The Verdict (1982)

A lawyer sees the chance to salvage his career and self-respect by taking a medical malpractice case to trial rather than settling.

Director:

Sidney Lumet

Writers:

Barry Reed (based upon the novel by), David Mamet (screenplay),

Stars:

Paul Newman, Charlotte Rampling, Jack Warden

Nominated for 5 Oscars. Another 5 wins & 7 nominations.

Cast

Cast overview, first billed only:
Paul Newman	...	Frank Galvin
Charlotte Rampling	...	Laura Fischer
Jack Warden	...	Mickey Morrissey
James Mason	...	Ed Concannon
Milo O'Shea	...	Judge Hoyle
Lindsay Crouse	...	Kaitlin Costello
Edward Binns	...	Bishop Brophy
Julie Bovasso	...	Maureen Rooney
Roxanne Hart	...	Sally Doneghy
James Handy	...	Kevin Doneghy
Wesley Addy	...	Dr. Towler
Joe Seneca	...	Dr. Thompson
Lewis J. Stadlen	...	Dr. Gruber (as Lewis Stadlen)
Kent Broadhurst	...	Joseph Alito
Colin Stinton	...	Billy

Storyline

Frank Galvin is a down-on-his luck lawyer, reduced to drinking and ambulance chasing. Former associate Mickey Morrissey reminds him of his obligations in a medical malpractice suit that he himself served to Galvin on a silver platter: all parties willing to settle out of court. Blundering his way through the preliminaries, he suddenly realizes that perhaps after all the case should go to court: to punish the guilty, to get a decent settlement for his clients, and to restore his standing as a lawyer.

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Plot Keywords:

lawyer | malpractice | medical malpractice | court | trial | 

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Genres:

Drama

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Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

8 December 1982 (USA)

Also Known As:

Dommen

Filming Locations:

Boston, Massachusetts, USA

Box Office

Gross:

$54,000,000 (USA)

Company Credits

Production Co:

Twentieth Century Fox Film Corporation

Technical Specs

Runtime:

129 min

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Robert Redford was originally involved with this film. After writer David Mamet delivered his draft, Redford was uncomfortable with the main character and hired another writer to do another draft, and so on until Redford decided he didn't want to do the film. He was uncomfortable because he did not want to play an alcoholic. Sidney Lumet was offered the project. He read all the drafts and identified the original Mamet version as the one to make. At that point, Paul Newman agreed to star.

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Goofs

The major legal rulings at the climax are actually gross misunderstandings of the rules of evidence as they had existed under common law for centuries at the time of the trial, rather than being obviously legally correct as the characters suggest.

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Quotes

[telling the joke to the others in the bar]
Frank Galvin: So Pat says, he says, "They got this new bar... and you go inside and for half a buck you get a beer, a free lunch and they take you in the back room - they get you laid... Mike says, "Now wait a minute, wait a minute, wait a minute. Do you mean to say there's a new bar and you go inside and for a half a buck they give you a beer, a free lunch and they take you in the back room and they get you laid?" Pat says, "That's right." "Have you ever been in ...

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Connections

Referenced in Presumed Innocent (1990)

User Reviews

A Classic

I love this film, I own a copy and I watch it at least once a year. It's hard to pick a "best work" from Sidney Lumet, Paul Newman or David Mamet, but this film ranks up there for all three. And really, when you say those three names on one film, that says it all, doesn't it?

Newman plays a down and out lawyer, a drunk ambulance chaser whose life changes when he turns down a pultry settlement offer to try a case that he can't possibly win. There are so many great scenes in this film, it's hard to pick a favorite. Possibly, the very end, the ringing phone Paul Newman ignores as he sips on some coffee, rather than whiskey, might be one of the all time greats. The scene sums up the movie so well. My other favorite is a long, single shot where Newman is on the phone trying to get another doctor to testify and Jack Warden paces the room. The camera is at the other end of the room, on the floor and the scene is about five or six minutes long, one continuous shot, beautifully done.

I read a book a couple years ago that covered blunders in film regarding court cases and apparently there were a couple in this one. But this is a film that is so great, so well done, I think Godzilla could have trampled part of Boston and Lumet could have made it believable. Although Cool Hand Luke is my favorite film of all time, The Verdict is my second favorite Newman film. See it if you can.