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Storyline
An 'Airplane'-style spoof of hospital soap operas: a brilliant young trainee can't stand the sight of blood; a doctor romances the head nurse in order to get the key to the drugs cabinet; there's a mafioso on the loose disguised as a woman - in other words all the usual ingredients present and correct, though in this case the laughs are intentional. Written by
Michael Brooke <michael@everyman.demon.co.uk>
Plot Summary
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With a song in their hearts and a foot in their mouths . . . they are [Video Australia]
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Did You Know?
Trivia
The hospital setting was shot in a former drug detoxification center in the wing of real life functioning hospital. The hospital was Rancho Los Angeles in Downey, California.
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Goofs
Malamud pushes an air conditioner out of the wall and there is a rope tied to his foot, but as he falls through the sky light in the next shot, there is no sign of either the air conditioner that he pushed out or the rope that was tied to his foot.
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Quotes
Dr. Phil Burns:
Relax, relax. Take off your key.
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Crazy Credits
Later on it says Laser Effects Provided By: Then it shows two ducks being incinerated by a laser.
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Soundtracks
"GUAJIRA FLUTE"
As performed by Tito Puente Band
Courtesy of GNP - Crescendo Records
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When I was younger, this was one of my favorite movies. Don't ask why... just accept it. I remembered the little things. Michael McKean cutting out the pinatas appendix as a child. The kids imitating Sean Young as she goes into convulsions during a dance class. Gary Friedkin trying to hang up the phone (he's a 'little person'... you know the scene.) The Philadelphia F'in Philharmonic. Harry Dean Stanton... as though you need anything more, right?
I bought a used copy in the late 90s and watched it again... oh boy... nowhere near the film I thought it was. Then I realized it followed up Airplane! and several other like-minded spoofs of the day. It was confused in a lot of ways, as though it wanted to be raunchy but wasn't sure how to do it.
I still like the film in bits... some of them are genuinely funny. But as others said, it has a genuine sitcom feel to it. This is Marshall's first film after having worked in television for over 20 years and considering his track record since, you can tell he learned a few things from this film. After this, he went on to make Pretty Woman, the Runaway Bride, and Frankie & Johnny, all of which are decent films. Of course he also directed Exit to Eden (Rosie O'Donnell and Dan Aykroyd in bondage-wear? OUCH!) but we'll forgive him for that...