Its the first week of winter in 1982. An American Research Base is greeted by an alien force, that can assimilate anything it touches. Its up to the members to stay alive, and be sure of who is human, and who has become one of the Things.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Legend says that Antonio Bay was built in 1880 with blood money obtained from shipwrecked lepers but no one believes it. On the eve of the town's centennial many plan to attend the celebrations, including the murdered lepers.
Jamie Lee Curtis,
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
An American scientific expedition to the frozen wastes of the Antarctic is interrupted by a group of seemingly mad Norwegians pursuing and shooting a dog. The helicopter pursuing the dog explodes, eventually leaving no explanation for the chase. During the night, the dog mutates and attacks other dogs in the cage and members of the team that investigate. The team soon realizes that an alien life-form with the ability to take over other bodies is on the loose and they don't know who may already have been taken over. Written by
(at around 40 mins) When the crew are all discussing what the alien spacecraft might be, one of them explains it by saying "Chariots of the Gods." This is a reference to the famous 1968 book by Swiss-German author Erich von Däniken entitled "Chariots of the Gods?" which hypothesized that many of the world's great historical monuments, such as the Egyptian Pyramids, were built with the aid of technologies and religion provided by extra-terrestrial beings, who were treated as deities by ancient peoples. See more »
(at around 1h 5 mins) When MacReady visits Fuchs in his room, and Fuchs mentions preparing their own food, et cetera, there is a beaker of dark brown liquid on his desk. When the lamp flickers we get a close-up of the beaker and it now contains clear liquid. See more »
This is another one of those films that I remember staying up late to watch on TV, scaring the crap out of myself at the impressionable age of 12 or so and dooming myself thereafter to a life of horror movie obsession. This is a GREAT movie, and stands as living proof that there were indeed realistic effects before CGI.
Set on an isolated base in Antarctica, this version seems almost to pick up where the original version (The Thing From Another World) left off. The American scientists discover a decimated Norwegian base some miles distant. Everyone is dead, and only the half charred remains of some unidentifiable thing left to smolder outside the compound might offer any answers to what may have happened. The Thing is brought back to the American base and, too late, the scientists realize that it is alive and lethal. The Thing thaws out and is off, not only killing anyone and anything that crosses Its path, but also absorbing them, making Itself into whoever and whatever it wants. The film then turns into a brilliant paranoia piece. Everyone is suspect, anyone can be The Thing, and no one trusts anyone anymore. Gone is the strength and security found when human beings band together in spite of their differences to battle a monster. The group splinters and fear rules supreme. Who is the Thing?
The gore effects here are absolutely amazing and messily realistic. I could have done without the dogs head splitting open like a banana peel, but that's just the animal lover in me being picky: kill all the humans you want, but leave the kitties and puppies alone. Sanity and reason disintegrate rapidly as, one by one, the humans are taken over by the shapeshifting alien. The power of this film lies in its paranoia, and although I liked the original version, I prefer this one; the real threat lies within, and is scarier for the fact that it cannot be seen or easily detected. When it is forced out of hiding, it's wrath is huge and the results are horrific.
This is one of Carpenters best films, right up there with The Fog and Halloween. All of the actors give strong, realistic performances and the special effects are so powerful that they stand as their own main character. This film has something for any lover of the horror genre. Don't miss it.
279 of 333 people found this review helpful.
Was this review helpful to you?