A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
An American scientific expedition to the frozen wastes of the Antarctic is interrupted by a group of seemingly mad Norwegians pursuing and shooting a dog. The helicopter pursuing the dog explodes, eventually leaving no explanation for the chase. During the night, the dog mutates and attacks other dogs in the cage and members of the team that investigate. The team soon realizes that an alien life-form with the ability to take over other bodies is on the loose and they don't know who may already have been taken over. Written by
There are no female characters in the film. The only female presence in the movie is in the voice of MacReady's chess computer and the contestants seen on the game show that Palmer watches. A scene containing a blow-up doll was filmed and then left on the cutting room floor. According to John Carpenter, only one crew member was female but she was pregnant and this forced her to leave the shoot; she was replaced by a male. See more »
When the Norwegian is firing on the American scientists at the beginning of the movie, we clearly see that Childs has already jumped into the snow in previews tries of the scene. We can see a shape on the snow. See more »
My God, what was happening to him?
If it had more time to finish, it would have looked and sounded and acted just like Bennings!
I don't know what you're saying.
That was one of those things out there trying to imitate him, Garry. C'mon.
MacReady, I know Bennings. I've known him for ten years. He's my friend.
We gotta burn the rest of 'em.
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Flips the scenario round from the original to great effect.
John Carpenter shows how much he loves the 1951 original by giving it the utmost respect that he possibly could, the only difference here is that Carpenter chooses to stick to the paranoiac core of John W Campbell Jr's short story. The secret to this version's success is the unbearable tension that builds up as the group of men become suspicious of each other, the strain of literally waiting to be taken over takes a fearful hold. Carpenter manages to deliver the shocks as well as the mystery needed to keep the film heading in the right direction. Be it an horrific scene or a "what is in the shadow" sequence, the film to me is a perfect fusion of horror and sci-fi. The dialogue is spot on for a group of men trying to keep it together under duress, and Ennio Morricone's score is a wonderful eerie pulse beat that further racks up the sense of doom and paranoia seaming thru the film. The cast are superb, a solid assembly of actors led by Carpenter fave Kurt Russell, whilst the effects used give the right amount of impact needed. But most of all it's the ending that is the crowning glory, an ending that doesn't pander to the norm and is incredibly fitting for what has gone on before it.
Lets wait and see what happens indeed. 10/10
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