| Photos (see all 7 | slideshow) |
| Albert Finney | ... | George Dunlap | |
| Diane Keaton | ... | Faith Dunlap | |
| Karen Allen | ... | Sandy | |
| Peter Weller | ... | Frank Henderson | |
| Dana Hill | ... | Sherry Dunlap | |
| Viveka Davis | ... | Jill Dunlap | |
| Tracey Gold | ... | Marianne Dunlap | |
| Tina Yothers | ... | Molly Dunlap | |
| George Murdock | ... | French DeVoe | |
| Leora Dana | ... | Charlotte DeVoe | |
| Irving Metzman | ... | Howard Katz | |
| Kenneth Kimmins | ... | Maitre D' | |
| Michael Alldredge | ... | Officer Knudson | |
| Robert Costanzo | ... | Leo Spinelli | |
| David Landsberg | ... | Scott Gruber | |
| Lou Cutell | ... | Willard | |
| James Cranna | ... | Harold | |
| Nancy Fish | ... | Joanne | |
| Jeremy Schoenberg | ... | Timmy | |
| Aesop Aquarian | ... | Rick (as Stephen Morrell) | |
| Jim Lange | ... | M.C. at 25th International Book Awards Dinner | |
| Georgann Johnson | ... | Isabel | |
| O-Lan Jones | ... | Countergirl (as O-Lan Shepard) | |
| Helen Slayton-Hughes | ... | Singer | |
| Robert Ackerman | ... | Waiter | |
| Eunice Suarez | ... | Mexican Woman | |
| Hector Morales | ... | Mexican Man | |
| Morgan Upton | ... | Photographer | |
| Edwina Moore | ... | Reporter | |
| Kathryn Trask | ... | Nurse | |
| Bill Reddick | ... | Priest | |
| Bonnie Carpenter | ... | Mourner | |
| Margaret Clark | ... | Mourner | |
| Jan Dunn | ... | Mourner | |
| Rob Glover | ... | Mourner | |
| rest of cast listed alphabetically: | |||
| Fran Ryan | ... | Judge (uncredited) | |
Directed by | |||
| Alan Parker | |||
Writing credits(in alphabetical order) | ||
| Bo Goldman | writer | |
Produced by | |||
| Alan Marshall | .... | producer | |
| Stuart Millar | .... | executive producer | |
| Edgar J. Scherick | .... | executive producer | |
Cinematography by | |||
| Michael Seresin | |||
Film Editing by | |||
| Gerry Hambling | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Geoffrey Kirkland | |||
Art Direction by | |||
| W. Stewart Campbell | (as Stu Campbell) | ||
Set Decoration by | |||
| Robert Nelson | |||
| Doug von Koss | |||
Costume Design by | |||
| Kristi Zea | |||
Makeup Department | |||
| Paul LeBlanc | .... | hair stylist | |
| Don Le Page | .... | makeup artist | |
| Martin Samuel | .... | hair stylist | |
| Richard Sharpe | .... | makeup artist | |
| Rick Sharp | .... | makeup department head | |
Production Management | |||
| Nancy Giebink | .... | unit production manager | |
| Ned Kopp | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ray Greenfield | .... | first assistant director (as Raymond L. Greenfield) | |
| François Moullin | .... | second assistant director | |
| Lope Yap Jr. | .... | second second assistant director | |
Art Department | |||
| Tom Sindicich | .... | construction coordinator | |
| Burt C. Wiley | .... | property master | |
Sound Department | |||
| Eddy Joseph | .... | sound editor | |
| David MacMillan | .... | sound mixer | |
| Alan Paley | .... | sound effects editor | |
| Steve Powell | .... | boom operator | |
| Bill Rowe | .... | dubbing mixer | |
Special Effects by | |||
| Richard Albain | .... | special effects | |
Stunts | |||
| M. James Arnett | .... | stunt coordinator | |
| Gary Hymes | .... | stunts (as Gary M. Hymes) | |
Camera and Electrical Department | |||
| Robert G. Finley | .... | best boy | |
| Gary Gill | .... | dolly grip | |
| Jeff Gilliam | .... | gaffer | |
| Jon Guterres | .... | key grip | |
| Lance Hughston | .... | best boy | |
| Gilbert Johnson | .... | electrician | |
| Michael Maley | .... | electrician | |
| Elliott Marks | .... | still photographer | |
| Ron Pearce | .... | lighting consultant | |
| Bobby Powell | .... | electrician | |
| John Stanier | .... | camera operator | |
| Baird Steptoe | .... | first assistant camera | |
| Donald E. Thorin Jr. | .... | second assistant camera | |
Casting Department | |||
| April Webster | .... | casting: Los Angeles | |
Costume and Wardrobe Department | |||
| Mary Elizabeth Still | .... | ladies costume supervisor | |
Editorial Department | |||
| Daniel Candib | .... | assistant editor | |
| Richard Candib | .... | assistant editor | |
| Leonard Green | .... | assistant editor | |
| Richard Hymns | .... | assistant editor | |
| Stefna Smal | .... | assistant editor | |
Transportation Department | |||
| Henry Travers | .... | transportation coordinator | |
Other crew | |||
| Allen Burry | .... | publicist | |
| Rory Enke | .... | location manager | |
| Don Levy | .... | unit publicist | |
| Pat Newcomb | .... | publicist | |
| Ron Phipps | .... | financial controller | |
| Alice Tompkins | .... | script supervisor | |
| George Zimninsky | .... | landscape coordinator | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
1982 was arguably one of the greatest film years in recent memory, with releases including "E.T.", "Gandhi," and "Sophie's Choice." Still, I would say that the best film of 1982 - and one of the best films of the 1980's - was "Shoot the Moon." I am not sure exactly why this film never got the acclaim it deserved...certainly there were many great films that year that overshadowed it. Moreover, it might have been too visceral for some...a couple I knew who were previously divorced from other people were extremely offended by the movie, and found it gratuitous.
I have only seen two films be successful in making the lead characters so likable in one scene, and then so unlikeable in the next scene. This is one of them (the other one is "Twice in a Lifetime"). Bo Goldman's screenplay is tremendous. Diane Keaton's rendition of "If I Fell" while soaking in the bathtub is one of the most haunting and powerful scenes I have ever seen. Also, the scene towards the end of the movie in the restaurant where Finney and Keaton are loudly arguing with each other to the annoyance of other patrons is extremely well done and enjoyable. I believe most of the scene is done in a long take. On regular TV, that scene is butchered due to the language, and they show cut-aways to other patrons to get away with that.
It's been more than 20 years since "Shoot the Moon" was released, and I'm not sure what I could say that would motivate someone to see this film for the first time. But it truly is great. Pauline Kael thought so too, and I'm sure she will carry much more weight with movie fans than me!