A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
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A TV producer who is the mistress of her boss, tries to have him make their relationship more permanent, and begins a relationship with a younger man. When her boss hears of this, he tries ... See full summary »
Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really ... See full summary »
Sharon Stone plays a street-wise, middle-aged moll standing up against the mobs, all of which is complicated by a 6 year old urchin with a will of his own who she reluctantly takes under ... See full summary »
Frank Galvin is a down-on-his luck lawyer, reduced to drinking and ambulance chasing. Former associate Mickey Morrissey reminds him of his obligations in a medical malpractice suit that he himself served to Galvin on a silver platter: all parties willing to settle out of court. Blundering his way through the preliminaries, he suddenly realizes that perhaps after all the case should go to court: to punish the guilty, to get a decent settlement for his clients, and to restore his standing as a lawyer. Written by
Murray Chapman <firstname.lastname@example.org>
David Mamet's draft was rejected at first because he refused to put the outcome of the verdict into the script. It was director Sidney Lumet who convinced him to alter his ending. See more »
In the climactic courtroom scene, when Frank calls Kaitlin to the stand, Concannon is flustered and confers with one of his lawyers. We then see the lawyer leave the courtroom, presumably having been given some direction by Concannon. Later, after Kaitlin has been questioned by Frank and cross-examined by Concannon, the lawyer returns with a book containing the case Concannon cites to get the judge to disallow the admittance of the photocopy of the hospital admission form as evidence. However, at the point at which Concannon calls the lawyer over and then, presumably, sends him out to "find" this book/case, he doesn't even know about the existence of the photocopy because he hasn't yet questioned Kaitlin; it's during his questioning of Kaitlin that she reveals she has a photocopy of the form. So there's no way the lawyer would have known to go out and find a case regarding the inadmissibility of a photocopy. See more »
[Frank is giving his summation to the jury]
You know, so much of the time we're just lost. We say, "Please, God, tell us what is right; tell us what is true." And there is no justice: the rich win, the poor are powerless. We become tired of hearing people lie. And after a time, we become dead... a little dead. We think of ourselves as victims... and we become victims. We become... we become weak. We doubt ourselves, we doubt our beliefs. We doubt our institutions. And we doubt the law. But today...
[...] See more »
One of the Best Courtroom Dramas of Cinema History
In Boston, the former successful lawyer Frank Galvin (Paul Newman) is presently a divorced and decadent alcoholic ambulance chaser, searching funerals in the obituary to get new clients.
His friend and former professor Mickey Morrissey (Jack Warden) brings one client to Frank, Deborah Ann Kaye (Susan Benenson), who reports that her sister lost her baby in the delivery and had brain damage in the St. Catherine Labouré Hospital due to the medical malpractice.
Frank meets Dr. Gruber (Lewis Stadlen), who tells that the woman received wrong anesthetic and drown in her own vomit due to negligence of Dr. Marx and the anesthetist Dr. Towler (Wesley Addy). Further, he offers to witness in court and Frank sees the chance of going to trial against the Archdiocese of Boston and win the case.
Frank goes to the hospital to take pictures of Deborah's sister and he is affected by the vegetative state of the woman. Out of the blue, Bishop Brophy (Edward Binns) summons Frank and offers an endowment of US$ 210,000.00 to drop the case. However Frank sees the chance to bring justice to the family; save his career and earn respect and he does not accept the small fortune.
Frank calls Mickey to help him in the investigation, but he finds difficulties, since his unethical opponent Ed Concannon (James Mason) anticipates his actions and Dr. Gruber mysteriously travels to the Caribbean to spend a week on vacation and Judge Hoyle (Milo O'Shea) tries to force him to accept the settling. Meanwhile Frank meets the gorgeous Laura Fischer (Charlotte Rampling) in a bar and they have a love affair. But when Mickey seeks cigarette in her purse, he makes a discovery that will hurt Frank.
"The Verdict" is one of the best courtroom dramas of cinema history with one of the best performances of Paul Newman. Directed by Sidney Lumet, "The Verdict" is also the third work of the talented David Mamet that wrote the great screenplay with an unusual (open) end for an American movie.
I saw this film in the 80's in the movie theater; than on VHS and today I have just seen on DVD and I realize that after almost thirty years, this film has not aged. The magnificent cast has top-notch performances and I love Charlotte Rampling in this film, who is also very elegant and beautiful. My vote is nine.
Title (Brazil): "O Veredicto" ("The Verdict")
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