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35 out of 44 people found the following review useful:
I love this film more than I love my family., 7 December 2003
Author:
daxdobbs from HOLLYWOOD!!!!
"Yor: Hunter From the Future" is one of the most underrated films of the
last nine thousand years. A key inspiration for such amazing works as
"American Beauty" and "Hollywood Harry", this science fiction epic
deserves
to be rediscovered. The story follows a shy, and stupid blonde man who
wanders through a prehistoric wasteland. As he encounters various villages
and communities, he manages to destroy everything in his wake and ruin
everyone's lives. The last thirty minutes are a revelation as our hero,
his
love interest, and some fat shirtless guy (who I still think is Orson
Welles) are transported into space. There they fight a bunch of robots and
shoot laser beams.
Seriously, gang, if you want a film that will make you want to kill
someone, then this is for you. Brilliant direction, acting, and writing
all
around. Best line: "DAMN TALKING BOX!!!!" Yor is played by an actor who
never got his due in bad porn. The special effects blow Lord of the Rings
out of the dork shelf at the rental store. You're going to love this movie
so much you will want to slap yourself and hope that it isn't a dream.
Nine out of five stars.
Blurb: "Yor, more like Big Time!"
24 out of 32 people found the following review useful:
Never elect a man called "Overlord" as your leader. It's only asking for trouble, 25 May 2006
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Author:
randompaul from United Kingdom
The first thing that needs to be said about this movie, is something
that should, and shall, be said about all Reb Brown movies. REB BROWN
RUNS LIKE A GIRL. There, I am glad I have got that out of the way. This
is something that is apparent from the word go in this movie. Yor
dramatically enters, and proceeds to skip across the desert, arm
flailing about, and generally he is looking like he has never ran
across rough terrain before. I sure this wasn't the intention. I'm
sure, that the intention was for Yor to come across as quite adept and
at home in this barren landscape. Equipped with nothing more than an
axe, a loincloth and a fantastic theme tune, I sure he was supposed to
appear to be some kind of natural hunter, at one with his surroundings
and senses. But unfortunately, as I have said before, REB BROWN RUNS
LIKE A GIRL.
That said, everybody should be like Yor. Everybody should have their
own them tune. A theme tune that not only can inspire you to achieve
great things in your life, but can also inspire those around you to
become better people, and put their absolute trust in you. Yor's theme
tune is great. It does all that a personal theme tune should do. It
spontaneously burst into play whenever he does something slightly
random, like killing a giant bat and using it as a hang glider, or
performing fantastic trapeze stunts with an ageing, fat caveman who has
man-boobs. But more about those incidents later.
Yor is a hunter. Quite what he hunts is a mystery to me. With this
movie apparently set in Pre-historic times, surely everybody is a
hunter, therefore making the term 'hunter' meaningless. Nonetheless,
yor is a hunter. In this, his first and only movie, he quickly
befriends the saggy old man, Pac, and a very clean cave woman called
Kala. Together, they travel through prehistoric lands, accidentally
destroying every single tribe, village or civillisation that they
happen to come across. I mean all. Sorry to give that one away, but
seriously. Yor is the cause of the destruction of no less than five
tribes of people. Sometimes intensional, sometimes purely by accident.
He is one of those people that you really would try your best to divert
from your village. He is however, quite adept at killing mutated
paper-mache dinosaurs. I say mutated, because they are quite simply
like no dinosaurs I have ever seen, and react like no creatures I have
ever heard of. The first being a cross between a stegosaurus and a
triceretops, a tristegoceretops if you will. But after killing it, he
does what every hunter would do, drinks it's blood, but as he so wisely
puts it, "drinking the blood of your enemy makes you stronger". Then
there is the giant bat. The most useful creature in his entire world.
Not only does it fly past at just the right time, but this creature
conveniently goes into instant rigour Mortis, even before it hits the
ground. This allows Yor to use the said bat as a hang glider to fly
into a cave, rescue Kala, and you guessed it, entirely wipe out the
tribe that kidnapped her. Fantastic stuff.
This is a very interesting world, it has to be said.There are a few
things that can be learnt from this movie. the first being you can make
absolutely anything out of straw. Straw seems to be the most versatile
substance in the entire world. Pac's bow and arrows are made from it,
villages are entirely made from it, they even sail a boat made from
straw. Which bring me to my next learning point, if you are planning to
sail to a place called 'The island of Storms', don't do it in a straw
boat. That really is just asking for trouble.
But it is at the island of storms that the movie takes an unexpected
twist (at least it would be if the blurb on the back of the video box
din't tell you the entire plot of the movie). The movie gets invaded by
a completely different movie altogether. But not just any movie, it
gets invaded by a cheap remake of Star Wars. Led by the 'Overlord' who
is a dead ringer for the Emperor, and his team of robots, who are dead
ringers for Darth Vader, they capture Yor and demand to take over the
movie. Despite futile efforts to resist, Yor is eventually forced to
submit to there demands and pick up his blaster rifle to continue the
battle. Something which he learns to use confidently in a very short
space of time. It is a skill he uses efficiently in his other movie,
Space MUtiny, where he also RUNS LIKE A GIRL, SCREAMS LIKE A GIRL and
generally acts ALL GIRLIE LIKE.
17 out of 21 people found the following review useful:
Award Winning, 11 January 2006
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Author:
mjsmas5193 from United States
Yor is great when there is nothing to watch and along comes YOR you can easily stop clicking channels you have been saved .You can watch Yor in any mood and it fits .There is only one catch you can not tell your friends you watched it by your self.You can watch it and drive someone else in the room crazy.I just wish it was a series there is so much more he could do . Stunts like Yor falling off the cliff is amazing I can not tell how they pulled it off.Some how I just knew when he killed the Great flying moth he was going to use it to swoop in on the Hairy Monster men .I don't know how he easily overcame the leader when he was wearing Yors strenght necklace. In the sequel Yor could face the underwater men. The adventures could go on and on Yor the ever living cave dweller.I even think Yor could reach out into the space age and fit in. LONG LIVE YOR
12 out of 13 people found the following review useful:
Desert Zombies...apemen...cavegirls!, 4 May 2000
Author:
roninjoker-2 from Cambridge MA
Now here is a movie that gets a horrible rap, for reasons I can't fathom.
Sure it's cheap, but at least it moves quickly. Yor is a strapping caveman
type who runs from adventure to adventure, battling cool dinosaur puppets,
desert zombie hordes, sex hungry ape men and more. Reb Brown certainly has
the acting range of a baked potato, but Yor isn't exactly deep material.
Corinne Cleri is very stunning in her little cavegirl outfit, and when John
Steiner comes in to explain it all, you can't help laughing.
Look for the funniest trapeze stunt you'll ever see a G.I. Joe
perform!
15 out of 19 people found the following review useful:
Conspiracy at Academy Awards, 4 January 2006
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Author:
nshaw from United States
*** This review may contain spoilers ***
This was the greatest science fiction film ever made. It had everything
from half naked cave women (who look like strippers) to giant dinosaur
puppets that our hero, the brain damaged surfer, must battle to save
the planet (only to set off an atomic bomb accidentally at the end of
the movie).
Star Wars won an academy award for special effects and it only had 1
Darth Vader. Well, this movie has like 50. You know it was a conspiracy
at the academy awards. This movie should have cleaned house.
If you haven't seen this movie that is almost as bad as being a virgin.
You have really missed something wonderful and unique that all human
beings should experience.
If everyone watched this movie there would be no famine or war, and the
ozone layer would grow back.
16 out of 22 people found the following review useful:
Best movie ever, 11 February 2005
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Author:
gjpizzo04 from United States
This has to be the best movie of all time. Any future in which the properties of water change to become flammable is a future i can look forward too. Special visual and sound effects which compare to the likes of Space Invaders from Atari. However, I think the best was costume design of the monsters. It brings back memories of childhood from when my parents took me to see Dinosaurs Alive at the zoo. Reb Brown should win an academy award for his role as YOR. Only he can pull of such a great screenplay with classic lines like "Damn Talking Box". I can only hope that one day they make a sequel to this movie. I believe that it will be directed by this new and up coming star Ed V.
10 out of 12 people found the following review useful:
The ultimate barbarian/ufo/dinosaur/scifi B-movie, 23 April 2002
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Author:
ClutchControl from Sweden
*** This review may contain spoilers ***
This movie is an absolutely superb beer and crisps movie to be shared with likeminded friends. If you have been looking for the ultimate barbarian-scifi-dinosaur-ufo combo movie check it out. Who could have believed anyone really ever made i movie of this calibre. I mean, jurrasic park only had pixels, but this movie has full blown papiermaché monsters. Brilliant! And not only is it full of really bad acting, FX, costumes etc but it's hilarious to watch. Having watched it a couple of times (incredulously on both occasions) we have coined the term to "Yor" when playing games, meaning to destroy or eradicate (by accident) a town or village. This in fact happens four times during the movie i.e. every time Yor meets up with any kind of civilization. Errr, make that five times.
8 out of 9 people found the following review useful:
Egads!, 21 March 2006
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Author:
xredgarnetx from Connecticut
Ah, memories, sweet memories. I recall pulling into the movie theater parking lot with scant seconds to spare before YOR was to begin. I wanted to see YOR because of its title. It also was the only movie starting when we arrived, to be truthful. YOR was magnificently, superbly bad and one of the worst Italian muscle men films in history. And since this was released in the 1980s, our Italian friends threw in a little STAR WARS shtick in the second half for good measure. Reb "Captain America" Brown as Yor is an insult to actors everywhere. The special effects are laughable, on a par with a high school production. Everything you have read elsewhere about this film is true. I still can recall Brown fighting the head -- but not the body -- of a raptor and some bizarre gliding nonsense and a poorly executed laser battle near the end. I have seen some real stinkers in my time, but this one pretty much takes the cake. My wife and I and company snorted and chortled our way through the whole thing, which beat crying. YOR is a must-see for Z-grade film lovers everywhere! Remember those awful sword and sorcery flicks with the guy who played Tarzan in the late 70s? Remember that particular Tarzan flick? YOR is worse. But entertaining in a trashy way.
6 out of 6 people found the following review useful:
One Of Humanity's Finest Contributions, 8 July 2010
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Author:
Steve Nyland (Squonkamatic) from New York, USA
I live for movies like YOR. Even without the Margheriti connection YOR
would be high on my list of Coolest Movies Ever. Quite frankly it has
everything: Giant dinosaur puppets, hot cave girls with oiled thighs, a
funky rock music score, stormtroopers wearing armor made from Home
Depot plumbing fixtures, Luciano Pigozzo, and John Steiner. Along with
entertainments like KINGDOM OF THE SPIDERS, FORBIDDEN WORLD, OPEN
SEASON with Peter Fonda, DEATH RIDES A HORSE, and VAMPIRE CIRCUS, this
movie rules, and is almost as cool as even KING KONG VERSUS GODZILLA,
though I know that may be hard to believe. Someone should load an old
prior rental VHS copy of this onto a satellite & fire it towards Alpha
Centauri; we would hear back from them asking for more.
I don't snicker or laugh at this film so much as with it, and in all
seriousness am in awe of the execution. What we here in North America
know as YOR is actually a condensation of a four hour Italian made for
TV miniseries made to cash in on the wild popularity of Mike Hodges
1980 treatment of FLASH GORDON crossed with the CONAN THE BARBARIAN
type epics that were all the rage. The series was directed with
characteristic gusto by my favorite of the Italian genre film
specialists, Antonio Margheriti, a seasoned hand at science fiction,
fantasy, horror, Peplum sword & sandal thrillers, Spaghetti Westerns
... Margheriti did it all but never quite got the artistic recognition
that his colleagues Mario Bava, Riccardo Freda, Sergio Leone, and
Sergio Corbucci attained.
Margheriti -- billed here by his frequent pseudonym, Anthony M. Dawson
-- had more of a craftsman's approach to his film-making, with an
assembly line method of producing them and his fingers on the pulse of
the viewing public that resulted in a number films which resonated with
international audiences; 1964's CASTLE OF BLOOD, the chilling VIRGIN OF
NUREMBERG from 1963, the Gamma One Quartet of science fiction
potboilers, and 1978's KILLER FISH with Lee Majors & Anthony Steffen,
one of the most glorious mismatches in casting history. Margheriti may
not have inspired artistic reverie, but people consistently went to see
his films and continue watching them to this day on home video formats.
Margheriti was reportedly a bit chagrined that of all his catalog YOR
was probably the most widely seen of his films in North America, thanks
in part to the home video era, when a PG rated movie the family could
safely watch together was perhaps a more valuable commodity than now.
As such a lot of us got to see YOR on home video as youngsters and now
maintain a fervent cult of followers as adults. Whoever owns the rights
to this film is totally missing the Money Boat in not pushing a DVD
re-release, preferably showing both the 90 minute English language edit
and the 4 hour Italian print with appropriate subtitles. You will sell
many units of this movie, sir. No doubt the rights to the music remain
the sticking point in the affair, and that's what lawyers are for. Let
them work it out, just get the DVD ready in the meantime maybe.
YOR has some interesting attributes to it as well, shot for the most
part in Turkey using some decidedly unique landscapes as backdrops for
what is essentially a post-apocalyptic wasteland thriller. Then there
is the herd of marvelous, inventive, and oh-so endearing dinosaur
creature effects, designed & executed in part by Margheriti's son
Edoardo, who would also go on to enjoy a career as a filmmaker as well.
Sure, it's dumb to show humans and dinosaurs in the same movie, and
even dumber to make the things have to fall over on their sides to
indicate they're dead. Must have taken four guys off-camera to push
them over, and the stubbornness of their insisting on doing it like
that is remarkable.
But then again, what IS a film anyway? It's make believe. Seeing people
getting worked up over realism or accuracy in what is essentially a
group of grown adults running around with clubs or spears while dressed
up like cave people is absurd. It's a fantasy film, and a darn good one
at that. The story is confused as we see it in the English language
edit but taking the film to task for that is like expecting a less than
two hour version of SHOGUN or ROOTS to make sense. It was also a small
screen production never intended to have the scope of a STAR WARS or
even FLASH GORDON. The target audience was 8 to 14 year old boys
watching at home on TV, with Corinne Cleri scampering around in a fur
miniskirt for the dads & Reb Brown shirtless for the entire proceeding
for whoever else. They even oil Corinne up for some of her scenes and
she is a feast for the eyes, especially when a little mad about
something. Oooh!
Then there are the outrageous little scenes like Yor hang-gliding to
the rescue using a pterodactyl, the trapeze flip climax over the
nuclear core, Yor fighting the stegosaurus, and the little jailbait
cave girl hottie he is given as a mate after saving her from another
dinosaur, begging the muscular hero "TAKE ME WITH YOU, STRANGER!"
Twelve year old boys live for movies like this, or rather movies like
this will bring out the twelve year old boy within you ... Or inspire
you to point out that the stegosaurus was a plant eating dinosaur
unlikely to be hunting humans, and that just the likelihood of
dinosaurs re-evolving after a global apocalypse to live alongside
humans is beyond even considering. Or that they can see tanlines on the
cave girls from their modern day bikinis & that the Stormtroopers are
just wearing PVC tubing with moped helmets.
And I would have no choice but to call you a Fun Wrecker.
10/10
10 out of 14 people found the following review useful:
YOR and the Space Ship of Darthvaders..., 23 January 2007
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Author:
dave_beinlich from New York City
...that should have been this great films title. Reb Brown rocks, its amazing that in the time of dinosaurs, they also had hair bleach. These "horrible" Italian made films are a great way to see how Italians viewed American culture, for instance the theme song, sans the lyrical content that very well could have been preformed by any of the great American hair bands. Reb please make a sequel or prequel. This 10 line minimum is killing me here!..... seriously....................................................... .................. ..................... .......................... .............................
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