A sobering mid-life crisis fuels dissatisfaction in Philip Dimitrius, to the extent where the successful architect trades his marriage and career in for a spiritual exile on a remote Greek ... See full summary »
Documentary film-maker Bob Saunders and his wife Carol attend a group therapy session that serves as the backdrop for the opening scenes of the film. Returning to their Los Angeles home, ... See full summary »
Prospero, a potent magician, lives on a desolate isle with his virginal daughter, Miranda. He's in exile, banished from his duchy by his usurping brother and the King of Naples. Providence ... See full summary »
Exiled Prospero lives on a desolate island with his daughter, Miranda. When Prospero's usurping brother sails by the island, Prospero conjures a storm that wrecks the ship and changes all of their lives.
A sobering mid-life crisis fuels dissatisfaction in Philip Dimitrius, to the extent where the successful architect trades his marriage and career in for a spiritual exile on a remote Greek island where he hopes to conjure meaning into his life - trying the patience of his new girlfriend and angst-ridden teenage daughter. Written by
One of two 1982 American movies first released in that year which shot in Greece. The other picture was Summer Lovers (1982). See more »
When a helicopter lands in Manhattan, in the last scene of the film, Philip steps out with a haircut in continuity with the early part of the story, set "18 months ago". Since the time on the island takes place 18 months later, over a 24 hour cycle, his hair should be short and gray when he lands, instead of longer and darker. See more »
...than Susan Sarandon at 36 in The Tempest? Or more intense than Cassavetes? Yes, the film does meander and my attention wandered a bit at the second viewing but the film has many great moments. 1) Cassavetes coming home drunk to a party of his wife's friends and asking her producer played by Paul Mazursky to dance. 2) Susan Sarandon and Molly Ringwald singing "Why do fools fall in love? 3) Cassavetes imploring the gods, "Show me the magic?" Whether or not it's a faithful reinterpretation of Shakespeare is beside the point. One more moment: as the credits roll the actors take their bows, emerging one by one from a Greek doorway. Cassavetes is last. Refusing to bow, he simply walks out the door, gruff and unamused and that's why we miss him so.
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