6.5/10
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33 user 14 critic

Tempest (1982)

A sobering mid-life crisis fuels dissatisfaction in Philip Dimitrius, to the extent where the successful architect trades his marriage and career in for a spiritual exile on a remote Greek ... See full summary »

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ON DISC
Nominated for 2 Golden Globes. Another 2 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Alonzo
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Phillip's Father
Jackie Gayle ...
Trinc
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Sebastian
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Harry
Lucianne Buchanan ...
Vassilis Glezakos ...
Greek Boat Captain
Sergio Nicolai ...
First Sailor
Luigi Laezza ...
Second Sailor
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Storyline

A sobering mid-life crisis fuels dissatisfaction in Philip Dimitrius, to the extent where the successful architect trades his marriage and career in for a spiritual exile on a remote Greek island where he hopes to conjure meaning into his life - trying the patience of his new girlfriend and angst-ridden teenage daughter. Written by David Parker

Plot Summary | Plot Synopsis

Taglines:

Most men dream their fantasies. Phillip decided to live his.


Certificate:

PG | See all certifications »
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Details

Country:

Language:

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Release Date:

24 September 1982 (USA)  »

Also Known As:

Paul Mazursky's Tempest  »

Filming Locations:

 »

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Box Office

Budget:

$13,000,000 (estimated)

Gross USA:

$5,005,245
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

(Ontario)

Sound Mix:

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Color:

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Did You Know?

Trivia

Penultimate John Cassavetes - Gena Rowlands movie where they both appear in acting roles. Their final film acting together was around two years later in Love Streams (1984). See more »

Goofs

When a helicopter lands in Manhattan, in the last scene of the film, Philip steps out with a haircut in continuity with the early part of the story, set "18 months ago". Since the time on the island takes place 18 months later, over a 24 hour cycle, his hair should be short and gray when he lands, instead of longer and darker. See more »

Quotes

[first lines]
Phillip Dimitrius: Son-of-a-bitch! What I wouldn't give for a different nightmare.
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Connections

Version of The Tempest/II (1951) See more »

Soundtracks

New York, New York
Written by John Kander and Fred Ebb
Performed by Liza Minnelli, danced by Raul Julia and his goats
Courtesy of United Artists Records
Special Thanks to Liza Minnelli
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User Reviews

 
Disjointed and different, but never boring....
24 November 2005 | by See all my reviews

For many years I thought I was the only person on the planet who had seen TEMPEST, and I am so glad to learn that I am not the only person who discovered this sleeper somewhere in their movie-going travails. Loosely based on the Shakesperean play, TEMPEST follows an architect (the late John Cassavettes, in one of his best performances), bored with his work and his crumbling marriage (to real life spouse Gene Rowlads), who decides to chuck it all, say the hell with the rat race and go live on an island with his daughter (Molly Ringwald, in her film debut), and new girlfriend Aretha (a luminous Susan Sarandon). Even though Paul Mazursky is credited as director, Cassavettes hand is all over this film...the long scenes filmed without cutting, the improvisatory feel to the dialogue..., the self-indulgent storytelling style, this is definitely his show from beginning to end, and if you're not a fan of his work, the film will seem laboriously long and dull but if you are a fan, there are rewards to be had. Cassavettes is surrounded by a first rate cast...his scenes with Rowlands crackle with intensity and his surprising chemistry with Sarandon is a stark contrast to his scenes with Rowlands. Ringwald shines in her film debut and there is a scene-stealing performance by the late Raul Julia as Kalibanos, Cassavettes' manservant on the island. Julia stops the show in one scene dancing with a flock of sheep accompanied by Liza Minnelli singing "New York, New York". This film is sad and tragic and funny and intense. Yes, it's a little long and disjointed and it works a little too hard at being different (there's even a curtain call at the end of the film), but it never fails to hold the attention of those who like something a little different in their filmgoing.


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