A Dutch film, post-Saturday Night Fever, which follows the lives of three young men who are amateur dirt-bike motorcycle racers. They each fall in love with a young woman who, with her ... See full summary »
Hans van Tongeren,
Max's ambulance is being held up by a small gang whose friend has a minor injury. Max, on his way to a woman who is giving birth with complications, hits a boy trying to unblock the road. ... See full summary »
Gijs Scholten van Aschat,
A mysterious diver hiding in Amsterdam's canal system embarks on a rampage of gruesome murders, terrifying city officials and leaving few clues for the city's best detective, who doesn't ... See full summary »
Monique van de Ven,
Sort of a cross between "Love Story" and an earthy Rembrandt painting, this movie stars Rutger Hauer as a gifted Dutch sculptor who has a stormy, erotic, and star-crossed romance with a ... See full summary »
Monique van de Ven,
In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the ... See full summary »
Antje de Boeck
Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university ... See full summary »
Anna Maria Ferrero,
This is a rather splendid film which has been forgotten by film history. Because it is Dutch, it has gone by quite unremarked, although it was a success on release. This is European 'art-film' at its best: high quality, well written and expertly directed. And superbly entertaining at that. But most of all: a stunning performance from lead actress Soutendijk, who could and should have gone on to greater things. For about ten years, she appeared in challenging and often demanding roles in remarkable Dutch and German films (Meisje met het rode haar, Vierde Man, Spetters, Wo immer du bist). Then she went to America and blew it. Nowadays, European art cinema is dead and she's left making TV-fare. A cinema that has no room for the talents of Soutendijk is quite dead and buried. See this magnificent film at all costs.
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