A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
With Argento's trademark visual style, linked with one of his more coherent plots, Tenebrae follows a writer who arrives to Rome only to find somebody is using his novels as the inspiration (and, occasionally, the means) of committing murder. As the death toll mounts the police are ever baffled, and the writer becomes more closely linked to the case than is comfortable. Written by
David Carroll <email@example.com>
Unused 'muzak' from Goblin's Dawn of the Dead (1978) score in background of scene where Tilda and her girlfriend argue before said girlfriend leaves with a man (right before scene with Argento's famed crane shot). See more »
On the telephone, the killer tells Peter Neal that "you wrote those words, page 46," but in fact the words quoted would have had to be on an odd-numbered page of the book TENEBRAE, given the placement of the text we see in the opening sequence. See more »
Let me ask you something? If someone is killed with a Smith&Wesson revolver... Do you go and interview the president of Smith & Wesson?
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Anne's screams continue even as the ending credits roll. See more »
Tenebre (1982) is a cold, dark and sterile film from Dario Argento. In sterile I mean the clinical and septic surroundings that the city dwellers live in. Some of the sets are painted bright white and lighted in cool hues. The film is about a murder mystery writer named Peter Neal who comes to Rome on a business trip/vacation. During this trip, some murders are committed by a strange demented killer who's a big fan of Peter Neal. The film's translated title Shadow describes the film perfectly. To say how it relates to the film would be all too telling.
Some of the set pieces in this film are some of the most graphic and violent ones that Argento has ever concieved. They fit neatly within the confines of this tightly shot and directed thriller. One of Argento's best films (besides his opus Suspiria). I strongly recommend this picture. My favorite of the set pieces takes place in the final third of the movie. It's well worth the wait. Believe me.
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