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Victor Victoria (1982)

PG  |   |  Comedy, Music, Musical  |  2 April 1982 (USA)
7.5
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Ratings: 7.5/10 from 14,048 users  
Reviews: 99 user | 30 critic

A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.

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(screenplay), (concept), 1 more credit »
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Title: Victor Victoria (1982)

Victor Victoria (1982) on IMDb 7.5/10

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Won 1 Oscar. Another 12 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Graham Stark ...
Waiter
Peter Arne ...
Labisse
Herb Tanney ...
Charles Bovin (as Sherloque Tanney)
Michael Robbins ...
Manager of Victoria's hotel
Norman Chancer ...
Sal Andratti
...
Restaurant Manager
Maria Charles ...
Madame President
Malcolm Jamieson ...
Richard DiNardo
John Cassady ...
Juke
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Storyline

In 1934 Paris, trained coloratura soprano Victoria Grant, a native Brit, can't get a job as a singer and is having trouble making ends meet. She doesn't even have enough money for the basics of food and shelter. Gay cabaret singer Carole 'Toddy' Todd may befall the same fate as Victoria as he was just fired from his singing gig at a second rate club named Chez Lui. To solve both their problems, Toddy comes up with what he considers an inspired idea: with Toddy as her manager, Victoria, pretending to be a man, get a job singing as a female impersonator. If they pull this scheme off, Toddy vows Victoria, as her male alter ego, will be the toast of Paris and as such be extremely wealthy. That alter ego they decide is Polish Count Victor Grazinski, Toddy's ex-lover who was disowned by his family when they found out he was gay. The Count auditions for the city's leading agent, Andre Cassell, who, impressed, gets him a gig performing in the city's best nightclub. In the audience on the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The disguise surprise comedy of the year!


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

2 April 1982 (USA)  »

Also Known As:

Victor/Victoria  »

Box Office

Gross:

$21,933,614 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Lesley Ann Warren was offered the stage role of Norma Cassidy (her Oscar (R) nominated role) in the stage version of "Victor/Victoria" starring Julie Andrews, but had to turn it down due to other movie commitments. See more »

Goofs

In the second Chez Lui nightclub brawl scene, Madame President (the older woman who has her wig ripped off) is thrown up on the piano. When the piano collapses, it is clearly seen to be made out of balsa wood or a very thin laminate of some kind. See more »

Quotes

Toddy: [singing] When people speak of Gay Paree / They think that when they say Paree is gay / They mean that Gay Paree is "Gay!" / It is not in the way Paree was gay in yesterday Paree / It means today that Gay Paree *is* Gay.
[the pianist plays the Fairy Waltz. Toddy stops him]
Toddy: [spoken] Not that gay.
See more »

Connections

Referenced in The Simpsons: Three Gays of the Condo (2003) See more »

Soundtracks

The Shady Dame From Seville
Performed by Julie Andrews
See more »

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User Reviews

 
The last great musical?
15 January 2003 | by (London, England) – See all my reviews

"Victor/Victoria" was the film where Blake Edwards finally managed to deliver his valentine to his wife, Julie Andrews, and convince the public to join in. Maybe because of that, it's one of his most heartfelt movies, and the enormous love between the director and his star do as much to warm up this movie as the careful colour composition of Dick Bush's fantastic - and underrated - photography.

This is a film where everything works perfectly. The acting ranges from the impeccable (the leads) through the touching (Alex Karras) right to the truly sublime (Robert Preston and Lesley Ann-Warren). The musical numbers are lovingly staged and shot and, possibly because this is a pre-MTV film, we actually get to see dancers dancing, as opposed to machine-gun assemblies of body parts performing details of not necessarily connected movements. The directorial touch is assured, proficient but never showy: the many complicated set-ups are executed with elegance, economy - not a frivolous camera movement to be seen - and discretion. (The circular pan around Julie as she sings "Crazy World" is a lovely example of how camera movement can create emotion without drawing attention to itself.) The sets and costumes are lavish but, again, do not distract. The screenplay is witty, full of deft touches, and Edwards treats his rather daring (for 1982) theme without blinking, and with great lucidity. (The other drag film of the year was "Tootsie", which stuck to the romance and stayed away from uncomfortable homosexual touches as much as it managed to.) The timing never falters. And the score is priceless.

All in all, a flawless entertainment, which, like the best movies from the studio system's heyday of which "Victor / Victoria" is a proud and worthy descendant, rewards the attentive (and interested) viewer with far more substance - and style - than might appear at first. I do not have the space to analyse this film at the length it deserves; but I can recommend it, which I do wholeheartedly.


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