Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Loretta Castorini, a book keeper from Brooklyn, New York, finds herself in a difficult situation when she falls for the brother of the man she agreed to marry (the best friend of her late husband who died seven years previously).
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection. Written by
Dustin Hoffman first got the idea to do this film while working on Kramer vs. Kramer (1979). He felt his character in that film had to be both a mother and a father, so he started thinking about how to play a man and a woman. Several scripts, several writers and a few directors later, this was the result. See more »
When Sandy comes over and surprises Dorothy in her apartment, she takes her coat off twice. See more »
Remember when comedies used to be actual movies with actual stories with actual points and the funny just flowed out of them, instead of just a flimsy excuse to string together jokes and funny scenes and stock situations? Yeah, me too. What happened?
If you're in the mood for a great movie that will get you to cough up a boatload of honest laughs, then you ain't gonna do better than TOOTSIE. You are not going to find a better written, acted, and directed comedy anywhere. There are plenty as good - but none better. This is a career highpoint for all involved, and when "all" includes names such as Sydney Pollack and Dustin Hoffman, you know that's a sentiment that carries some significant weight.
And it just reaffirms the old adage that every single comedy should have Bill Murray in it.
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