Four young women driving across the desert to Las Vegas have their road trip turned upside-down when they pick up a handsome, seemingly-friendly hitchhiker. When their car breaks down near a roadside motel in the middle of nowhere, they find themselves trapped with a woman-hating, masochistic killer.
Cat, a fugitive from a parallel Earth ruled by aliens, lands on "our" Earth in the middle of a freeway, causing an accident. She is slightly injured, and wakes up in the emergency room of a... See full summary »
Anne Le Guernec,
Professor hires a spaceship to get to the source of weird signals from deep space. The trip is cut short however when the ship's computer gets jealous because the captain is in love with one of the female passengers and it gets homicidal.
Catherine Mary Stewart,
A band of medieval mercenaries take revenge on a noble lord who decides not to pay them by kidnapping the betrothed of the noble's son. As the plague and warfare cut a swathe of destruction... See full summary »
Jennifer Jason Leigh,
A series of mystery-thriller stories, linked only by the character of The Hitchhiker, who would introduce and close each episode in the style of Rod Serling or Alfred Hitchcock. Occasional stories involved supernatural forces, but most plot twists stemmed only from the dark side of the human spirit. Written by
Jean-Marc Rocher <email@example.com>
"The Hitchhiker" was (still is) one hell of a TV series; much better than the junk currently being released in movie theaters. I missed this show when it first aired in the 80's. Luckily, one can find reruns of it on HBO Zone. It's worth seeking out.
For starters, the opening theme is pulsating and gets under your skin. As good is the ending-credits music found only in the 1987 season.
This show was bold, thrilling, imaginative and sexy while at the same time more intelligent and relevant than most TV shows/movies released. Some episodes had nudity and (strong) violence, but it was all at the service of the enormously talented writers and directors. In general, episodes created mood and atmosphere without gore or anything shocking on-screen at all.
Almost any episode of this show is great:
"Killer" and "Homebodies" had story structures similar to M. Night Shyamalan's movies. "Killer" opened with a long, unbroken tracking shot much later popularized in some movies from the mid-90's on up ("Boogie Nights," for example).
"Why Are You Here?" was shot entirely by the actors -- a precursor to the style of film-making found in the movie "The Blair Witch Project," however made 12 years before.
Also great were religious-themed episodes like "W.G.O.D.", about a born-again preacher with a terrible secret, and "True Believer," where a detective confronts his own demons while trying to solve a murder case involving an "infested" convent.
I can't say enough how wonderful this show is. It's sometimes tough to watch, but there are many rewards to be found at the end. Some episodes improved with repeated viewings.
Catch this show on HBO Zone while you still can.
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