A rock star-turned-bum, his vocal chords severed at the height of his career for the love of a woman, reclaims his forgotten past after viewing a music video and seeks revenge against the mobster who maimed him.
Kelly, a prostitute, finds redemption in the town of Grantville, where she arrives working as a medium-time seller. There, she meets Griff, the police captain of the town, with whom she ... See full summary »
A gunrunner loses his cargo near a small coastal Sudanese town so he's stuck there. When a woman hires him to raid a sunken ship in the shark-infested waters, he sees a chance to compensate for his losses. He's not the only one.
A young American serviceman, stationed in Germany after the fall of the Third Reich, jeopardises his position with the Marshall Plan relief effort by breaking the non-fraternisatiom rule ... See full summary »
A compilation of two episodes of "The Virginian" TV western series. Season 1 episode "It Tolls For Thee" (1962) guest star Lee Marvin, and season 6 episode "Reckoning" (1967) guest star Charles Bronson.
Charles S. Dubin,
Deprogramming a dog who kills Blacks is the ultimate challenge for an unorthodox African-American trainer. When a young Hollywood actress finds the injured stray, she nurses it back to health, not knowing it's a "White Dog" trained by a racist to attack only Blacks. Julie's appalled when the otherwise gentle, white German Shepherd breaks out, then returns from his nighttime foray dotted with human blood. Julie desperately races from trainer to trainer, advised to kill her pet, until the top Hollywood canine expert refers her to his former protégé, Keys. Written by
After the distribution problems on White Dog, this proved to be the last film that Director Samuel Fuller would ever direct in the U.S. and he moved to France soon after. Samuel said "Moving to France for a while would alleviate some of the pain and doubt that I had to live with because of White Dog." See more »
When Keys pulls his van up in front of the church after spotting the dog, several crew members can be seen reflected in the side of the van. See more »
White Dog is often mentioned on lists of all-time most controversial films, and there's a good reason for that. Samuel Fuller's film is controversial because it confronts the theme of racism head on, and succeeds where modern films such as 'Crash' fail in that it actually makes you think. Rather than actually being 'about' racism, White Dog tells a story and lets the themes flow; thus meaning that the audience is allowed to see the themes shining through, rather than being beaten over the head with them. The film is really clever and is based on a premise that isn't immediately obvious. In fact, if it wasn't for a series of little niggles; this film would be an absolute masterpiece. The problems with the film are largely down to the execution, as Samuel Fuller uses too many close-up shots; and the scenes where the title animal attacks in particular suffer from poor editing, which means that it's sometimes difficult to tell exactly what's going on and most of the time gave me a headache. Furthermore, the plot doesn't move particularly well and the film can seem like it isn't going anywhere at times.
It's a good job, then, that Fuller utilises his themes so well. Racism isn't a subject that interests me generally (mostly because of tacky, sentimental dross like Crash), but the plot here is used in such a way that it's impossible not to be taken in by it. We follow a young aspiring actress that accidentally runs a dog over. After becoming attached to it, she decides to take it in; but pretty soon the dog attacks someone, and she finds out that aside from being a white dog, it's also a 'White Dog'; a dog used by white people to kill blacks. The main reason why this film is so good is down to the title animal. Here we have an entity that is entirely innocent of its crimes; the guilty party being the racist that trained him. By letting us see what the dog is capable of, but making sure we know that the dog is only doing what it has been programmed to do ensures that the true horror of racism is allowed to shine through; as well as the futility of hatred down to skin colour. Films like White Dog are few and far between; here we have a movie that dares to tell a story despite its implications, and a movie that forces its audience to think about their own prejudices. It's just sad that we live in a world where films like Crash win Oscars while films like White Dog are banished into obscurity. Highly recommended!
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