bone (6 episodes, 1983)
Series Costume Design by
Ian Adley (6 episodes, 1983)
Series Makeup Department
Daphne Croker .... makeup designer (6 episodes, 1983)

Derek Lloyd .... makeup artist (unknown episodes)
Series Production Management
Marion McDougall .... production manager (6 episodes, 1983)
Anthony Smith .... production manager (6 episodes, 1983)
Series Art Department
Sally Clements .... property buyer (6 episodes, 1983)
Peter Netley .... graphic designer (6 episodes, 1983)
Series Sound Department
Robin Luxford .... sound (6 episodes, 1983)
Series Camera and Electrical Department
Bert Robinson .... lighting technician (6 episodes, 1983)
Series Editorial Department
John Barclay .... vision mixer (6 episodes, 1983)
Series Other crew
Paul Carney .... assistant floor manager (6 episodes, 1983)
Yvonne Collins .... production assistant (6 episodes, 1983)
Sally Dean .... production assistant (6 episodes, 1983)
Geoff Higgs .... engineering manager (6 episodes, 1983)
John Holmes .... dog trainer (6 episodes, 1983)
Mary Holmes .... dog trainer (6 episodes, 1983)
David Mason .... assistant floor manager / assistant floor managers (6 episodes, 1983)
Sheelagh Rees .... production associate (6 episodes, 1983)
Roger Neal .... vision control supervisor (2 episodes, 1983)
Geraldine Stephenson .... choreographer (2 episodes, 1983)

Production CompaniesDistributors

Additional Details

Also Known As:
261 min
Sound Mix:

Did You Know?

The maroon military-styled Spencer worn by Jackie Smith-Wood (Mary Crawford) to the wedding is the same costume worn by an extra in the street in Brussels in "Vanity Fair" (1998), and by Amira Casar (Catherine) in Sharpe's Siege (1996) (TV).See more »
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30 out of 31 people found the following review useful.
Better than the film, 25 January 2004
Author: ataulealo

Low budget films and television productions have to be accepted for what they are. That being said, the 1983 Mansfield Park still has a distinctive on-location look and the cast is uniformly strong - Sylvestra Le Touzel has just the right mix of prettiness and austerity and Nicholas Farrell is excellent as Edmund.

Where the 1999 film sacrificed the book's moral subtlety for pretty obvious ends (Fanny becomes a sort of pseudo-feminist icon, but of course back in the eighteenth century, before it was cool) the 1983 film contains all the troubled morality of the book - its characters, many of whom are failures in way or another, are presented with sympathy and irony, and the faithfulness of the screenplay is infinitely to be preferred to the 1999 film's racy, but ultimately pedestrian value system.

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