In 1934 Paris, trained coloratura soprano Victoria Grant, a native Brit, can't get a job as a singer and is having trouble making ends meet. She doesn't even have enough money for the basics of food and shelter. Gay cabaret singer Carole 'Toddy' Todd may befall the same fate as Victoria as he was just fired from his singing gig at a second rate club named Chez Lui. To solve both their problems, Toddy comes up with what he considers an inspired idea: with Toddy as her manager, Victoria, pretending to be a man, get a job singing as a female impersonator. If they pull this scheme off, Toddy vows Victoria, as her male alter ego, will be the toast of Paris and as such be extremely wealthy. That alter ego they decide is Polish Count Victor Grazinski, Toddy's ex-lover who was disowned by his family when they found out he was gay. The Count auditions for the city's leading agent, Andre Cassell, who, impressed, gets him a gig performing in the city's best nightclub. In the audience on the ... Written by
The disguise surprise comedy of the year!
Did You Know?
When Victoria shatters a glass by hitting a high note after her audition at Chez Lui, Labisse asks, "What the hell was that?" Toddy replies, "D flat," but she only hit a B flat, an interval of one-third lower. See more
Your problem, Mr. Marchand, is that you're preoccupied with stereotypes. I think it's as simple as you're one kind of man, I'm another.
And what kind are you?
One that doesn't have to prove it. To myself, or anyone.
Referenced in NCIS: Dead Man Talking
Finale/Shady Dame From Seville (Reprise)
Performed by Robert Preston See more