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Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection. Written by
Little did this desperate, out of work actor know when he secretly auditioned for a female role that he'd become the hottest star on television. Not even the girl he's madly in love with knows that he's Tootsie. See more »
This movie along with The Verdict (1982) premiered in December of 1982. Both mark the first screen roles, although uncredited, for Tobin Bell. See more »
The airborne panning view of midtown Manhattan (a transition shot after the montage of Dorothy's magazine photo-shoots, filmed above Union Square) is stock footage from the early 1970's or perhaps earlier; at least one skyscraper completed by 1975 is missing (the One UN Plaza towers). See more »
Wow!, what a film anyone who has seen this film would definetly agree with me that this film touches you in so many different places. It's funny, sad but also appealing to so many different people. Dustin Hoffman is superb in it, so is Jessica Lange the way they act on set together is very amusing but when they are alone, it's always an emotional scene. Especially the scene in which Julie (Lange) throws a glass of champagne at him when he tries to come on to her at a party, it's so funny. Murray is also good as Hoffman's mixed-up flat mate. Sydney Pollack the director also takes a small role as Hoffman's Agent who unsuccesfully tries to find him work. The viewer sees the struggle of all the characters in their everyday life. There is also a touch of romance in the fim for the sentimentals in this world. The whole team bonds together to create a funny, imaginative film suitable for anyone who is in the mood for a laugh or a cry. I thouroughly reccomend it!!
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