On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg go back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
The Federation along with a group of scientists are working on Project Genesis, which is to bring a dead planet to life. So far the preliminary experiments have been a success. Now for the next phase which is to actually bring a planet to life, a dead planet is required. So the Federation sends a starship, the USS Reliant to find one and its first officer is Commander Pavel Chekov. They come across what appears to be a dead planet in the Ceti Alpha system. But the sensors detect something which makes it not a dead planet. But the Captain thinks maybe they can remove it, so he and Chekov go and investigate. But they find what appears to be a lifepod. When Chekov sees something, he tells the Captain they should leave, but they are captured by the inhabitants. When they meet the leader, Chekov recognizes him as Khan Noonien Singh, the genetic superman from late 20th century whom Kirk found 15 years ago. Khan tried to take over the Enterprise and kill Kirk, but Kirk subdued him and left ... Written by
In the computer image of the Genesis probe approaching the planet, the camera is about to collide with a mountain when a narrow canyon blinks into existence to let it through. During a talk at SIGGRAPH shortly after the movie's release, one of the animators of the clip showed the clip and explained that (at one hour/frame being rendered on a VAX 11/780), they'd rendered every 64th frame of their fractal landscape, checked for obvious issues, then rendered every 32nd frame that was not already rendered. They continued down to every 16th, 8th, 4th, and then every remaining frame. It was only at that point that they discovered that four frames were inside a mountain, and they didn't have the time to rerender with a different trajectory or a different initial landscape, so they papered over the mistake with the magically-appearing valley. See more »
Captain's log: Stardate 8130.3. Starship Enterprise on training mission to Gamma Hydra, section 14, coordinates 22-87-4. Approaching Neutral Zone; all systems normal and functioning.
Leaving section 14 for section 15.
Standby. Project parabolic course to avoid entering Neutral Zone.
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After the opening credits: "In the 23rd Century." See more »
In the genre, there is simply nothing better, and there never will be.
Wrath is based on one of the best episodes of The Original Series of Star Trek. The episode, Space Seed, introduced Kahn Noonian Singh, a genetically engineered super-warrior from the 20th century who survived in cryogenic freeze until the crew of the Enterprise found his derelict space ship and revived him. Alas, his instinct to conquer survived as well, and only after an epic struggle is Kirk able to deposit Kahn and his band of supermen in permanent exile on a garden planet.
Fifteen years later, a cataclysm has left that planet barren, and Kahn bitter about his plight, when along comes the Enterprise, not knowing they have returned to Kahn's home planet. Kahn escapes and the game is on.
This is undoubtedly the best of the Star Trek movies, and in fact, the best of everything that was best about Star Trek TOS. There is heroism, epic conflict, a fully satisfying story, and deliciously over the top acting by Shatner, Nimoy and, the main course, Ricardo Montalban, reprising his original role, with all the menace and drama of, say, Sir Anthony Hopkins' Oscar winning turn as Hannibal Lechter.
The writing is great, and why not, it was by Harve Bennett, by way of Melville, and Roddenberry's unforgettable characters, as indelibly etched on our psyches as any fairy tale of our youth, were never brighter, more heroic, more magnificent. In the genre, there is simply nothing better, and there never will be. It took decades to hone and refine these characters, for us to come to love them, and for them to reach the point in their palpably real lives to reflect with self-doubt and angst on lives that we accept as being as real as our own. This isn't a movie, it's a documentary, and a time capsule, and a worthy monument to the best cast in the best Sci-Fi Western ever made.
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