Frank Galvin was once a promising Boston lawyer with a bright future ahead. An incident early in his career in which he was trying to do the right thing led to him being fired from the prestigious law firm with which he was working, almost being disbarred, and his wife leaving him. Continually drowning his sorrows in booze, he is now an ambulance chasing lawyer, preying on the weak and vulnerable, and bending the truth whenever necessary to make what few dollars he has, as he has only had a few cases in the last few years, losing the last four. His only friend in the profession is his now retired ex-partner, Mickey Morrissey, who gets Frank a case, his fee solely a percentage of what his clients are awarded. The case should net Frank tens of thousands of dollars by settling out of court, that money which would at least get him back on his feet. It is a negligence suit brought on behalf of Deborah Ann Kaye by her sister and brother-in-law, Sally and Kevin Doneghy, against St. Catherine... Written by
[June 2006] Ranked #75 on the American Film Institute's "100 Years . . . 100 Cheers: America's Most Inspiring Movies" list. See more »
The pinball machine Frank Galvin plays at the bar is named Disco Fever, and is an early electronic pinball, with digital sound and gas-discharge score displays. The sound effects however, are of mechanical bells and score reels made by an electro-mechanical pinball machine made before 1976. See more »
[Mickey is trying to convince Frank not to take the case to trial]
Do you know who the attorney for the Archdiocese is? Ed Concannon!
He's a good man...
He's a good man? Heh, heh, he's the Prince of fucking Darkness! He'll have people testifying they saw her waterskiing in Marblehead last summer. Now look, Frank, don't *fuck with this case!
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"The Verdict" is simply one of the best legal dramas ever done. Of course much of what happens in the movie is unrealistic and wouldn't happen in a real case but the movie isn't a study in courtroom procedure (watch the fantastic "Anatomy of a Murder" for that) it is a study about redemption and in that respect it excels.
This movie captures Paul Newman's finest screen performance and that alone makes it an important movie. The scenes where Newman hardly says anything show how great an actor he is---his look of self-loathing when he's thrown out of the funeral home, his palsied hand and lost look when he's trying to drink his whiskey, his panic when Charlotte Rampling lambastes him for being a failure. Then throw into that his terrific courtroom scenes, his arguments with the judge in chambers, it is just a sensational performance all around.
The level of acting is high all around in this movie. James Mason was Oscar nominated for playing the silky smooth, totally corrupt defense attorney. Jack Warden shines as Frank Galvin's world-weary former law partner. Lindsey Crouse has a small role as a nurse but is given the most powerful and dramatic moment in the entire movie. Her cross-examination by James Mason is where the movie really shines and shows that Paul Newman can keep his ego in check. How many movies give the most powerful and dramatic moment of the film to one of the secondary players? How many lead actors would be willing to just sit there quiet in a chair while a bit player and the second male lead share the big moment? It was a bold decision by both Newman, director Sidney Lumet and writer David Mamet and it is unforgettable.
The movie shows the two extremes of the practice of law. James Mason's win-at-all-costs cheating and Paul Newman getting so emotionally wrapped up in the case that he is no longer protecting his client's interests and instead is out to settle his own personal scores. A great, great movie.
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