Detective Inspector Jack Frost is an unconventional policeman with sympathy for the underdog and an instinct for moral justice. Sloppy, disorganized and disrespectful, he attracts trouble like a magnet.
Jakob, a former teacher who lost his job due to the new Communist system, can only stand by and watch as the world around him slowly disintegrates, and fear and suspicion rule the day. Like... See full summary »
Arthur Daley, a small-time conman, hires former boxer Terry McCann to be his 'minder', so Terry can protect him (Arthur) from other, small-time, crooks. While Terry is trying his hardest to... See full summary »
Uniform officers and detectives from Sun Hill police station enforce law and order on a day to day basis. A policeman's job is much more than just catching criminals; in order to survive each day they must deal with frustrating members of the public, and often their own colleagues. From petty thieves to violent drug dealers, life is never easy for the members of the Metropolitan Police Force. Written by
In July 2009 the series was relaunched having undergone significant changes to provide viewers with a more immersive experience. Given a later time-slot at 9pm, the series was intended to be darker, grittier and more hard-hitting drama which would dig deeper into characters to tell stronger and more challenging stories. Now shot in high definition, the series also started using incidental music for the first time and featured new title credits and theme music. ITV announced that it was going to become the first drama on British television that would run all year round in the 9pm slot. See more »
There were actually three versions of the credits featuring the plodding feet. There was a blue-tint version used in the original episodes in the 1980s, a 1990s fuzzy, overcast version and mid-1990s fine weather version. See more »
The Bill was compulsory viewing for its first decade or so, but its relatively-new executive producer and his team of gossip-writers have conspired to reduce it almost to farce, presumably driven by a desire to attract those who habitually switch off after the serial soaps.
That is sad enough, but even sadder is the fact that even its degraded form, The Bill remains one of the better current offerings on television, purely for the two or three minutes per episode now devoted to the original concept.
Perhaps we should be grateful for those few minutes, which those attracted to the programme for other reasons may ignore while making or taking bets on which of the Sun Hill staff will soon have a child kidnapped, or prove to be corrupt, have a serious problem with alcohol or drug abuse, turn out to be either adopted or the parent of a long-lost illegitimate child, become unfaithful or a bigamist, go mad or murder several colleagues.
If only we'd known.
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