Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a "serious" writer, Jenny writes a feminist manifesto at an ...
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Tommy Wilhelm is a good honest man who's fallen on hard times after losing his job, but what really gets to Tommy is seeing both his friends and family turning their backs on him one after the other. He tries to seize the day - in vain.
Richard B. Shull,
Joe's a car salesman with a problem. He has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (... See full summary »
Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a "serious" writer, Jenny writes a feminist manifesto at an opportune time, and finds herself as a magnet for all manner of distressed women. Written by
Tony Bowden <firstname.lastname@example.org>
After young Garp tangles with Bonkers the dog, Jenny complains to Stew Percy that Bonkers bit Garp's earlobe off; and Garp's right ear is bandaged. At no time in the remainder of the film do we see any evidence of Garp's ear having been damaged. See more »
Many people criticize a film based on how close it relates and carries over from its novel or written form.
However, knowing up front that this film is NOT the book and dares to actually go in different directions than the book, may allow for a
viewer to be a bit more open about the point of the story and not necessarily the story itself.
I adore the novel. When the film came out I was crass about how much was omitted or changed or embellished. But then, several years later, I watched it again. I was amazed at how many of the unknown actors I'd seen before had become huge Hollywood staples (John Lithgow's amazing performance, Glenn Close, Robin Williams, Hume & Jessica, Mary Beth Hurt, the wonderful Swoosie Kurtz, the godess Amanda Plummer,
and even a cameo from John Irving himself!).
This film is alive with brilliant talent. And let's not forget the music as well. From the opening score of the Beatles, WHEN I'M 64 to the closing sounds of the helicopter, this films sountrack alone is worth drawing attention - simple, honest, pure.
There is magic in this film that makes it a timeless, yet period piece.
If the viewer compares it to the novel, there may be disappointment or disapproval. However, allowed to stand alone, this film will surely endear itself to any viewer's heart.
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