Uniform officers and detectives from an inner London police station enforce law and order on a day to day basis.

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Cast

Series cast summary:
Graham Cole ...
 PC Tony Stamp / ... (1,176 episodes, 1984-2009)
...
 P.C. Hollis / ... (993 episodes, 1984-2008)
Trudie Goodwin ...
 Sgt. June Ackland / ... (961 episodes, 1984-2007)
...
 DCI Jack Meadows / ... (872 episodes, 1990-2010)
...
 D.C. Carver / ... (773 episodes, 1984-2007)
Eric Richard ...
 Sgt. Bob Cryer / ... (762 episodes, 1984-2004)
Colin Tarrant ...
 Insp. Andrew Monroe / ... (695 episodes, 1990-2002)
...
 P.C. Dave Quinnan / ... (682 episodes, 1987-2002)
Tony O'Callaghan ...
 Sgt. Matthew Boyden / ... (672 episodes, 1989-2003)
Huw Higginson ...
 P.C. George Garfield / ... (640 episodes, 1989-2000)
Lisa Geoghan ...
 W.P.C. Polly Page / ... (579 episodes, 1991-2004)
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Storyline

Uniform officers and detectives from Sun Hill police station enforce law and order on a day to day basis. A policeman's job is much more than just catching criminals; in order to survive each day they must deal with frustrating members of the public, and often their own colleagues. From petty thieves to violent drug dealers, life is never easy for the members of the Metropolitan Police Force. Written by ttl

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Certificate:

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Details

Country:

Language:

Release Date:

16 October 1984 (UK)  »

Also Known As:

Lov og uorden  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(1988-1998) | (1984-1988, 1998-2010)

Sound Mix:

|

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

David Tennant, who played Steve Clemens in "Deadline" (#11.128) later married Georgia Moffett, who played recurring character Abigail Nixon, on 30 December 2011. See more »

Quotes

[to DS Samantha Nixon]
DS Phil Hunter: Sergeants stick together; maybe you should join the club.
See more »

Crazy Credits

There were actually three versions of the credits featuring the plodding feet. There was a blue-tint version used in the original episodes in the 1980s, a 1990s fuzzy, overcast version and mid-1990s fine weather version. See more »

Connections

Referenced in Bottom: Dough (1995) See more »

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User Reviews

Yes, THE BILL made me into a pathetic television junkie.
7 September 2000 | by (Lowell, Mich. U.S.A.) – See all my reviews

THE BILL is very hard to come by in the States, and even when it was running on CBC-Windsor, it was impossible to see it this far from the border. No cable CBC around here (do not have it anyway). I got hooked around seven years ago; it was aired one episode per day starting with 1988 episodes, which I viewed from Detroit. Eventually the station ran them all again in sequence.

At very first I avoided it. I never, for example, watched HILL STREET BLUES, which I thought THE BILL would be like. Wrong! Straightaway I was hopelessly hooked, even arranging my day so I could be home in late afternoon.

Keeping in mind that I have not seen an episode newer than perhaps 1995, I thought (think) THE BILL was an excellent programme, calling it my "soap opera." Some friends thought my being so devoted to a "cop show" was out of character, and perhaps yes, but it was the exotic setting . . . yet more: The stories' construction, occasionally running three tales in a mere half-hour, the dialogue, the character development and interactions, all for the most part top notch. I picked up a lot of obnoxious British lower-class slang, too. One also notes how most of the outdoor scenes are uncharacteristically sunny and warm, but surely that cannot be London?

The cheek: I once wrote offering to do a part for nothing if I could depict an obnoxious North American who gets punched out by D.I. Burnside. (P.C. Loxton would be unacceptable.)I was never favoured with a reply.

I have seen negative comment in this forum and else-where that THE BILL is turning into a real "soap," but cannot comment. All I can say to my mates over here is that British "prime time" drama as represented by THE BILL is as good as anything done in the States -- but without the bigger-than-life, distracting, razmatazz. To coin the proverbial phrase, Good Show.


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