Victor Victoria (1982) 7.4
A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life. Director:Blake Edwards |
|
| Watch Trailer 0Share... |
Victor Victoria (1982) 7.4
A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life. Director:Blake Edwards |
|
| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Julie Andrews | ... | ||
| James Garner | ... | ||
| Robert Preston | ... |
Carole "Toddy" Todd
|
|
| Lesley Ann Warren | ... | ||
| Alex Karras | ... | ||
| John Rhys-Davies | ... | ||
|
|
Graham Stark | ... |
Waiter
|
|
|
Peter Arne | ... |
Labisse
|
|
|
Herb Tanney | ... |
Charles Bovin
(as Sherloque Tanney)
|
|
|
Michael Robbins | ... |
Manager of Victoria's hotel
|
|
|
Norman Chancer | ... |
Sal Andratti
|
|
|
David Gant | ... |
Restaurant Manager
|
|
|
Maria Charles | ... |
Madame President
|
|
|
Malcolm Jamieson | ... |
Richard DiNardo
|
|
|
John Cassady | ... |
Juke
|
In 1934 Paris, trained coloratura soprano Victoria Grant, a native Brit, can't get a job as a singer and is having trouble making ends meet. She doesn't even have enough money for the basics of food and shelter. Gay cabaret singer Carole 'Toddy' Todd may befall the same fate as Victoria as he was just fired from his singing gig at a second rate club named Chez Lui. To solve both their problems, Toddy comes up with what he considers an inspired idea: with Toddy as her manager, Victoria, pretending to be a man, get a job singing as a female impersonator. If they pull this scheme off, Toddy vows Victoria, as her male alter ego, will be the toast of Paris and as such be extremely wealthy. That alter ego they decide is Polish Count Victor Grazinski, Toddy's ex-lover who was disowned by his family when they found out he was gay. The Count auditions for the city's leading agent, Andre Cassell, who, impressed, gets him a gig performing in the city's best nightclub. In the audience on the ... Written by Huggo
Despite all of its gender-bending commentary on sexuality, both hetero- and homo-, "Victor/Victoria" looked and sounded in 1982 (year of "ET" and "The Road Warrior") as if it were made in 1962 -- and that was a good thing. Blake Edwards' trademark ability to combine lush romanticism with immitable slapstick comedy was here matched by a wonderful score by his longtime collaborator Henry Mancini, "Voila!" -- we're back in the early sixties again. (It didn't hurt that stars Julie Andrews and James Garner were hottest in the sixties, and had acted together in 1964's "The Americanization of Emily.")
Robert Preston, "The Music Man" of late fifties Broadway and 1962 screen fame, further added an element of early sixties nostalgia -- with the twist that he here used his booming vocal tones in the service of a delightfully out and comfortable gay man. Preston was one of two hot contenders for the Best Supporting Actor Oscar that year. The winner was Lou Gossett, Jr. for his Drill Instructor in "An Officer And A Gentleman."
Rounding out the great cast are Lesley Ann Warren (sexy and very funny) in an Oscar-nominated role as Garner's mob moll floozie, and Alex Karras, continually funny as Garner's softhearted ox of a bodyguard. (Karras gets a classic Blake Edwards slapstick routine trapped in the freezing snow outside a Paris hotel, getting big laughs out of the simple line: "You've got heat? That's good.")
And be sure to keep a lookout for "Sherloque Tanney" as the French private detective on Victor/Victoria's trail. Tanney was Blake Edwards dentist, and appeared in almost every Blake Edwards film from "Darling Lili" (1970) on. Other than his corpse in "SOB," (1981), the French detective is possibly Dr. Tanney's greatest role on the screen. Tanney, too, gets to anchor several great trademark Blake Edwards slapstick routines.
Oh, and there's music, too. Enough music for a Broadway musical (which is what "Victor/Victoria" became), and with a sad and wistful Mancini title tune (reprised in the film by Andrews) that reminds one a bit of "Moon River" and "Days of Wine and Roses." Just like in the early sixties.