| Photos (See all 40 | slideshow) |
| Kurt Russell | ... | R.J. MacReady | |
| Wilford Brimley | ... | Dr. Blair (as A. Wilford Brimley) | |
| T.K. Carter | ... | Nauls | |
| David Clennon | ... | Palmer | |
| Keith David | ... | Childs | |
| Richard Dysart | ... | Dr. Copper | |
| Charles Hallahan | ... | Vance Norris | |
| Peter Maloney | ... | George Bennings | |
| Richard Masur | ... | Clark | |
| Donald Moffat | ... | Garry | |
| Joel Polis | ... | Fuchs | |
| Thomas G. Waites | ... | Windows (as Thomas Waites) | |
| Norbert Weisser | ... | Norwegian | |
| Larry J. Franco | ... | Norwegian Passenger with Rifle (as Larry Franco) | |
| Nate Irwin | ... | Helicopter Pilot | |
| William Zeman | ... | Pilot | |
| rest of cast listed alphabetically: | |||
| Adrienne Barbeau | ... | Computer (voice) (uncredited) | |
| John Carpenter | ... | Norwegian (video footage) (uncredited) | |
| Jed | ... | Dog Thing (uncredited) | |
Directed by | |||
| John Carpenter | |||
Writing credits | ||
| Bill Lancaster | (screenplay) | |
| John W. Campbell Jr. | (story) | |
Produced by | |||
| Stuart Cohen | .... | co-producer | |
| David Foster | .... | producer | |
| Larry J. Franco | .... | associate producer (as Larry Franco) | |
| Wilbur Stark | .... | executive producer | |
| Lawrence Turman | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Dean Cundey | (director of photography) | ||
Film Editing by | |||
| Todd C. Ramsay | (as Todd Ramsay) | ||
Casting by | |||
| Anita Dann | |||
Production Design by | |||
| John J. Lloyd | (as John L. Lloyd) | ||
Art Direction by | |||
| Henry Larrecq | |||
Set Decoration by | |||
| John M. Dwyer | (as John Dwyer) | ||
Production Management | |||
| Robert Latham Brown | .... | production manager | |
| Fitch Cady | .... | unit production manager: Stewart, British Columbia | |
Second Unit Director or Assistant Director | |||
| Jeffrey Chernov | .... | second assistant director | |
| Larry J. Franco | .... | first assistant director (as Larry Franco) | |
| Bruce Humphrey | .... | dga trainee | |
| Michael E. Steele | .... | second assistant director: Stewart, British Columbia (as Michael Steele) | |
Art Department | |||
| Jim Callan | .... | painter (as James Callan) | |
| Michael R. Gannon | .... | assistant property master | |
| Richard A. Gonzales | .... | swing gang | |
| Mentor Huebner | .... | production illustrator: special makeup effects unit | |
| Gary Meyer | .... | production illustrator: special makeup effects unit | |
| Graeme Murray | .... | set decorator: Stewart, British Columbia | |
| Bob Nohles | .... | propmaker foreman | |
| Frank Parker | .... | property master: Stewart, British Columbia | |
| Michael G. Ploog | .... | production illustrator: special makeup effects unit (as Michael Ploog) | |
| Joseph R. Savko | .... | swing gang | |
| Barton M. Susman | .... | leadman (as Bart Susman) | |
| Milton Wilson | .... | swing gang | |
| John Zemansky | .... | property master | |
| Henry Alvarez | .... | sculptor (uncredited) | |
| Robert Misetich | .... | painter (uncredited) | |
Sound Department | |||
| John K. Adams | .... | foley supervisor | |
| Joseph F. Brennan | .... | boom man (as Joe Brennan) | |
| Thomas Causey | .... | production sound | |
| Jack Gosden | .... | loop dialogue editor | |
| Warren Hamilton Jr. | .... | sound effects editor | |
| Duane Hensel | .... | sound effects assistant | |
| David Katz | .... | sound recordist | |
| Gregg Landaker | .... | sound re-recordist | |
| Ernesto Mas | .... | assistant sound editor | |
| Steve Maslow | .... | sound re-recording mixer | |
| Colin C. Mouat | .... | supervising sound editor | |
| John Post | .... | sound effects assistant | |
| Kendrick Sweet | .... | sound editor (as Kendrick P. Sweet) | |
| Bill Varney | .... | sound re-recordist | |
| David Lewis Yewdall | .... | supervising sound editor | |
| Alan Howarth | .... | special sound effects (uncredited) | |
Special Effects by | |||
| Roy Arbogast | .... | special effects | |
| Hal Bigger | .... | special effects foreman | |
| Michael Clifford | .... | special effects: Stewart, British Columbia (as Michael A. Clifford) | |
| David P. Kelsey | .... | mechanical animation coordinator: special makeup effects unit (as Dave Kelsey) | |
| William Lee | .... | special effects assistant (as William D. Lee) | |
| Hans Metz | .... | special effects assistant | |
| Lee Routly | .... | special effects: Stewart, British Columbia (as Leroy Routly) | |
| John K. Stirber | .... | special effects assistant (as John Stirber) | |
| Andrew Miller | .... | special effects (uncredited) | |
| Andrew Miller | .... | special mechanical effects (uncredited) | |
| Bruno Van Zeebroeck | .... | special effects crew (uncredited) | |
| Gary Zink | .... | welder (uncredited) | |
Visual Effects by | |||
| Jim Aupperle | .... | crew: animation effects sequence (as James Aupperle) | |
| James Belohovek | .... | crew: animation effects sequence | |
| Randall William Cook | .... | dimensional animation effects creator: animation effects sequence | |
| Ernest D. Farino | .... | crew: animation effects sequence | |
| James Hagedorn | .... | opticals: main title sequence, RGB Optical | |
| Katherine Kean | .... | animator: main title sequence, VCE | |
| Peter Kuran | .... | visual effects designer: main title sequence, VCE | |
| George Lockwood | .... | opticals: main title sequence, RGB Optical | |
| Carl Surges | .... | crew: animation effects sequence | |
| Bill Taylor | .... | matte photography | |
| Keith Tucker | .... | animator: main title sequence, VCE | |
| Susan Turner | .... | miniature supervisor: main title sequence, VCE (as Susan K. Turner) | |
| Albert Whitlock | .... | special visual effects | |
| Jim Danforth | .... | matte artist (uncredited) | |
| Henry Schoessler | .... | visual effects (uncredited) | |
Stunts | |||
| Anthony Cecere | .... | stunts | |
| Kent Hays | .... | stunts | |
| Larry Holt | .... | stunts | |
| Melvin Jones | .... | stunts | |
| Eric Mansker | .... | stunts | |
| Denver Mattson | .... | stunts | |
| Clint Rowe | .... | stunts | |
| Ken Strain | .... | stunts | |
| Rock A. Walker | .... | stunts (as Rock Walker) | |
| Dick Warlock | .... | stunt coordinator | |
| Jerry Wills | .... | stunts | |
| Dick Warlock | .... | stunt double: Kurt Russell (uncredited) | |
Costume and Wardrobe Department | |||
| Ronald I. Caplan | .... | costume supervisor | |
| Trish Keating | .... | costume supervisor: Stewart, British Columbia | |
| Gilbert Loe | .... | costume supervisor | |
Editorial Department | |||
| Kimberly Ray | .... | assistant film editor (as Kim Ray) | |
| Jan Wesley | .... | assistant film editor | |
Music Department | |||
| Craig Harris | .... | synthesizer sound | |
| Cliff Kohlweck | .... | music editor (as Clif Kohlweck) | |
| John Carpenter | .... | composer: additional music (uncredited) | |
Thanks | |||
| Stan Winston | .... | special thanks: special makeup effects unit | |
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| The Thing | Dreamcatcher | Resident Evil: Afterlife | Predator | Sucker Punch |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Horror section |
| IMDb USA section |
Many people has got a film they think of as their favourite movie. My movie will always be John Carpenter's The Thing! The main reason why this movie is a cult-film is perhaps the splatter-effects created mainly by genius Rob Bottin and that this is the movie that made Kurt Russell what he is today (along with Escape from N.Y.) In my opinion, this is not a great film because of the effects, it has to do with the story, the atmosphere, and of course, the acting. I have watched thousands and thousands of movies (3-6 every day the last 10 years), but none has had the impact on me as this one, not even the great "Das Boot".
Here's my suggestion to you who likes sci-fi and horror movies: Place yourself in the good chair of your home. Be sure you're not interupted by anyone. If you aint got a projector, sit close to your TV and watch this miracle of a film. Let it absorbe you, and you'll see it my way!
Best View Time: Late February between 5 and 9 in the evening.