Sully is a rascally ne'er-do-well approaching retirement age. While he is pressing a worker's compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with ... See full summary »
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Frank Galvin is a down-on-his luck lawyer, reduced to drinking and ambulance chasing. Former associate Mickey Morrissey reminds him of his obligations in a medical malpractice suit that he himself served to Galvin on a silver platter: all parties willing to settle out of court. Blundering his way through the preliminaries, he suddenly realizes that perhaps after all the case should go to court: to punish the guilty, to get a decent settlement for his clients, and to restore his standing as a lawyer. Written by
Murray Chapman <email@example.com>
After the verdict was announced in the film, director Sidney Lumet filmed two versions of the ending. In one version, the final shots we see are of Newman's character walking away from the courtroom in a series of long shots, never seeing what happens after he leaves the courthouse. In the version that was used, we see a sequence after he leaves the courthouse. See more »
The pinball machine Frank Galvin plays at the bar is named Disco Fever, and is an early electronic pinball, with digital sound and gas-discharge score displays. The sound effects however, are of mechanical bells and score reels made by an electro-mechanical pinball machine made before 1976. See more »
The difference between what is legal and what is just
I like that this film shows how the criminal justice system, solid though it is, has cracks that can prevent justice being done, and that the people participating in it have to have the courage to recognize them. This film has turned out to be a seminal one: legal drama has turned overwhelmingly to rumination of the moral interstices of the law like the one portrayed here. Without "The Verdict," we wouldn't have "The Practice." Gone are the days when all of Perry Mason's clients were innocent.
Paul Newman's performance has been justifiably enshrined in the pantheon of Circumstances When The Academy Dropped The Ball. But what made the film a truly emotional performance for me was Lindsay Crouse as the pivotal witness. The entire ensemble was flawless, as was the incredible atmosphere. "The Verdict" is probably too serious for some movie fans, and that's OK--no film can please everyone. But if you like to be given something to think about by your entertainments, this is the film for you.
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