Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, however, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one will believes he's innocent.
A killer known as Ghostface begins killing off teenagers, and as the body count begins rising, one girl and her friends find themselves contemplating the "Rules" of horror films as they find themselves living in a real-life one.
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
A wave of gruesome murders is sweeping Tokyo. The only connection is a bloody X carved into the neck of each of the victims. In each case, the murderer is found near the victim and ... See full summary »
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
Someone is strangling coeds in Perugia. The only clue is that the killer owns a red and black scarf, and police are stumped. American exchange student Jane and her friends decide to take a ... See full summary »
With Argento's trademark visual style, linked with one of his more coherent plots, Tenebrae follows a writer who arrives to Rome only to find somebody is using his novels as the inspiration (and, occasionally, the means) of committing murder. As the death toll mounts the police are ever baffled, and the writer becomes more closely linked to the case than is comfortable. Written by
David Carroll <firstname.lastname@example.org>
On the telephone, the killer tells Peter Neal that "you wrote those words, page 46," but in fact the words quoted would have had to be on an odd-numbered page of the book TENEBRAE, given the placement of the text we see in the opening sequence. See more »
"The impulse had become irresistible. There was only one answer to the fury that tortured him. And so he committed his first act of murder. He had broken the most deep-rooted taboo, and found not guilt, not anxiety or fear, but freedom. Any humiliation which stood in his way could be swept aside by the simple act of annihilation: Murder."
See more »
Anne's screams continue even as the ending credits roll. See more »
Peter Neal , Anthony Franciosa, a top murder mystery writer goes to Rome Italy to promote his latest book "Tenebre". Before he even lands at the Rome Airport a young woman is murdered and pages of Neal's book is found stuffed in her mouth.
Later at Neal's hotel room a letter is slipped under his door with a passage from his book and information that only the killer could have known about the woman's murder.
Soon afterward another murder is committed and the same scenario is followed. A letter with a passage from the book "Tenebre' and information about the killing is put under Neal's door at the hotel that he's staying in.
The police ask Neal to help in the investigation since it's obvious that the murderer is obsessed with Neal's latest novel and who better to understand what the killer has on his mind then the writer, Peter Neal, himself.
Very effective and unbelievably gory film by Dario Argento about a killer on the loose in Rome with some of the most ingenious plot twists you'll ever see in a murder mystery movie. The tension builds up after every murder is committed as the movie draws to it's almost unwatchable conclusion that will leave you totally speechless. By then the tension and stress has left the viewers almost paralyzed with fear.
One note, without giving away anything critical about the story. "Tenebre" Dario Argento use of technique in regards to the killer was very similar to what Jacques Tourneur used in his 1943 movie "The Leopard Man" which most critics didn't think much of at that time. After seeing "Tenebre" and how Argento used the same kind of idea in the film to make it successful these critics might well have changed their minds about Tourneur's underrated 1943 film-noir horror classic.
6 of 9 people found this review helpful.
Was this review helpful to you?