| Photos (See all 15 | slideshow) |
| Rosel Zech | ... | Veronika Voss | |
| Hilmar Thate | ... | Robert Krohn | |
| Cornelia Froboess | ... | Henriette | |
| Annemarie Düringer | ... | Dr. Marianne Katz | |
| Doris Schade | ... | Josefa | |
| Erik Schumann | ... | Dr. Edel | |
| Peter Berling | ... | Filmproduzent / Dicker Mann | |
| Günther Kaufmann | ... | G.I. / Dealer (as Günter Kaufmann) | |
| Sonja Neudorfer | ... | Verkäuferin | |
| Lilo Pempeit | ... | Chehm | |
| Volker Spengler | ... | 1. Regisseur | |
| Herbert Steinmetz | ... | Gärtner | |
| Elisabeth Volkmann | ... | Grete | |
| Hans Wyprächtiger | ... | Chefredakteur | |
| Peter Zadek | ... | 2. Regisseur | |
| Johanna Hofer | ... | Alte Frau | |
| Rudolf Platte | ... | Alter Mann | |
| Armin Mueller-Stahl | ... | Max Rehbein | |
| rest of cast listed alphabetically: | |||
| Harry Baer | ... | Head waiter (uncredited) | |
| Rainer Werner Fassbinder | ... | Kinobesucher (uncredited) | |
| Tamara Kafka | ... | Ärztin (uncredited) | |
| Georg Lehn | ... | Gardener (uncredited) | |
| Juliane Lorenz | ... | Secretary (uncredited) | |
| Peter Lühr | ... | Mr. Treibel (uncredited) | |
| Dieter Schidor | ... | Kripobeamter (uncredited) | |
| Thomas Schühly | ... | Propagandaminister (uncredited) | |
| Karl-Heinz von Hassel | ... | Asylum doctor (uncredited) | |
Directed by | |||
| Rainer Werner Fassbinder | |||
Writing credits(in alphabetical order) | ||
| Rainer Werner Fassbinder | ||
| Pea Fröhlich | ||
| Peter Märthesheimer | ||
Produced by | |||
| Rainer Werner Fassbinder | .... | co-producer | |
| Thomas Schühly | .... | producer | |
| Bertram Vetter | .... | producer: SDR | |
| Horst Wendlandt | .... | co-producer | |
Original Music by | |||
| Peer Raben | |||
Cinematography by | |||
| Xaver Schwarzenberger | |||
Film Editing by | |||
| Juliane Lorenz | |||
Production Design by | |||
| Rolf Zehetbauer | |||
Art Direction by | |||
| Walter E. Richarz | (as Walter Richarz) | ||
Costume Design by | |||
| Barbara Baum | |||
Makeup Department | |||
| Gerd Nemetz | .... | makeup artist | |
| Anni Nöbauer | .... | makeup artist (as Anna Nöbauer) | |
Production Management | |||
| Michael Bohnstengel | .... | unit manager | |
| Wulf Gasthaus | .... | unit manager | |
| Michael McLernon | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Harry Baer | .... | assistant director | |
| Tamara Kafka | .... | assistant director | |
| Karin Viesel | .... | assistant director | |
Art Department | |||
| Frank D. Geuer | .... | property master (as Frank Geuer) | |
| Thomas Schappert | .... | property master | |
Sound Department | |||
| Rupert Medele | .... | sound assistant (as Ruppert Medele) | |
| Vladimir Vizner | .... | sound | |
Camera and Electrical Department | |||
| Ekkehard Heinrich | .... | lighting technician | |
| Suzanne Phillip | .... | second assistant camera | |
| Michael Stöger | .... | key grip | |
| Josef Vavra | .... | assistant camera (as Sepp Vavra) | |
| Leo Weisse | .... | still photographer | |
Casting Department | |||
| Helga Fischer | .... | extras casting | |
Costume and Wardrobe Department | |||
| Elisabeth Blanke | .... | costume assistant | |
| Monika Jacobs | .... | costume assistant | |
Editorial Department | |||
| Angelika Deumling | .... | assistant editor | |
Other crew | |||
| Gisela Schneider | .... | production secretary | |
| Ursula Wöhrl | .... | production accountant | |
Thanks | |||
| Gerhard Zwerenz | .... | dedicatee | |
| Recent Posts (updated daily) | User |
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| Song 'Memories are Made of This' | interlingua_usa |
| Remake of Sunset Blvd? | giovanni434 |
| Shot in Orwo | jonah_begone |
| a little help please | galvandalf |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb West Germany section |
Like many other Fassbinder films "Die Sehnsucht der Veronika Voss" tells about a decline and is very depressing. It is a visually stunning film that shows how much Fassbinder admired the classical Hollywood cinema and especially the films of Douglas Sirk. Like the films of his idol this film is stylish and artificial to an extreme extent which creates quite a distance between itself and the audience. Probably an even greater distance, since the style and the artificiality are used more consciously here, even as a instrument of alienation. So it is more fascinating than touching or even moving and might leave one even cold. Nevertheless the story is intriguing and it really tells something about the post war society in West Germany, so the film is interesting and even fascinating to watch. The scene where Rosel Zech as Veronika sings "Memories Are Made Of This" is very haunting, a gem.