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Últimos días de la víctima (1982)
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Overview
User Rating:
Release Date:
8 April 1982 (Argentina) morePlot:
The story of a hitman, a man who kills other people for money, and the dangers that come with the job. | add synopsisPlot Keywords:
Awards:
8 wins & 1 nomination moreUser Comments:
The best Argentine movie ever made!!! moreCast
(Cast overview, first billed only) | Federico Luppi | ... | Raúl Mendizábal |
 | Soledad Silveyra | ... | Cecilia Ravenna |
| Ulises Dumont | ... | Gato Funes |
| Julio De Grazia | ... | Carlos Ravenna |
| Arturo Maly | ... | Rodolfo Külpe |
| Elena Tasisto | ... | Laura Ramos de Külpe |
| Enrique Liporace | ... | Peña |
| China Zorrilla | ... | Beba (Landlady) |
| Mónica Galán | ... | Vienna |
| Carlos Ferreiro | ... | Ferrari |
| Pablo Rago | ... | Bruno Külpe |
| Norma Kraider | ... | Amante de Külpe |
| Adolfo Aristarain | ... | Shopkeeper |
| Ángel Faretta | ||
| Jorge Gundín |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
90 minCountry:
ArgentinaLanguage:
SpanishColor:
Color (Eastmancolor)Sound Mix:
DolbyFilming Locations:
Buenos Aires, Federal District, ArgentinaFun Stuff
Trivia:
Argentina's official submission for the 1982 Oscar Awards, Foreign Language film category. moreFAQ
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Related Links
| Full cast and crew | Company credits | IMDb Crime section |
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I'm Argentinian, though I'm not very fond of Argentine films. Most of them suffer from poor dialogue and bad acting. Also, there aren't many directors that are really good. Adolfo Aristarain is one of them, the best of them. Here he does his finest, most perfect film, a marvellous, cold-hearted film noir, where characters seem to have no purpose in life. Federico Luppi plays a hitman who's about to retire and has to do his last assignment, though I'm not gonna say what it is because I'll be giving away an excellent plot. The acting is superb, the script (based upon the novel of the same name by Jose Pablo Feinmann) wonderful, and the direction solid. Ultimos Dias de la Victima is the best Argentine film ever made and maybe one of the best movies in all film history. Needless to say, I'm giving it a very enthusiastic 10. Some years later, the very inferior Argentine director Hector Olivera, disastrously remade this film as Two to Tango for Roger Corman.