Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection. Written by
The crew would only give bad news to Dustin Hoffman if he was in drag. They said he was "much nicer as a woman". See more »
When Sandy bangs on the door to Michael and Jeff's apartment, Michael removes his wig, tosses it on the dining table, and runs into the shower to remove his makeup. Jeff does not take the wig off the table, but when he let's Sandy in, the wig is no longer there. See more »
[waking up and seeing Michael as Dorothy]
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Dustin Hoffman is credited twice: Dustin Hoffman .... Michael Dorsey Dustin Hoffman .... Dorothy Michaels See more »
Possibly the best gender comedy of all time! Everything in this baby clicks: A script that is both clever, endearing and realistic in its depiction of the emotional transformation within Michael Dorsey, incredible acting performances (with Dustin Hoffman, Terri Garr and unbilled Bill Murray as standouts) and a great soundtrack that adds volumes to the mood of the film.
This is a 10! Watch it!
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