| Photos (see all 15 | slideshow) |
| Chuck Norris | ... | Sheriff Dan Stevens | |
| Ron Silver | ... | Dr. Tom Halman | |
| Steven Keats | ... | Dr. Phillip Spires | |
| Toni Kalem | ... | Alison Halman | |
| William Finley | ... | Dr. Paul Vaughn | |
| Brian Libby | ... | John Kirby | |
| Stephen Furst | ... | Charlie | |
| Stephanie Dunnam | ... | Nancy Halman | |
| Joyce Ingle | ... | Mrs. Sims | |
| Jay De Plano | ... | Biker Leader | |
| Lillette Zoe Raley | ... | Tatooed Biker Mama | |
| Mike Johnson | ... | Biker at Cafe | |
| Linda Tatum | ... | Biker Mama #1 at Bar | |
| Kathleen Lee | ... | Biker Mama #2 (as Kathy Lee) | |
| rest of cast listed alphabetically: | |||
| James Bodean | ... | Biker in Bar | |
| David Unger | ... | Boy #3 at the house (as David Andre Unger) | |
| John Barrett | ... | Institute Doctor (uncredited) | |
| Desmond Dhooge | ... | Jimmy the Guard (uncredited) | |
| Joe Farago | ... | Emergency Room Doctor (uncredited) | |
| Eddie Galt | ... | Boy #2 at the house (uncredited) | |
| Russel Higginbotham | ... | Boy #1 at the house (uncredited) | |
| Sonny Jones | ... | Sheriff's Deputy #2 (uncredited) | |
| Sandy Lang | ... | Sheriff's Deputy #1 (uncredited) | |
| Paula Selzer | ... | Waitress (uncredited) | |
Directed by | |||
| Michael Miller | |||
Writing credits(in alphabetical order) | ||
| Edward Di Lorenzo | uncredited | |
| Joseph Fraley | writer | |
Produced by | |||
| Andy Howard | .... | co-producer | |
| Aaron Norris | .... | associate producer | |
| Anthony B. Unger | .... | producer | |
Original Music by | |||
| Peter Bernstein | |||
| Mark Goldenberg | |||
Cinematography by | |||
| Robert C. Jessup | |||
| Neil Roach | |||
Film Editing by | |||
| Richard C. Meyer | |||
Casting by | |||
| Caro Jones | |||
Art Direction by | |||
| Jack Marty | |||
Set Decoration by | |||
| Derek R. Hill | |||
Costume Design by | |||
| Christy Haines | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup effects supervisor | |
| Del Armstrong | .... | makeup artist | |
| Pat Grover | .... | hair stylist | |
Production Management | |||
| Paul Lewis | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Robert P. Cohen | .... | first assistant director | |
| Alice West | .... | first assistant director: second unit | |
Art Department | |||
| E.W. Bradford | .... | construction coordinator (as Bill Bradford) | |
| Floyd Smith | .... | assistant props | |
Sound Department | |||
| Don Broughton | .... | boom operator | |
| Tom Cornwell | .... | sound editor | |
| Tom E. Dahl | .... | sound re-recording mixer | |
| Skip Frazee | .... | sound cable man | |
| Michael Hilkene | .... | supervising sound editor | |
| Christopher Ishii | .... | sound editor (as Chris Ishii) | |
| Michael Jirono | .... | sound re-recording mixer | |
| Andy MacDonald | .... | sound re-recording mixer | |
| Joseph Melody | .... | sound editor (as Joe Melody) | |
| Vern Poore | .... | sound re-recording mixer | |
| Bill Thiederman | .... | sound editor | |
| Rusty Tinsley | .... | sound editor (as Russ Tinsley) | |
| Robert Wald | .... | sound mixer (as Bob Wald) | |
Stunts | |||
| John Barrett | .... | stunts | |
| Darwin Benjamin | .... | stunts | |
| Eli Cummings | .... | stunts | |
| Jay De Plano | .... | stunts | |
| Dean Raphael Ferrandini | .... | stunt double: Brian Libby | |
| John the Great 'L' | .... | stunts | |
| Janet Jillo | .... | stunts | |
| Mike Johnson | .... | stunts | |
| Sandy Lang | .... | stunts | |
| Malcolm Lomax | .... | stunts | |
| Aaron Norris | .... | stunt coordinator | |
| Aaron Norris | .... | stunts | |
| Rick Prieto | .... | stunts | |
| Autry Ward | .... | stunts | |
| Dennis Ward | .... | stunts | |
| Steve Ward | .... | stunts | |
| Troy Ward | .... | stunts | |
Camera and Electrical Department | |||
| Curtis Bingham | .... | best boy | |
| Jim Coe | .... | still photographer | |
| Robert Driskell | .... | gaffer (as Bob Driskell) | |
| Chris Espeset | .... | dolly grip | |
| Gerritson Gerrit | .... | dolly grip | |
| Lynn Lockwood | .... | assistant camera | |
| Tony Poston | .... | key grip | |
| Don Reddy | .... | camera operator | |
Casting Department | |||
| Bea Lindzon | .... | location casting | |
Costume and Wardrobe Department | |||
| Elizabeth McBride | .... | wardrobe supervisor | |
Editorial Department | |||
| John Carnochan | .... | assistant editor | |
| Ann E. Mills | .... | associate editor (as Ann Mills) | |
| Steve Schoenberg | .... | assistant editor (as Steven Schoenberg) | |
Music Department | |||
| Donald W. Ernst | .... | music editor | |
Transportation Department | |||
| Alvin Milliken | .... | transportation captain | |
| Billy Milliken | .... | transportation co-captain | |
Other crew | |||
| Charlie Davidson | .... | location auditor | |
| J. Daniel Dusek | .... | location manager | |
| Karen Hall | .... | assistant to producer | |
| Joyce King | .... | script supervisor | |
| Leanna Lenhart | .... | production assistant | |
| Larry Lingley | .... | production assistant | |
| Mike Norris | .... | production assistant | |
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| Halloween | Halloween II | Halloween 4: The Return of Michael Myers | Black Hills | Oregon Trail |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
This movie is pretty much how everyone describes it (a B-grade flick), but there is one worthy element that I feel most people have missed. Brian Libby's character creation was nothing short of brilliant. During the first half of the movie this might not be so noticeable, but towards the end, and especially during the final fight sequence, his movements and mannerisms are highly original and unique. The director would have told him to play the part of a man that has become almost zombie-like, and who has the ability to recover quickly and suddenly, and then left the rest up to the imagination of Brian. Well Brian certainly rose to the occasion, and his work in that last portion of the movie alone should have earned him an award. So yeah, the movie overall might be B-grade stuff, but Brian Libby deserves credit and recognition where it is due, and it is worth while seeing the film just for what he brings to the screen in that last half. I'll add an extra few points out of respect to Brian Libby, and give the film 7/10.