A young boy whose dreams transcend reality is sucked into his his own fantasy, which is everything he has dreamed of until he unleashes a century old secret that may not only destroy this ... See full summary »
William T. Hurtz
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
A young British girl born and raised in India loses her neglectful parents in an earthquake. She is returned to England to live at her uncle's estate. Her uncle is very distant due to the ... See full summary »
Mrs. Brisby, a widowed mouse, lives in a cinder block with her children on the Fitzgibbon farm. She is preparing to move her family out of the field they live in as plowing time approaches, however her son Timothy has fallen ill, and moving him could prove fatal. Mrs. Brisby visits The Great Owl, a wise creature who advises her to visit a mysterious group of rats who live beneath a rose bush on the farm. Upon visiting the rats, Brisby meets Nicodemus, the wise and mystical leader of the rats, and Justin, a friendly rat who immediately becomes attached to Mrs. Brisby. While there, she learns that her late husband, Mr. Jonathon Brisby, along with the rats, was a part of a series of experiments at a place known only as N.I.M.H. (revealed earlier in the story as the National Institute of Mental Health). The experiments performed on the mice and rats there boosted their intelligence, allowing them to read without being taught and to understand things such as complex mechanics and ... Written by
Six months were devoted to developing the design specifications for the cameras Bluth and his crew needed for the newly founded Don Bluth Productions and their upcoming movie, and then another fourteen months were spent building and testing the cameras. Two identical camera stands were built by Mechanical Concepts especially for Bluth because there were no animation cameras available commercially that could do everything necessary to shoot the film, according to Fred Craig, Director of Special Processes for the film. One of the features which the cameras built for Bluth had that was not found on conventional animation stands was the capability of shooting backlit art in an anamorphic format. See more »
When Auntie Shrew is leaving the den in a huff, Mrs. Brisby's head is briefly seen from her left side with her face colored green, but when she is shown again it is back to the normal color. See more »
Johnathan Brisby was killed today while helping with the plan. It is four years since our departure from NIMH, and our world is changing. We cannot stay here much longer. Johnathan was a dear friend. I am lost in knowing how to help his widow. She knows nothing about us or the plan. Perhaps best that I do nothing at present. I shall miss him. Johnathan - wherever you are - your thoughts must comfort her tonight. She will be waiting and you will not return. Farewell... my friend.
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The production storyboards are used for background in the end credits. See more »
Anybody who doesn't like this movie just doesn't love animation. How can a proclaimed fan of feature animation not be dazzled by the extravagance of Don Bluth's work seen in NIMH? Here is a perfect example of what happens when artists are given free reign to just create whatever their vivid imaginations may produce. To me, the greatest triumph of this movie is the art itself. Its greatest flaw is that it was cheapened by a sequel! Why in the name of HUMANITY was a sequel made? A masterpiece of this magnitude should not be so insulted as to be milked for every dollar that the bean counters say it can!
But I digress...
Bluth's use of highly stylized art to influence your emotions is rarely seen in others' work. The whole point of animation is that you are not limited by the bounds of reality, so thorns and cobwebs can be just that much more twisty and foreboding. Owls' eyes can glow- not because they do, but because it just plain looks cooler. The bright and sunny entrance to the rats' lair can suddenly fade to a background of blood red as Mrs. Brisby runs in terror from Brutus' electrified blade. What plot holes does using a lit electric lamp as a diving bell produce? Who cares? The concept just looks awesome on screen! The effects animation is spectacular in this movie as well. The glow of Nicodemus' eyes, the sparkling of the fairy dust ink and the flaming letters of the movie title screen are great, and the radiance emitting from Mrs. Brisby as the sheer strength of her character lifts her home from the mud is fantastic.
If the story were no more than a shabby framework to lace all of this cool art together, it would be good enough, but there's a lot going for it as well. It's not a complicated story, but its message of love, devotion, and courage shown in the meekest of people (mice?) is enough to inspire anyone! Mrs. Brisby's simple wish for the safety of her family drives her to the greatest of courage, despite her apparant simplicity and weakness. She stands as a model for all of us to aspire to.
Animation should never be considered something just for kids. It should not require the characters to burst into song at regular intervals, or the story to be sappy and condescending. NIMH does none of this. It is truly a movie for movie-lovers of all ages. Disney, take a hint!!! Don Bluth, keep making movies like this, and your field will reach an entirely new level of acceptance among older viewers in America.
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