Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection. Written by
Cinematographer Owen Roizman was initially opposed to Dorothy's character wearing glasses, as the reflective nature of their lenses tend to hamper lighting crews. After some tests, however, it was decided that glasses added a distinct, flattering dimension to Dorothy: Hoffman's prominent nose became less obtrusive and the glasses further feminized his personality, creating a more noticeable gender separation between the Dorothy/Michael characters. The glasses stayed, but a compromise was reached when Sydney Pollack suggested that the production try a special non-reflective coating developed by then Panavision head, Robert Gottschalk. The spray had been used to coat camera lenses, improving light transmission through the front elements. When the spray was used on Dorothy's glasses, it proved to be a godsend. See more »
When Michael is packing his clothes for the trip, they move around in his suitcase between shots. See more »
I'm afraid you're not right for this role. Thanks for coming by.
Why am I not right, Mister Carlisle?
I'm trying to make a certain statement and I'm looking for a specific physical type.
Mr. Carlisle, I'm an actress. I'm a character actress. I can play it any way you want.
I'm sure you're a very good actress. It's just that you're not threatening enough.
Not threatening enough? Listen, you take your hands off me or I'll knee your balls right through the roof of your mouth! Is that enough of a ...
[...] See more »
Dustin Hoffman is credited twice: Dustin Hoffman .... Michael Dorsey Dustin Hoffman .... Dorothy Michaels See more »
Michael, an unemployed actor in New York, takes desperate measures by dressing up as a woman called Dorothy Michaels and gets a job at an TV soap opera, where he falls in love with Julie. But how to tell her that he is actually a man...?
Winner of 3 Golden Globes ( Best movie comedy/musical, best actors Dustin Hoffman and Jessica Lange ) and one Oscar ( Best actress Jessica Lange ), "Tootsie" is a small masterpiece of intelligent comedy, full of emotions, love and interesting observations about the relationship between women and men.
The situations are deliciously written. Just take the scene where Dorothy is auditioning for the role in the TV soap opera but is turned down because she is "too soft". Her response is gold: "Yes, I know what you want! You want some gross caricature of a woman to prove some idiotic point, like power makes women masculine, or masculine women are ugly...! Well, shame on you, you macho sh*t a**!" When later asked from the producer if she was just acting when she said that or if she was natural, she responded: "Which answer will get me the job?" Needless to say she got the job that instant, and a special place in my heart. But the best scenes are the ones where Dorothy is constantly improvising on the set, like when she was supposed to say to a woman who was beaten up by her man to take a therapy, but instead decided to tell that she would never let a man raise his hand on her( and then she threw a vase of flowers into the wall! ). Wonderful fun! Billy Wilder would be proud!
Dustin Hoffman is pure genius, more as a woman then as a man, as are Terri Garr and Bill Murray, before his critical fame with "Lost in translation" and "Broken flowers". "Tootsie" is quite simply a classic all the way through!
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