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Star Trek II: The Wrath of Khan (1982)

Star Trek: The Wrath of Khan (original title)
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With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon.

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(television series Star Trek), (story) | 2 more credits »
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Cast

Cast overview, first billed only:
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John Vargas ...
John Winston ...
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Storyline

It is the 23rd century. Admiral James T. Kirk is an instructor at Starfleet Academy and feeling old; the prospect of attending his ship, the USS Enterprise--now a training ship--on a two-week cadet cruise does not make him feel any younger. But the training cruise becomes a deadly serious mission when his nemesis Khan Noonien Singh--infamous conqueror from late 20th century Earth--appears after years of exile. Khan later revealed that the planet Ceti Alpha VI exploded, and shifted the orbit of the fifth planet as a Mars-like haven. He begins capturing Project Genesis, a top secret device holding the power of creation itself, and schemes the utter destruction of Kirk. Written by Gregory A. Sheets <m-sheets2@onu.edu>

Plot Summary | Plot Synopsis

Taglines:

At the end of the universe lies the beginning of vengeance. See more »


Motion Picture Rating (MPAA)

Rated PG for violence and language | See all certifications »

Parents Guide:

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Details

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Release Date:

4 June 1982 (USA)  »

Also Known As:

Star Trek II: The Undiscovered Country  »

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

$14,347,221 (USA) (4 June 1982)

Gross:

$78,900,000 (USA)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The book that Spock gives Kirk for his birthday is "A Tale of Two Cities" by Charles Dickens. See more »

Goofs

When Chekov steps out of the Botany Bay into a blinding sandstorm and sees the robed survivors, their robes are resting still - there is no wind around them. See more »

Quotes

[first lines]
Saavik: Captain's log: Stardate 8130.3. Starship Enterprise on training mission to Gamma Hydra, section 14, coordinates 22-87-4. Approaching Neutral Zone; all systems normal and functioning.
Sulu: Leaving section 14 for section 15.
Saavik: Standby. Project parabolic course to avoid entering Neutral Zone.
Sulu: Aye, captain.
See more »

Crazy Credits

After the opening credits: "In the 23rd century..." See more »

Connections

Referenced in Suits: Play the Man (2011) See more »

Soundtracks

Theme From Star Trek (TV Series)
Music by Alexander Courage
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
As Good As Star Trek Ever Gets
31 May 2015 | by (United States) – See all my reviews

Spoilers Ahead:

OK, Trekkies I will only review this one and leave the rest of your dreadful inventory unscathed. My philosophy professor called me the buzz-saw. I only had to go after TNG Insurrection because its ethical retardation was so profound. This is actually entertaining, believe it or not. Montalban was always a great actor. I also applaud Meyer for quoting Melville here is how you say Ahab Picard, use hatred, hello? He is a psycho. Picard quotes him in FIRST CONTACT like he was a knitting grandma in a rocking chair. Montalban quotes him with exactly the rage and hate that Melville wrote him with in Moby Dick. The film moves very quickly, it makes up for its very low budget by cannibalizing footage from Star Trek; The Motionless Model. The studio was almost burned to the ground by angry Trekkies after that horrible, over hyped piece of poo poo came out in 1979. They rushed this out, as fast as possible, you can see the many shots of the Enterprise that were lifted right out of Robert Wise's turkey.

It is surprisingly intense for a Star Trek movie with those brain controlling slug things in the ear. Not terribly likely but hey anything after the frozen model of 1979. Winfield was always an underrated actor and he gives a great performance here. There are weak spots in the acting basically every time, then beautiful, Kirstie Alley speaks. Also, Merrit Butrick is just awful. He sounds like he is reading from a teleprompter. The hairpiece and the girdle are fully functional for Kirk; he is at his best in this film. Just one scene was cringe worthy, when he screams Khan like he is having an aneurysm. The movie is one of the most action packed of the entire set of both crews. It is refreshingly free of the usual humanistic boredom that the TNG films subject us to. There is a slight believability gap of Kirk allowing any ship that close to his ship. In the original series, that never would have happened.

The death scene of Spock is the most moving of all the scenes in any Star Trek movie. That is probably why JJ thought he needed to rip it off in STAR CRAP: INTO MORAL DARKNESS. The nobility of Spock is worth watching the movie for, yes his Vulcan axiom of the needs of the many outweigh the needs of the few or the one is exactly the moral opposite of STAR TREK: INSURRECTION. That is why this film endures while that one disappears. Narcissism is not a pretty picture. If you are going to buy the Star Trek films, which I would not, start with this one. It is like Everest compared to the other films of the series. Especially avoid Star Trek 4: We Need To Pick Up Whales, unless you have been drinking heavily, then it is one of the funniest movies you will ever see.

The intensity, script, acting carry this film over the crummy low budget effects. Please, Regulus looks like a big cheese-ball. You can tell which scenes were taken from the comatose picture by, if they look good, they are not indigenous to the film. I did admire Meyer for always trying to educate those Trekkies. Here it is Herman Melville later in Star Trek 6: The Undiscovered Rest Home it is Shakespeare. I think it is noble; look, he is trying to help them.


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Why was there a budget cut back for this one? steveo1532
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