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Six Weeks (1982)

 -  Drama  -  24 December 1982 (USA)
5.5
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Ratings: 5.5/10 from 553 users  
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A wealthy cosmetic tycoon and her 12-year-old daughter who's dying from leukemia, strike up a sentimental friendship with a California politician. Since the girl has only six weeks or less ... See full summary »

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Title: Six Weeks (1982)

Six Weeks (1982) on IMDb 5.5/10

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Nominated for 2 Golden Globes. Another 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Patrick Dalton
...
Charlotte Dreyfus
Katherine Healy ...
Nicole Dreyfus
...
Peg Dalton
Bill Calvert ...
Jeff Dalton
...
Bob Crowther
John Harkins ...
Arnold Stillman
...
Choreographer
Anne Ditchburn ...
Assistant Choreographer (as Ann Ditchburn)
Chea Collette ...
Ballet Instructor
...
TV Interviewer (as Clement St. George)
Joan Yale Edmundson ...
Woman Interviewer
Emily Seltzer ...
Girl in Ballet Dressing Room
Martin Casella ...
Volunteer - Campaign Office
...
Girl - Campaign Office
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Storyline

A wealthy cosmetic tycoon and her 12-year-old daughter who's dying from leukemia, strike up a sentimental friendship with a California politician. Since the girl has only six weeks or less to live, the trio fly to New York City where the daughter skates the ice rink at Rockefeller Center, assumes the lead in The Nutcracker ballet, and sightsees most of the city. Written by Matthew Patay <pataygs@voicenet.com>

Plot Summary | Add Synopsis

Taglines:

The groom is already married. The bride is still in her bathrobe. And her daughter is giving both of them away. It's a love story to make you laugh and cry. Together. See more »

Genres:

Drama

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

24 December 1982 (USA)  »

Also Known As:

Seis semanas  »

Filming Locations:

 »

Box Office

Gross:

$6,700,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)
See  »
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Did You Know?

Trivia

Final feature film for composer Dudley Moore where he acted as the film's composer of its music score. Moore he did appear in movies after this is credited as a composer for The Best of... What's Left of... Not Only... But Also (1990), his final composer credit. See more »

Goofs

In the scene where Charlotte and Nikki are dancing in the studio and Nikki is holding an arabesque position, a microphone is being lowered from the ceiling. See more »

Connections

Referenced in Mystery Science Theater 3000: Alien from L.A. (1993) See more »

Soundtracks

The Nutcracker
(excerpts)
Music by Pyotr Ilyich Tchaikovsky
Orchestra conducted by André Previn
See more »

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User Reviews

 
Sympathetic subject matter doesn't preclude a lousy film
17 December 2007 | by (Tulsa OK) – See all my reviews

One critic (I believe Ebert) characterized the young daughter in this flick as being the oldest person you'll ever encounter in a film.

I couldn't agree more, and without be unmindful that illness or accident take so many people who never get the opportunity to grow-up - I couldn't ignore the fact that a character's being young and terminal doesn't preclude her being thoroughly annoying as well. Despite her jovial persona with Ed Asner, et al, in her popular t.v. series, and her prior vanilla portrayal as Dick Van Dyke's spouse, Mary Tyler Moore has had a brittle, unsympathetic edge in several of her more serious films, which can annoy as well.

Dudley Moore's portrayal was borderline ludicrous, and annoying as well

  • making it 3-for-3 for the leads. The character, presented as a


Congressional candidate with supposed qualities which might propel our nation to greater heights if he's elected - on-screen, he didn't show enough to be a viable choice as mayor of Mayberry.

To imagine anybody treating his own family as he did, and then proceed to New York City, engaging in a smarmy, pseudo-sexual relationship with Moore - spurred-on by the precocious daughter, missed whatever "mark" the writers or director were seeking.

Everything seemed so banal, silly and contrived, it made the typical "Lifetime" flick, filmed in Canada, featuring a slew of Canadian actors, at perhaps 5% the cost of this film, seem believable and better-executed by comparison.

I recently say this picture for the second time (unavoidably, but still fascinated by it) visiting a friend who has just obtained a copy and hadn't seen it previously.

The above represent my opinion of it both viewings. And one doesn't have to presume to enjoy a film just because the subject matter is sympathetic. The characters should present it with some semblance of believability and evoke some empathy from their characterizations and dialog. In my opinion, none did here.


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