On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg go back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
The brash James T. Kirk tries to live up to his father's legacy with Commander Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
It is the 23rd century. Admiral James T. Kirk is an instructor at Starfleet Academy and feeling old; the prospect of attending his ship, the USS Enterprise--now a training ship--on a two-week cadet cruise does not make him feel any younger. But the training cruise becomes a deadly serious mission when his nemesis Khan Noonien Singh--infamous conqueror from late 20th century Earth--appears after years of exile. Khan later revealed that the planet Ceti Alpha VI exploded, and shifted the orbit of the fifth planet as a Mars-like haven. He begins capturing Project Genesis, a top secret device holding the power of creation itself, and schemes the utter destruction of Kirk. Written by
Gregory A. Sheets <email@example.com>
It has been widely debated that Ricardo Montalban's chest was actually a prosthetic piece that he wore during the film. In the director's commentary in the special edition DVD, Nicholas Meyer is quoted as saying that it was, in fact, Montalban's actual chest and that he was a very muscular man who worked out. During publicity for the movie, during an appearance on The Tonight Show Starring Johnny Carson (1962), Montalban explained that he was able to achieve the look seen in the film by doing push-ups. "A lot of push-ups." See more »
When Bones is on Regula space station, he gets startled by a rat, as he is paying attention to the rat scurrying away, he walks backwards through a door. Once the door closes, he turns around and is startled again because he bumps into a dangling hand - the hand moves in response. See more »
Captain's log: Stardate 8130.3. Starship Enterprise on training mission to Gamma Hydra, section 14, coordinates 22-87-4. Approaching Neutral Zone; all systems normal and functioning.
Leaving section 14 for section 15.
Standby. Project parabolic course to avoid entering Neutral Zone.
See more »
After the opening credits: "In the 23rd century..." See more »
OK, Trekkies I will only review this one and leave the rest of your dreadful inventory unscathed. My philosophy professor called me the buzz-saw. I only had to go after TNG Insurrection because its ethical retardation was so profound. This is actually entertaining, believe it or not. Montalban was always a great actor. I also applaud Meyer for quoting Melville here is how you say Ahab Picard, use hatred, hello? He is a psycho. Picard quotes him in FIRST CONTACT like he was a knitting grandma in a rocking chair. Montalban quotes him with exactly the rage and hate that Melville wrote him with in Moby Dick. The film moves very quickly, it makes up for its very low budget by cannibalizing footage from Star Trek; The Motionless Model. The studio was almost burned to the ground by angry Trekkies after that horrible, over hyped piece of poo poo came out in 1979. They rushed this out, as fast as possible, you can see the many shots of the Enterprise that were lifted right out of Robert Wise's turkey.
It is surprisingly intense for a Star Trek movie with those brain controlling slug things in the ear. Not terribly likely but hey anything after the frozen model of 1979. Winfield was always an underrated actor and he gives a great performance here. There are weak spots in the acting basically every time, then beautiful, Kirstie Alley speaks. Also, Merrit Butrick is just awful. He sounds like he is reading from a teleprompter. The hairpiece and the girdle are fully functional for Kirk; he is at his best in this film. Just one scene was cringe worthy, when he screams Khan like he is having an aneurysm. The movie is one of the most action packed of the entire set of both crews. It is refreshingly free of the usual humanistic boredom that the TNG films subject us to. There is a slight believability gap of Kirk allowing any ship that close to his ship. In the original series, that never would have happened.
The death scene of Spock is the most moving of all the scenes in any Star Trek movie. That is probably why JJ thought he needed to rip it off in STAR CRAP: INTO MORAL DARKNESS. The nobility of Spock is worth watching the movie for, yes his Vulcan axiom of the needs of the many outweigh the needs of the few or the one is exactly the moral opposite of STAR TREK: INSURRECTION. That is why this film endures while that one disappears. Narcissism is not a pretty picture. If you are going to buy the Star Trek films, which I would not, start with this one. It is like Everest compared to the other films of the series. Especially avoid Star Trek 4: We Need To Pick Up Whales, unless you have been drinking heavily, then it is one of the funniest movies you will ever see.
The intensity, script, acting carry this film over the crummy low budget effects. Please, Regulus looks like a big cheese-ball. You can tell which scenes were taken from the comatose picture by, if they look good, they are not indigenous to the film. I did admire Meyer for always trying to educate those Trekkies. Here it is Herman Melville later in Star Trek 6: The Undiscovered Rest Home it is Shakespeare. I think it is noble; look, he is trying to help them.
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