When a Police inspector is killed by a band of thugs, his grieving father Samsher Singh seeks justice. Pratap Singh has left behind a pregnant widow, who dies in chidbirth, leaving Samsher ... See full summary »

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Cast

Credited cast:
...
David
Harbans Darshan M. Arora ...
Man at the funeral of Abu Baba (as Harbans Darshan)
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Krishan Dhawan ...
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Kunal Singh
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Peter John DeCosta
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Gurbaksh
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Kolhapuri husband in song 'Saat Saheliyan'
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Shamsher Singh / Sobhraj
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Abu Baba
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Sir Mizia
Madhu Malhotra ...
Lily
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Villager
Mukri ...
Dance Organiser
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Storyline

When a Police inspector is killed by a band of thugs, his grieving father Samsher Singh seeks justice. Pratap Singh has left behind a pregnant widow, who dies in chidbirth, leaving Samsher to bring up the child Kunal. The transformation of Samsher Singh (a locomotive engine driver) into Sobhraj, multi millionaire and owner of a vast network of business. Kunal is brought up by Abu Baba, a servant of Sobhraj to be honest, upright, and very independent minded. Durga, the daughter of a former employee of Sobhraj, who is serving time and Kunal fall in love. This not acceptable to his grandfather, though Abu Baba approves of the relationship. Disaster strikes when an attempt is made to separate the lovers. The life of Samsher Singh alias Sobhraj begins to unravel from here. How Kunal's ethical upbringing by his foster-father, and his financial and business circumstances of his grandfather meet in a titanic conscience clash and how he resolves matters is at the nexus of the plot. Business ... Written by MG Gopalan

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Action | Drama

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3 December 1982 (India)  »

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Trivia

The background music played when Amrish Puri's henchman chase Suresh Oberoi in the beginning was released later in a album. The techno dance album " Bombay 2 - Electric Vindaloo" had a track that played that very music with added dance beats. It was originally sampled from Cerrone's Africanism. See more »

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User Reviews

 
Excellent performances by one and all
30 April 2017 | by (Earth) – See all my reviews

Vidhaata is a very enjoyable Hindi movie of its time. Subhash Ghai gathers some of the greatest talents of those times, including Dilip Kumar, Shammi Kapoor, Sanjeev Kumar, Sanjay Dutt, and Amrish Puri. The story is quite an interesting one, and the development is very well brought out. The film does veer into formulaic caricature from time to time. Much of the action borders on the fantasy, but then it is well made up for by some intriguing twists. One scene between Amrish Puri and Dilip Kumar, which involves the explosion of a car, is greatly entertaining. Unfortunately the second half is marred by proceedings which are uncalled for. Similarly, the love story involved is not very convincing and contributed little to the story.

The main high-point of this picture is unquestionably the acting. No one can ever doubt Dilip Kumar's extraordinary acting prowess, and in this film he turns in what I consider his best work of the decade (along with Shakti). He is tremendous as Shamsher, a simple working man who turns into a mafia don. This is one of the few Hindi movies where such a transformation is credible and, without question, due credit for this should go to the actor himself for his renowned ability to portray complex characters with rare, natural ease and realism. As his character adopts a new name and identity, he appears greatly stylish and sophisticated, but his immense love for his grandson and the pain over the loss of his son are utterly convincing. This is just another understated performance, which never fails to leave a lasting impact on the audience.

The rest of the cast are there to support the screen legend in his author-backed role, and all do well. Sanjeev Kumar is unsurprisingly dependable in a small supporting role, and Amrish Puri is excellent in a villainous part which is slightly better than his usual parts of this sort. Sanjay Dutt makes a confident debut, and he is well paired with the beautiful Padmini Kolhapure, even if the two are the least impressive here. The one who almost, if not totally, manages to steal the show, however, is the wonderful Shammi Kapoor, whose well-etched comic part provides the main glimmer of relief in an otherwise heavy story. He is simply brilliant as Shamsher's age-long and loyal friend, soulfully portraying the wholesome, admirable kindness of the character and exuding warmth at all levels.

Vidhaata is like many films of its kind but at the same time it is a cut above the usual fare presented at the time. In this sense, it is a very good film well worth seeing. Ultimately it is the acting, particularly by Dilip Kumar and Shammi Kapoor, which elevates it to an altogether different level and more than makes up for its flaws.


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