Prequel to the first Missing In Action, set in the early 1980s it shows the capture of Colonel Braddock during the Vietnam war in the 1970s, and his captivity with other American POWs in a brutal prison camp, and his plans to escape.
Colonel James Braddock has a Vietnamese wife who was supposed to leave Vietnam with him when they evacuate. But she loses her papers and wasn't allowed in the embassy. Braddock went looking... See full summary »
Roland Harrah III
After surviving an attempt on his life by his former partner, officer Cliff Garrett (Norris) exacts revenge on those who wronged him by going undercover as a hit man. He works to gain the ... See full summary »
Colonel James Braddock is an American officer who spent seven years in a North Vietnamese POW camp, then escaped 10 years ago. After the bloodiest war, Braddock accompanies a government ... See full summary »
A man with horrible psychological problems snaps and goes on a short murder spree before being gunned down by the local Sheriff and his deputy. What should be the end of the story is only ... See full summary »
Jade Michael LaFont
Dan Stevens is the sheriff of a small Texas town who checks out a disturbance which turns to murder. The killer is still in the house and he tries to kill Dan, but Dan stops him and arrests him. The killer attempts to flee, but is shot and killed and is taken to a medical institute. Three doctors, led by Dr. Philip Spires, operates on the killer and brings him back to life using a formula that the three doctors made and the killer is made indestructable. Dr. Tom Halman tries to terminate the killer, but he and his wife are killed. After the two remaining doctors are killed, the killer goes after Dr. Halman's sister Alison, and it's up to Sheriff Dan Stevens to stop him. Written by
Actor Ron Silver played a doctor, Dr Halman, in this movie. In The Entity (1982), first released in the same 1982 year as Silent Rage (1982), Silver also played a doctor, Dr Sneiderman. Both of these medic characters were psychiatrists. See more »
When Allison closes the door that her brother is pinned on, his eyes move as the door closes and back to their usual position when the door opens. See more »
It's no use, Dan. I just can't start seeing you again.
Sheriff Dan Stevens:
Okay? You sure do give up easy. You really know how to make a girl feel good.
Sheriff Dan Stevens:
I didn't say I give up. I just said okay.
Okay, that's it! Fenito, the end of the chapter.
Sheriff Dan Stevens:
You sure do give up easy.
Yeah, I do!
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A young, unstable man hacks to death the lady and man he lives with, and Texan Sheriff Dan Stevens comes face to face with the killer, to only see him gunned down by his men after he tries to escape when captured. At the hospital, he's pronounced dead, but secretly he's used in an experiment by some surgeons working on a formula to help the body genetically heal in quick succession. They thought they could control him and this development would bring them success, but now this homicidal murderer is an unstoppable killing machine and Sheriff Stevens and his rookie Deputy are on the trail.
Norris' fans might dig it, but others might find this cheap-jack b-film a boring chore. I thought it was fair. Anyhow who's the man, Chuck's the man. Not much of an actor though, but we know. He gets by with that golden blonde hair and legendary chop-suey who-ha . And not forgetting that distinguishable fuzz above the lip. The premise is like an over-extended episode of "Walker, Texas Ranger" meets John Carpenter's "Halloween (1977)". Actually a lot scenes and filming techniques closely resemble "Halloween" and even its first sequel, but the main difference it's headed by Norrissssssss. The far-fetched concept isn't bad with slasher tones, a lady in peril get-up and a mad scientist theme, but it throws so much in that there seems to be too much useless filler (like the corny romance sequences, biker trouble (nice work in the bar Chuck, but we already know how good you are), scientific moral dilemmas and non-effective comic humour) interrupting what could've been more fun. Silly it is to begin with, but do we want to see Norris romancing, or kicking ass? These redundant acts only slowed it up and got in the way on the main story. What outweighs the film is the weakly lacking script with many clumsy dialogues. Norris even gets time to share some heart-warming advice. Director Michael Millar starts off pretty slowly, but in the second half demonstrates well-shot camera placement and steady pockets of poignant tension. The atmospheric synthesizer score seemed to work. Chuck gets his hands dirty with some gusty scuffles involving the super-human killing machine, like the modest, if unspectacular showdown with him using his jump-kicks (in slow-motion of course) and sudden close-ups to show that focuses on his face. Norris' chimes in with a stoic performance, but goes gusty when the action calls. Brian Libby's menacingly towering figure is effective. Ron Silver sticks out as the humane doctor, while William Finley goes all-smarmy as deceitfully mad doctor looking for that Nobel Prize award. Stephen Furst as the overweight, downright clueless deputy was there for the laughs, but where were they. Toni Kalem looks all-sweet as Norris old flame.
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