| Olivia Cheng | ... | Irene Leen | |
| David Chiang | ... | Walter Fink | |
| Clifton Ko | ... | Cameo | |
| Chia Yung Liu | ... | Cameo | |
| Alan Tam | ... | Bruce Sit | |
| Eric Tsang | ... | Bibot Tam | |
| Bak-Ming Wong | ... | Stewart Pik | |
| Ching Wong | ... | Butcher Man |
Directed by | |||
| Chia Yung Liu | (as Kar-Wing Lau) | ||
Produced by | |||
| Karl Maka | .... | producer | |
Cinematography by | |||
| Brian Lai | |||
Makeup Department | |||
| Steve Fiorilla | .... | mask designer | |
| Tom Savini | .... | special makeup effects artist | |
Special Effects by | |||
| Darryl Ferrucci | .... | special makeup effects assistant | |
Stunts | |||
| Chi-Keung Chiu | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Lai-Hing Lam | .... | assistant camera | |
| Wang-Fai Wong | .... | assistant camera | |
| Full cast and crew | Company credits | IMDb Horror section |
| IMDb Hong Kong section |
Innovative directing, great soundtrack - this is an early eighties hong kong ghost flick. Silly in the extreme, the trio of ghosts, who all look like vampires, do their best to encourage this hapless guy's lovelife. They appear and disappear using the film technology available at the time in a very creative way. Especially nice is a chair dancing scene after one of the characters sees a picture of charlie chaplin gracing the girlfriend's apartment wall. It's an homage to early cinema - very nice. The music score also compliments the action in a great way, with a leitmotif announcing the ghosts, making the most out of limited resources, combining real instruments with early eighties electronics. Great slapstick fun.