A by-the-book captain is ordered to capture a strategic village in Italy. The Italian soldiers are willing to surrender, if they can have a festival first. The lieutenant convinces the ... See full summary »
Oregon, 1980: Jane, Elaine and Louise are all feeling the effects of inflation and cannot afford, as the title states, the high cost of living. Jane cannot afford a babysitter or get ... See full summary »
Susan Saint James,
A district attorney investigates the racially charged case of three teenagers accused of the murder of a blind Puerto Rican boy. He begins to discover that the facts in the case aren't ... See full summary »
Marshal is a handsome successful career man who drives a luxury sports car, lives in the best part of the city, eats at the finest restaurants, drinks the rarest whiskeys, collects the ... See full summary »
BEAUTIFUL NOISE is an in-depth exploration of a music movement in the late twentieth century, a fascinating period when some innovative musicians mixed guitar noise into conventional pop ... See full summary »
Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton. Then a gunfighter comes to town. He offers advice and guidance to Scott who... See full summary »
Lee Van Cleef,
Based on the "2.26 Incident", an attempted coup d'état in Japan 1936, launched by radical ultra-nationalist parts of the military. Several leading politicians were killed and the center of ... See full summary »
The remains of Aeneas Gunn, and several other characters featured in the book and movie, are buried in the Elsey Cemetery. Jeannie Gunn is buried in Melbourne, but there is a memorial next to her husband's grave, which reads IN loving memory of the "Little Missus" JEANNIE GUNN Born. June 5th 1870. Died. June 9th 1961 See more »
"Once it gets its hooks in you, you'll Never Never want to leave."
We of the Never Never was a real surprise: sounding like one of a thousand other woman-making-her-way-on-the-frontier movies, albeit set in the Australian outback, it actually turns out to be a terrific piece of old-style epic film-making on a grand scale. The unexpected casting pays dividends: Angela Punch McGregor conveys just the right strength of character for someone simultaneously trying to fit in where she's not wanted and who is still open to what those around her have to offer, white or Aborigine, while Arthur Dignam's very unlikeliness as a cattle station manager works in his favour.
Gary Hansen's scope photography is truly breathtaking, and director Igor Auzin's mastery of the frame without losing sight of his characters is so impressive that you wonder why he only made one more feature. The 2.35:1 ratio is not just window dressing either: not only does it stress both the vastness and hard beauty of the place, but it also serves to highlight the marginalisation of the various characters by class, gender or race. Pretty terrific.
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