Eddie Marino is a factory worker in New York City. He has a wife named Vickie and a son named Scott. Eddie's friend and co-worker Nick and some of the factory's other workers have formed a vigilante group because Nick and the group are fed up with the pimps, gangs, and drug dealers who keep taking over the neighborhoods. Nick and his group are also sick and tired of the police, because the police always fail to protect people who become victims. Eddie goes home from work one night, only to discover that Vickie has been stabbed, and Scott has been shot dead. Frederico "Rico" Melendez, the leader of a Puerto Rican street gang, is arrested for Vickie's stabbing and Scott's murder. Assistant District Attorney Mary Fletcher plans to put Rico away for as long as possible, since New York doesn't have the death penalty. Nick tries to convince Eddie to join the vigilante group, but Eddie turns Nick down, preferring to let the courts handle Rico. Nick makes it clear that he has no faith ... Written by
You're not safe anymore...
See more »
Did You Know?
Train sound effects were added in the scene where Fred Williamson is interrogating Horace the pimp because the scene was actually shot in the parking lot of the swimming pool area and according to William Lustig "wanted the scene to have the feeling of being under an elevated train" See more
Prago's stunt driving double during the car chase is Caucasian but Prago is African-American. See more
Hey, I don't know about you guys, but me... I've had it up to here. There are some 40-odd homicides a day on our streets. There are over two million illegal guns in this city. Man, that's enough guns to invade a whole damn country with. They shoot a cop in our city without thinking twice about it. Aw, come on. You guys ride the subway. How much more of this grief are we gonna stand for? How many more locks we gotta put on our goddamn doors? Now, we ain't got the police, the ...
Featured in Assassin(s)
(Larry Rollins / Warren Thomas)
Performed by N.B.T. (Nuthin But The Truth)
Engineered by Bob Yesbeck
Omega Studios, Washington D.C. See more