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Frank Galvin is a down-on-his luck lawyer, reduced to drinking and ambulance chasing. Former associate Mickey Morrissey reminds him of his obligations in a medical malpractice suit that he himself served to Galvin on a silver platter: all parties willing to settle out of court. Blundering his way through the preliminaries, he suddenly realizes that perhaps after all the case should go to court: to punish the guilty, to get a decent settlement for his clients, and to restore his standing as a lawyer. Written by
Murray Chapman <firstname.lastname@example.org>
When Frank is sitting in his apartment, speaking on the telephone to Sally Doneghy, in long shot we can see a copy of the 'Boston Herald American' on the table in the bottom right hand corner of the screen. When Frank closes the paper and throws it onto the floor, it is clear that this is a copy of the same newspaper with the same headline. See more »
I have seen this movie, on screen and as a video, many times. Each time, it gets better. This is no doubt the best acting by Paul Newman in his career. Why he didn't get the Oscar for this role, but instead got it for the lackluster "The Color of Money", is beyond me. The movie is actually about redemption, or the attempt to be redeemed.
His interpretation of Frank Galvin, a desperate, conniving, down-to-the-last-case attorney, is fascinating and totally convincing. And he has a fantastic supporting cast -- from Jack Warden as his partner, Charlotte Rampling as his chance for romantic redemption, Milo O'Shea as the corrupt judge, Lindsay Crouse as his surprising ace-up-his-sleeve, and most of all, in a landmark supporting actor role, James Mason as the seemingly distinguished and respected defense attorney.
And I found the direction by Sidney Lumet to be, once again, outstanding. Lumet has such a long list of great movies that you wonder why he has never won an Oscar or been given an AFI Lifetime Achievement award.
This is a riveting movie -- about the law, but mainly about the flawed nature of the human beings who are entrusted with it. Please hear Newman, as Frank Galvin, on his last, crippled, despairing leg, give the summation to the case. It needs to be carved in marble somewhere. David Mamet, who wrote the screenplay, deserves accolades for how he was able to hand Paul Newman such a moving summation. The summation is about life, not just the law. It is a masterpiece, worth seeing the entire movie for.
Most of all, it is Newman's Finest Hour.
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