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13 out of 17 people found the following review useful:
Good on more than one level., 7 November 2000
Author:
Jonas Cukierman (Count Orlok) from Chicago, Illinois USA
This film can be enjoyed by children due to it's obvious subject matter. But it also has a subtheme about racial and class divisions. Depending on the scene, the film's racial connotations range from depicting the use of blacks in subservient positions, to blatantly expressing that people can still sell themselves or be bought out of desperation.
10 out of 12 people found the following review useful:
A fun movie from the 80's that got taken too seriously, 11 June 2007
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Author:
Kristine (kristinedrama14@msn.com) from Chicago, Illinois
I know there was a lot of controversy around this film, due to the fact
we have a rich white man buying a black man for his son, but I think
that people just took this film way too seriously. Richard Pryor is one
of the best comedians of all time, so I definitely became interested in
seeing this film after I saw it on VH1's "I love the 80's" show, once
again though, it seemed like they were giving the film a hard time.
Well, I saw this at a store and figured for 5 dollars, what the heck?
It's the rental price, if I liked the movie, I might as well own it.
Well, I watched it this morning, I have to say that I thought that this
was a very cute film that I'm sure if you have an open mind, you'll
definitely enjoy it.
Jack is a journalist looking for a job, he's not getting anything
though, at first he starts as a cleaning lady, but is fired by a snobby
rich man. Then he's security at a toy store where the snobby rich man's
son is shopping for anything he wants, he sees Jack and thinks he is
funny, he wants him as the toy. When offered enough money to save his
house, Jack agrees to it, but he's getting just a bit humiliated when
he is constantly mocked, understandably. But when he gives the little
boy a chance, they end up becoming great friends.
The Toy is just a fun movie that I'm sure you'll get a kick out of if
you just give it a shot. It's a definite 80's classic that had great
comedy in it, Richard was absolutely hilarious. He and Scott Schwartz
were very adorable together and looked like they had so much fun
together. I would recommend this film for a fun comedy, you're
guaranteed a few laughs.
7/10
7 out of 9 people found the following review useful:
Chill Folks, 18 March 2009
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Author:
possedard from United States
Everyone wants to talk about the racial overtones. ***NEWS FLASH***
White folks do not wake up every morning thinking about how to screw
over black folks. The movie was great. I loved it then and I love it
now. I'm pretty sure the people who made this movie decided to make a
funny movie with a great comedian of that era. I couldn't think of a
better comedian to have as a toy, white or black.
To all my folks who seem to get upset at Richard Pryor and or the
directors for making this movie, don't be. Be upset at Petey Greene for
showing everyone how to eat a watermelon. You Tube that if you don't
believe me.
8 out of 12 people found the following review useful:
A Southern Billionaire buys a Black Man for his son., 31 December 2002
Author:
gravyshanks from Los Angeles
"The Toy" is a remake of the French movie "Le Jouet," but writer Carol
Sobieski
and director Dick Donner have infused it with a racist theme that is
specifically
American.
US Bates (Gleason), a wealthy, powerful Louisiana industrialist purchases,
Jack
Brown, a janitor (Pryor) to perform as an object for his spoiled son's
amusement.
After an initial period of friction due to young Eric's (Schwartz)
obnoxious,
selfish behavior, they agree to investigate Bates's personal and
professional
misbehavior in a home-made newspaper, called "The Toy."
Infuriated, Bates demonstrates to the two investigators that he owns the
people
who work for him by ordering his assistant named Morehouse (Beatty) to
drop
his pants on command (he later screams at another assistant "I told you
to
dance!")
The iconoclastic rebels who finally take down Bates at a Klan fundraiser
are
Eric's innocent generation who never knew Jim Crow and the
truth-burdened,
unemployed black man with nothing to lose because he's already at the
bottom.
This movie is filled with enough Pryor minstrelsy to keep movie-going
Whitey
occupied and chuckling, but is at the same time digging deep into the
reality
and shame of this country's racist past, and, indeed, present. And we
haven't
even addressed the alcoholic indentured man-servant Barkley (Hyde-White)
or
the Fraulein-who-cries-Mandingo (Leslie-Lyttle.)
From the buying of Brown to the sycophantic staff to the Senator-for-hire
Newcomb (consonance: Nuke 'Em,) US Bates proves that slavery isn't
over...people just cost a little more these days.
In this day when skirting the issue of race and playing it safe at the
risk
of being
offensive has crushed any discussion of racism in this country, it's nice
to
see
that Hollywood once had the balls to make a movie that called a spade
a...well,
you get it.
Oh, and the kid grows up to be a porn star.
4 out of 6 people found the following review useful:
Pryor is the main reason to this film., 20 May 1999
Author:
Rid.X
I've seen this movie more times than I'd ever admit to, and the thing that
keeps me watching is Pryor. He shines in just about
every scene he's seen, especially when he's paired with
the
Wonder-Wheel. It's just that the rest of the film isn't on the
level.
That's not to say it's a bad film; it's just not a solid
one.
This remake of a Francis Veber film (the name escapes me)
finds
Pryor as Jack Brown, an unemployed writer who seeks a job
with
a newspaper. He arrives at Bates Industries, run by the
powerful
industrialist U.S. Bates (Jackie Gleason). He works a variety
of odd jobs, incl. a janitor in a department store, where
he
is spotted by U.S. Bates' spoiled son, Eric, during the afforementioned
Wonder-Wheel fiasco. Eric wants Jack as a toy, and this leads to a movie
that blends the comedic with the sentimental, and works about half of the
time.
The movie does take it's time to illustrate the goings-on
in the Bates home. Eric spends much time tormenting Jack;
during
their first night, he shoots firecrackers at him, among
other
things. The two of them play air-hockey, and when Jack
is
beating Eric, the boy quits. Jack questions the boy if his father knows
that
his son is a quitter, to which Eric replies,
"He doesn't care what I am, as long as I stay out of his
way."
That scene illustrates Eric's m.o.; he's frustrated at
the
neglect and inattentiveness he receives from his father,
and expresses it in rebellious behavior.
That's all good and well, and that scenario does have a
positive resolution, but the movie is burdened with
unnecessary elements that don't belong in a movie like
this.
The movie has a racist subtext: Jack essentially allows
himself to be bought, even though he says he can't. There's
also a subplot towards the end dealing with the Grand Wizard
of the Ku Klux Klan that serves no purpose other than to
wreck a party. And U.S. Bates' wife, Fancy, is a poorly-drawn
character; she comes along with an impressive bust and
an
annoying voice, and does little that is humorous, aside
from her pronounciation of "U.S."
Still, the main reason to see the film is Pryor. See it
for
no other reason than to see a legend doing what he does
best.
1 out of 1 people found the following review useful:
Richard Pryor is a very funny man, 14 October 2010
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Author:
dafuzzbudd from United States
Richard Pryor is a very funny man. This was my first experience seeing
him in a movie and I will be looking for more. The movie starts out
about Pryor needing to find a job. He gets hired by a rich CEO to be
his kid's toy. Towards the end the plot starts to break away from what
the movie initially starts to do and gets too serious and uncomfortably
unfunny at times. There's a scene where they go fishing and it felt
like an forced switch up of scenery.
The racial humor is carried well by Pryor and made the movie overall a
good watch.
7/10
2 out of 3 people found the following review useful:
Important Evidence For How Great The Original Is !, 7 December 2008
Author:
ahmed elshikh (ahmed_abd_elreheem@yahoo.com) from Egypt
It's nearly a shot-by-shot remake for the French masterpiece (Le Jouet
- 1976); so much for saying I think !. (Richard Pryor) filled it with
his own buffoonery, and some funny lines, but he couldn't capture the
serious sense of the story, he almost dealt with the movie as a toy
itself. He was a golden star at the moment, so maybe they left him do
whatever he wants. Or maybe that's the taste of his comedy anyway.
(Richard Donner) made it fairly but it's still one of his most
spiritless movies that lacks the personal touch, he was executing more
than creating at this break between the end of the 1970s' (Superman)'s
movies, and his works at the mid-1980s : (Ladyhawke), (The Goonies),
then (Lethal Weapon).
Of course the comparison isn't for the sake of the American movie.
Firstly, there are no changes, they kind of translated the French movie
to American the way they translated le jouet to the toy ("The Toy" is
what "Le Jouet" means in English). They only added a storyline about
racism which suited (Pryor)'s character, and harmonized with the motif
(as if slavery still exists, making the poor as the rich people's toy).
And also, it utilized somehow the stepmother as a sexual toy herself.
But overall nothing could reach to the original's special pace, or
exceptional personality.
(Donner), with the 2 scriptwriter, lacked the French director (Francis
Veber)'s smart touches while he was transforming his own short story
into feature film; for example, at (Le Jouet), the rich man's villa was
dark, the silence worked powerfully more than the talking, and it
didn't go to repeat the domino's fall, or show off the stepmother's
body !. Let alone, how here the adult joking is ruling, there is a
purposed kick out of hearing the boy says "Boob", or else familiar
matters. (Patrick Williams)'s music was very cute, but not up to
(Vladimir Cosma)'s tender memorable score. And nothing can imitate the
original's end, which's one of the most touching and expressing
cinematic endings I've ever seen.
Have watched the original or not, this one is good, fresh and solid as
an afternoon movie. In fact its good condition is a perfect proof of
the original's beauty, though it's obvious that (The Toy) couldn't be
as "unique" as (Le Jouet).
2 out of 3 people found the following review useful:
Not too bad, 31 August 2005
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Author:
Juan from Chicago, IL
Richard Pryor again plays the bumbling idiot in this comedy with a morality twist. The premise revolves around Richard losing his house, an opportunity to make a lot of money fast being a human toy for a rich store owner and the hilarity that ensues. While the film (and Richard) are indeed funny, it's hard to watch at times as the movie ATTEMPTS to balance racial/social class commentary with blaxpotation comedy. In one scene, Richard is giving the kid a lesson in friendship and the next we watch him running around bug eyed. And in the end, Richard plays the stereotypical blaxpotation character while Jackie Gleason is the great white rich dad. Its fun to watch but hard to digest.
2 out of 3 people found the following review useful:
A simple film you can watch over and over again, 26 November 2000
Author:
(tbro71@hotmail.com) from Chicago, Illinois
This is simply put, a fun, charming movie about a boy (Scott Schwartz) who decides to make Richard Pryor his toy for a week while he visits his powerful father Jackie Gleason. Simple gags, jokes and life lessons are what this movie is all about. It should be noted that Schwartz, who also played "Flick" in A Christmas Story went on to co-star in non-sexual roles in hardcore XXX films, then did a XXX scene himself, virtually destroying any chance for a comeback as an adult actor.
3 out of 5 people found the following review useful:
ONE OF MY FAVORITES!!!, 16 July 2002
Author:
(robocoptng986127@aol.com) from U.S.A
*** This review may contain spoilers ***
[CONTAINS SPOILERS]
Jack Brown is down on his luck. He's without job and
his
house is about to be auctioned off by the bank. He tries
getting
a job, but comes up empty handed. Finally, it get's so bad,
he
applies to be a cleaning lady at a department store owned by U.S.
Bates,
mega milionaire that owns south central Louisiana. One
night,
while Jack was playing with toys in the toy department, U.S.
Bates'
9-year-old son, Eric, (who was on break from military school)
witnessed this and literally bought him!
Jack was not too crazy about being a toy, so Mr.
Bates
had to shove a little money his way. Jack has a run-in with
a
boxing robot, a bunch of stuffed animals and an air hockey
game.
Then one day, Jack suggests he and Eric start a newspaper.
Jack
gives Eric the nickname Scoop, which he detests. They then
learn
that Mr. Bates had fired one of his employees for no reason, so
Jack
and Eric decide to get the lowdone on Mr. Bates. They interview
Barkley, Bates' English butler and ask Mr. Bates to tell how he
and
his bubble headed third wife Fancy met. They put it all in
the
newspaper. Mr. Bates is furious when he finds out. Jack and Eric
also
sabotage a party Mr. Bates was throwing, because one of his
guests
was the Grand Wizard of the Klu Klux Klan! But in the end, all
turns
out well. Jack gives Mr. Bates some helpful tips on how to better
his
relationship with his son, then takes off.
I really enjoy this movie. It's one of my favorites.
Richard Pryor and Jackie Gleason are fabulous together.
Unfortunately,
Jackie Gleason is no longer with us. He died in 1987. Also
dead
is Wilfrid Hyde-White who played Barkley. He died in 1995.
They
shall be missed, but they will always be remembered in great
movies
they did, like this one; Scott Schwartz played Flick, Ralphie's
friend
in A Christmas Story the following year. Richard Pryor is
currently
61 and not doing too well. So in conclusion, you must see this
movie!
Thank you, and hang in there, Richard!
--
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