Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a "serious" writer, Jenny writes a feminist manifesto at an ... See full summary »
Tommy Wilhelm (Robin Williams) is a salesman. An honest, hard-working guy who has lost his job, his girlfriend, and left part of his sanity behind as he heads to New York to pick up the ... See full summary »
Richard B. Shull,
Joe's a car salesman with a problem. He has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (... See full summary »
Injured while risking his life to save an angry German shepard, Chicago Firefighter Jack Moniker retires and moves to a small carribean island named St. Nicholas. There, he is befriended by... See full summary »
Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a "serious" writer, Jenny writes a feminist manifesto at an opportune time, and finds herself as a magnet for all manner of distressed women. Written by
Tony Bowden <firstname.lastname@example.org>
This film was made and released about four years after the novel of the same name by John Irving was first published in 1978. The book was Irving's fourth novel, its original title being "Lunacy and Sorrow". The book was a 1979 finalist for the National Book Award for Fiction and in the next year won the 1980 National Book Award for Paperback General Fiction. The picture was the first filmed adaptation of an Irving book and was also the first of two Irving adaptations that were released in the early 1980s, the second being The Hotel New Hampshire (1984). In the latter, as in the book, a dog named "Sorrow" dies in a plane crash. See more »
As Garp is chasing the errant truck driver for the second time, as they run around the front of the truck the boom mic is seen in the windshield of the truck and it is partly disguised with leaves to look like a branch. It comes down from the upper right of the windshield and wiggles a bit. See more »
Never before have I viewed a movie with such imagination, heart, and extensive use of foreshadowing and irony. Watching "Garp" makes one realize how both beautiful and morally bankrupt our society is, and that we 'truly' reap what we sow. From feminism exploitation to marital infidelity to gender-alteration, we witness the undoing of the principal characters through acts of selfishness, greed, and sheer loneliness.
This movie, however, will not appeal to the typical moviegoer, but rather to one who enjoys volatile, politically incorrect subject matter from a psychological perspective. "Garp" toys with your mind, soul, and heart from beginning to end, and its twisted humor remains as gripping as its dreadful tragedies.
Indeed, "Garp" is not for the faint of heart, but ironically, "heart" is what the movie ultimately delivers.
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