A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
With Argento's trademark visual style, linked with one of his more coherent plots, Tenebrae follows a writer who arrives to Rome only to find somebody is using his novels as the inspiration (and, occasionally, the means) of committing murder. As the death toll mounts the police are ever baffled, and the writer becomes more closely linked to the case than is comfortable. Written by
David Carroll <firstname.lastname@example.org>
The impressive two and a half minute crane shot the encircles Tilda's house took three days to be completed. American distributors wanted the shot to be cut from the film for US release, but Argento refused. See more »
Just before Elsa is killed, the attacker shoves several individual wads of paper into her mouth. But as she dies, she spits it out and the pages are now wadded together in one giant ball. See more »
Tenebre (1982) is a cold, dark and sterile film from Dario Argento. In sterile I mean the clinical and septic surroundings that the city dwellers live in. Some of the sets are painted bright white and lighted in cool hues. The film is about a murder mystery writer named Peter Neal who comes to Rome on a business trip/vacation. During this trip, some murders are committed by a strange demented killer who's a big fan of Peter Neal. The film's translated title Shadow describes the film perfectly. To say how it relates to the film would be all too telling.
Some of the set pieces in this film are some of the most graphic and violent ones that Argento has ever concieved. They fit neatly within the confines of this tightly shot and directed thriller. One of Argento's best films (besides his opus Suspiria). I strongly recommend this picture. My favorite of the set pieces takes place in the final third of the movie. It's well worth the wait. Believe me.
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