Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
Sophie is the survivor of Nazi concentration camps, who has found a reason to live in Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the movie's narrator, a young American writer new to New York City. But the happiness of Sophie and Nathan is endangered by her ghosts and his obsessions. Written by
Slavic surnames ending in -ski/-skiy are, in Slavic grammar, considered adjectives, and so the female form is -ska. Sophie's and Eva's surname should therefore be Zawistowska. Moreover, it is unlikely for Eva's name to be spelt with a 'v' as the proper Polish form is 'Ewa' ('v' does not appear in the Polish alphabet and is only used in foreign names and loanwords). See more »
It was 1947, two years after the war, when I began my journey to what my father called the Sodom of the north, New York. They called me Stingo, which was the nick name I was known by in those days, if I was called anything at all.
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Although achingly literary at times, moments of true emotional power are rendered by fluid storytelling, Nestor Almendros's haunting cinematography, Marvin Hamlisch's quietly effecting score, a touching performance by Peter MacNichol, and a seminal performance by Meryl Streep; one that Kim Stanley (the celebrated actress/teacher and Oscar nominated mother to Jessica Lange in 'Frances' of the same year) proclaimed, "the titanic portrayal of her generation."
No matter what your initial feelings about this film, I encourage you to go back and take in Streep's dark dance of loss, madness and, finally, sorrowful redemption.
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