Detective Inspector Jack Frost is an unconventional policeman with sympathy for the underdog and an instinct for moral justice. Sloppy, disorganized and disrespectful, he attracts trouble like a magnet.
Gary Sparrow lives in the 1990s with his wife but has a route back to the 1940s where he has a mistress. Gary has a tough time keeping his double-life a secret from the two women as he ... See full summary »
Jakob, a former teacher who lost his job due to the new Communist system, can only stand by and watch as the world around him slowly disintegrates, and fear and suspicion rule the day. Like... See full summary »
Three old men from Yorkshire who have never grown up face the trials of their fellow town citizens and everyday life and stay young by reminiscing about the days of their youth and attempting feats not common to the elderly.
Uniform officers and detectives from Sun Hill police station enforce law and order on a day to day basis. A policeman's job is much more than just catching criminals; in order to survive each day they must deal with frustrating members of the public, and often their own colleagues. From petty thieves to violent drug dealers, life is never easy for the members of the Metropolitan Police Force. Written by
A special live episode (The Bill: 162 (2003)) was broadcast on the 30 October 2003 to celebrate twenty years of the show since the pilot Storyboard: Woodentop (1983). In a shock move the character of DC Juliet Becker (Rae Baker) was stabbed to death by a drunken man (played by Charles Dale), having only been in the show for four months. On the 22 September 2005 a second live episode (The Bill: 349 (2005)) was shown to celebrate the 50th birthday of ITV, the network that broadcasts the show. The storyline involved the armed siege of Sun Hill police station by the distraught father (Stuart Laing) of a boy killed by a car thief. See more »
There were actually three versions of the credits featuring the plodding feet. There was a blue-tint version used in the original episodes in the 1980s, a 1990s fuzzy, overcast version and mid-1990s fine weather version. See more »
'The Bill', along with the BBC's medical shows 'Holby City' and 'Casualty' has been transformed from a popular drama series into a straightforward soap opera. The clearest sign of this is the steady replacement of the old cast over recent years with refugees from 'East Enders', 'Coronation Street' and 'Brookside'. The problem with this is that instead of the old format where crimes would be investigated each week with characters' personal lives providing occasional subplots, the two have become merged. Each crime in Sun Hill now involves one of the regular's wife/lover/child/brother etc. Long lost friends and relatives appear out of the blue to be gunned down or abducted. Like Holby City in particular the plots have become ever more sensational and ludicrous. Several of the cast who were to be written out perished in a fire at the Police Station-started by one of the other characters!This character is still in the show and his crime has now been quietly forgotten. Another character was kidnapped and murdered by a female serial killer who was so over the top she practically foamed at the mouth.The Superintendent went mad and shot himself, but not before getting another of the characters pregnant. Every regular is having an affair with or secretly fancies one of the others. At least three of the regular characters are seriously deranged, one is a drug addict and another a complete crook. Some of the characters, including the new ones are engaging and well acted-my interest in the show always revives when Suprintendent Okaro, Inspector Gina Gold or DCI Jack Meadows are involved and actually carrying out police work. The Bill's revamp has apparently increased its audience significantly, but can it avoid sinking under the weight of its increasingly top-heavy and absurd plotlines?
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