| Photos (see all 8 | slideshow) |
| Peter Gallagher | ... | Michael Pappas | |
| Daryl Hannah | ... | Cathy Featherstone | |
| Valérie Quennessen | ... | Lina (as Valerie Quennessen) | |
| Barbara Rush | ... | Jean Featherstone | |
| Carole Cook | ... | Barbara Foster | |
| Hans van Tongeren | ... | Jan Tolin | |
| Lydia Lenossi | ... | Aspa | |
| Vladimiros Kiriakidis | ... | Yorghos | |
| Carlos Rodríguez Ramos | ... | Cosmo | |
| Rika Dialina | ... | Monica | |
| Andreas Filippides | ... | Andreas (as Andreas Filippidis) | |
| Peter Pye | ... | Joe Saunders | |
| Janis Benjamin | ... | Trish Saunders | |
| Victor T. Salant | ... | John | |
| Brigitte Perbandt | ... | Anna | |
| Henri Behar | ... | Movie Director | |
| Steven Fazekas | ... | Bob | |
| Jane Moder | ... | Jane | |
| Hilary Shepard | ... | Camp Fire Girl (as Hillary Shapiro) | |
| Nadia Fahmi | ... | Camp Fire Girl | |
| Richard Montgomery | ... | Boy at Camp Fire | |
| Ann Coleman | ... | French Girl on Yacht | |
| François Manceaux | ... | Archeologist | |
| Marilyn Giardino | ... | Woman at Hotel | |
| Stavros Kaplandis | ... | Desk Clerk |
Directed by | |||
| Randal Kleiser | |||
Writing credits(in alphabetical order) | ||
| Randal Kleiser | writer | |
Produced by | |||
| Joel Dean | .... | executive producer | |
| Mike Moder | .... | producer | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| Timothy Galfas | |||
Film Editing by | |||
| Robert Gordon | |||
Casting by | |||
| Barbara Claman | |||
| Eleanor Ross | |||
Production Design by | |||
| Bruce Weintraub | |||
Set Decoration by | |||
| Ann Coleman | |||
Makeup Department | |||
| Katia Despotidou | .... | makeup artist | |
| Robert Redding | .... | makeup artist | |
| Garafalia Strataki | .... | hair stylist | |
| Jim Gillespie | .... | key makeup artist (uncredited) | |
Production Management | |||
| Salvatore Billitteri | .... | post-production supervisor | |
| Michael S. Glick | .... | supervising production manager | |
| Aspa Lambrou | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stavros Kaplanidis | .... | second assistant director | |
| Stavros Konstandarakos | .... | second assistant director | |
| Mike Moder | .... | first assistant director | |
Art Department | |||
| Dimitris Plivouris | .... | property master (as Mimis Plivouris) | |
Sound Department | |||
| Kevin F. Cleary | .... | sound re-recording mixer | |
| James Cox | .... | sound effects (as Jim Cox) | |
| Nikos Despotidis | .... | sound mixer (as Nicos Despotidis) | |
| Mimis Kimouliatis | .... | boom operator (as Mimis Kimoliatis) | |
| Dessie Markovsky | .... | dialogue editor | |
| William L. McCaughey | .... | sound re-recording mixer (as William McCaughey) | |
| Terry Porter | .... | sound re-recording mixer | |
| Emile Razpopov | .... | sound effects editor | |
| Howard S. Wollman | .... | sound re-recording mixer (as Howard Wollman) | |
| William Hooper | .... | assistant sound editor (uncredited) | |
Visual Effects by | |||
| Jeffrey Kleiser | .... | special optical effects: EFX Unlimited (as Jeff Kleiser) | |
| Andrea D'Amico | .... | optical effects: EFX Unlimited (uncredited) | |
Stunts | |||
| Debbie Evans | .... | stunt woman | |
Camera and Electrical Department | |||
| John Burke | .... | gaffer (as Jack Burke) | |
| Peter Lyons Collister | .... | aerial photographer | |
| Peter Lyons Collister | .... | director of photography: second unit | |
| Roger G. Jans | .... | still photographer (as Roger Jans) | |
| Sifis Koundouros | .... | second assistant camera | |
| Dimitris Papakonstadis | .... | director of photography: Greece | |
| Pernell Youngblood Tyus | .... | first assistant camera (as Pernell Tyus) | |
| Peter Wagner | .... | key grip | |
Costume and Wardrobe Department | |||
| Ernest Misko | .... | costume supervisor | |
| Diana Yannapoulou | .... | wardrobe | |
Editorial Department | |||
| Bill Berry | .... | negative cutter | |
| Dennis Galling | .... | assistant editor | |
| Dolly Gordon | .... | associate editor (as Dolly Fendel Gordon) | |
| Scott Hancock | .... | assistant editor | |
| Tom Shaffer | .... | color timer | |
| Takis Yannopoulos | .... | assistant editor (as Takis Yannapoulos) | |
Music Department | |||
| Jim Cypherd | .... | score recording engineer | |
| Phil Davis | .... | score synthesizer | |
| Terri Fricon | .... | music supervisor (as Terry Fricon) | |
| Gary Jones | .... | music supervisor | |
| Rosalie Winkler Karalekas | .... | music consultant | |
| Leslie Whitfield | .... | music editor | |
| Thomas Vicari | .... | score recordist: main titles (uncredited) | |
Transportation Department | |||
| Jeffrey R. Clark | .... | transportation captain | |
| Peter Forbes | .... | driver | |
| John Gott | .... | driver | |
Other crew | |||
| Janis Benjamin | .... | production coordinator | |
| Amy Bloch | .... | production assistant | |
| Steven Fazekas | .... | production assistant | |
| Mark M. Frederick | .... | production assistant | |
| Jeff Freedman | .... | merchandising coordinator | |
| Marilyn Giardino | .... | script supervisor | |
| Diana Lambrinou | .... | production secretary | |
| Brian Lindquist | .... | creative consultant | |
| Victor T. Salant | .... | auditor | |
| Harry Stein | .... | assistant to producer | |
| Marc Wolff | .... | helicopter pilot | |
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| Calendar Girl | Blame It on Rio | Nina Takes a Lover | The Blue Lagoon | Sideways |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Roger Ebert likes to say (paraphrased) that it's not what a movie's about, but rather how it goes about it. Often so, especially in retread after retread that go by every year, but with Summer Lovers it's the reverse, because there's really very little to compare it to. This is a film that struggles with limited (but attractive) talent, flamboyantly uneven direction and bad editing. What's worse, a film has to often use dialog in place of looks and feelings that take place and have meaning in a relationship, but that are lost to the observer, and the dialog here often fails.
But at the same time, Summer Lovers doesn't blink when looking into freedom of the body, and freedom in relationships. Some look at this as fantasy, but indeed there are a lot of people who have made the one-way trip down that rabbit hole and can understand what this film's really about.
I give it an E for Effort. I like it better for having failed in its ambition than having succeeded in a lesser attempt. It's definitely not for the uptight, but if you're sitting around some day in an expansive frame of mind, wondering if you're getting everything out of your life that you ought to, then maybe rent this one and have an enjoyable afternoon thinking about the possibilities.