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El Sur (1983)
"El sur" (original title)

8.1
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Ratings: 8.1/10 from 1,946 users  
Reviews: 17 user | 11 critic

The movie tells a melancholic story of a little girl who is living in a city in the north. She is fascinated by the secrets of the south which seem to be hidden in the personality of her ... See full summary »

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Title: El Sur (1983)

El Sur (1983) on IMDb 8.1/10

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7 wins & 2 nominations. See more awards »
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Cast

Complete credited cast:
Omero Antonutti ...
Agustín Arenas
Sonsoles Aranguren ...
...
Lola Cardona ...
Julia
Rafaela Aparicio ...
Milagros
...
Irene Ríos / Laura
Francisco Merino ...
Enamorado
Maria Caro ...
Casilda
José Vivó ...
Camarero
Germaine Montero ...
Doña Rosario
Rest of cast listed alphabetically:
José García García Morilla ...
Chófer
María Massip ...
Estrella adulta (voice)
Edit

Storyline

The movie tells a melancholic story of a little girl who is living in a city in the north. She is fascinated by the secrets of the south which seem to be hidden in the personality of her father. Written by Volker Boehm

Plot Summary | Add Synopsis

Taglines:

Sur est un seul et grand Tango

Genres:

Drama | Romance

Certificate:

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Details

Country:

|

Language:

Release Date:

13 February 1986 (Australia)  »

Also Known As:

El Sur  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Voted sixth best Spanish film by professionals and critics in 1996 Spanish cinema centenary. See more »

Connections

Featured in Huellas de un espíritu (1998) See more »

Soundtracks

Yo tengo dentro de mí
Composed by Enric Granados
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User Reviews

A lyrical intensity
16 September 2001 | by (Albuquerque, NM USA) – See all my reviews

I feel compelled to relate this as it has been at least ten years since I saw this film (in a student union theater) and it still has a powerful hold on my memory. I have been unable to find it on video, so my recollections are fragmentary.

I was so impressed, involved, and moved by this tale that I left the cinema feeling as if I were floating just above the pavement. One is quietly and adroitly drawn in by the mystery that the young daughter in 1950s Spain senses in her father. The political dimension is brilliantly nuanced, carefully alluded to without speechifying. The wondrous cinematography captures light so deftly at times that it is almost luminous: late afternoon sunlight across a room, snow slowly falling (viewed through a window), a rain soaked street at night. As the daughter grows to adolescence the enigma of her reticent father begins to clear. It may not sound like much in my words, but from wool Victor Erice has spun gold.


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