The everyday lives of working-class inhabitants of Albert Square, a traditional Victorian square of terrace houses surrounding a park in the East End of London's Walford borough. The square includes the Queen Vic pub and a street market.
Pam St. Clement
A group of five strangers, each an amateur chef, compete to host the best dinner party, each party solely for the competitors and to be held on consecutive evenings. With a set amount of ... See full summary »
Uniform officers and detectives from Sun Hill police station enforce law and order on a day to day basis. A policeman's job is much more than just catching criminals; in order to survive each day they must deal with frustrating members of the public, and often their own colleagues. From petty thieves to violent drug dealers, life is never easy for the members of the Metropolitan Police Force. Written by
A special live episode (The Bill: 162 (2003)) was broadcast on the 30 October 2003 to celebrate twenty years of the show since the pilot Storyboard: Woodentop (1983). In a shock move the character of DC Juliet Becker (Rae Baker) was stabbed to death by a drunken man (played by Charles Dale), having only been in the show for four months. On the 22 September 2005 a second live episode (The Bill: 349 (2005)) was shown to celebrate the 50th birthday of ITV, the network that broadcasts the show. The storyline involved the armed siege of Sun Hill police station by the distraught father (Stuart Laing) of a boy killed by a car thief. See more »
There were actually three versions of the credits featuring the plodding feet. There was a blue-tint version used in the original episodes in the 1980s, a 1990s fuzzy, overcast version and mid-1990s fine weather version. See more »
The Bill was compulsory viewing for its first decade or so, but its relatively-new executive producer and his team of gossip-writers have conspired to reduce it almost to farce, presumably driven by a desire to attract those who habitually switch off after the serial soaps.
That is sad enough, but even sadder is the fact that even its degraded form, The Bill remains one of the better current offerings on television, purely for the two or three minutes per episode now devoted to the original concept.
Perhaps we should be grateful for those few minutes, which those attracted to the programme for other reasons may ignore while making or taking bets on which of the Sun Hill staff will soon have a child kidnapped, or prove to be corrupt, have a serious problem with alcohol or drug abuse, turn out to be either adopted or the parent of a long-lost illegitimate child, become unfaithful or a bigamist, go mad or murder several colleagues.
If only we'd known.
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