Hank Marshall is a tough, square-jawed, straitlaced Army engineer and nuclear science expert, assigned to help conduct weapons-testing in 1950's America. Hank has become a thorn in the side... See full summary »
Tommy Lee Jones,
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Gilbert Ivy and his wife Jewell are farmers. They seem to be working against the odds, producing no financial surplus. Gilbert has lost hope of ever becoming prosperous, but his wife ... See full summary »
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection. Written by
Cinematographer Owen Roizman was initially opposed to Dorothy's character wearing glasses, as the reflective nature of their lenses tend to hamper lighting crews. After some tests, however, it was decided that glasses added a distinct, flattering dimension to Dorothy: Hoffman's prominent nose became less obtrusive and the glasses further feminized his personality, creating a more noticeable gender separation between the Dorothy/Michael characters. The glasses stayed, but a compromise was reached when Sydney Pollack suggested that the production try a special non-reflective coating developed by then Panavision head, Robert Gottschalk. The spray had been used to coat camera lenses, improving light transmission through the front elements. When the spray was used on Dorothy's glasses, it proved to be a godsend. See more »
In the final scene between Julie and Michael, a taxicab appears and disappears over Julie's left shoulder. See more »
Ron? I have a name it's Dorothy. It's not Tootsie or Toots or Sweetie or Honey or Doll.
No, just Dorothy. Alan's always Alan, Tom's always Tom and John's always John. I have a name too. It's Dorothy, capital D-O-R-O-T-H-Y.
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Dustin Hoffman is credited twice: Dustin Hoffman .... Michael Dorsey Dustin Hoffman .... Dorothy Michaels See more »
Lange, Hoffman Fun To Watch In This Justifiable Hit Of Its Day
It's strange how seeing a man dressed up as a woman always seems to be funny and popular with the audiences. Milton Berle helped make television with skits like this on his early 1950s show. It works here, too, with Dustin Hoffman applying the makeup and playing the role to the hilt.
Helping Hoffman is Jessica Lange in, by far, her most attractive role. I'm not particularly a fan of hers but she looked spectacular in here, almost like Marilyn Monroe.
This was a popular film because the humor was good and the two leads did a nice job, and people like a good romance story, too. Hoffman, like him or not, is a fabulous, able to play so many diverse roles. He's an amazing actor.
Sometimes overlooked is the big-name supporting cast which includes Dabney Coleman, Teri Garr, Bill Murray, Chares Durning and Geena Davis. The latter was making her screen debut in here!
This isn't as "cute" as it was 25 years ago but it sure was a justifiable bit hit back in the early '80s.
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