After a space merchant vessel perceives an unknown transmission as distress call, their landing on the source moon finds one of the crew attacked by a mysterious life-form, and soon realize that its life cycle has merely begun.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A giant great white shark arrives on the shores of a New England beach resort and wreaks havoc with bloody attacks on swimmers, until a local sheriff teams up with a marine biologist and an old seafarer to hunt the monster down.
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A US research station, Antarctica, early-winter 1982. The base is suddenly buzzed by a helicopter from the nearby Norwegian research station. They are trying to kill a dog that has escaped from their base. After the destruction of the Norwegian chopper the members of the US team fly to the Norwegian base, only to discover them all dead or missing. They do find the remains of a strange creature the Norwegians burned. The Americans take it to their base and deduce that it an alien life form. After a while it is apparent that the alien can take over and assimilate into other life forms, including humans, and can spread like a virus. This means that anyone at the base could be inhabited by The Thing, and tensions escalate. Written by
Editor Todd Ramsay was mocked for editing in the fade-to-blacks in the film, even though Carpenter back him fully on the decision. See more »
(at around 1h 6 mins) When Fuchs goes outside following the mysterious figure outside the lab, there is already snow on his knees as he drops to pick up Mac's shredded clothing. See more »
Blair... he got back inside and blew the generator. In six hours, it'll be 100 below in here!
Well, that's suicide!
Not for that Thing. It wants to freeze now. It knows it's got no way out of here. It just wants to go to sleep in the cold until the rescue team finds it.
What can we do? What can we do?
Whether we make it or not, we can't let that Thing freeze again. Maybe we'll just warm things up a little around here. We're not gettin' outta here alive. But neither is that Thing.
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Flips the scenario round from the original to great effect.
John Carpenter shows how much he loves the 1951 original by giving it the utmost respect that he possibly could, the only difference here is that Carpenter chooses to stick to the paranoiac core of John W Campbell Jr's short story.
The secret to this version's success is the unbearable tension that builds up as the group of men become suspicious of each other, the strain of literally waiting to be taken over takes a fearful hold. Carpenter then manages to deliver the shocks as well as the mystery that's needed to keep the film heading in the right direction.
Be it an horrific scene or a "what is in the shadow" sequence, the film is the perfect fusion of horror and sci-fi. The dialogue is laced with potency and viability for a group of men trying to keep it together under such duress, while Ennio Morricone's score is a wonderful eerie pulse beat that further racks up the sense of doom and paranoia seaming throughout the film.
The cast are superb, a solid assembly line of actors led by Carpenter favourite Kurt Russell, whilst the effects used around the characters get the right amount of impact needed. But most of all it's the ending that is the crowning glory, an ending that doesn't pander to the norm and is incredibly fitting for what has gone on before it. Lets wait and see what happens indeed. 10/10
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