A friendly troll with a magic green thumb grows one flower too many for the queen, whose laws require all trolls to act meanly, be ugly and scare humans whenever possible. As a punishment, ... See full summary »
Charles Nelson Reilly
Edmund is a boy whose favorite story of Chanticleer, a rooster whose singing makes the sun rise every morning until the Grand Duke of Owls, whose kind despises the bright sun, makes him ... See full summary »
Mrs. Brisby, a widowed mouse, lives in a cinder block with her children on the Fitzgibbon farm. She is preparing to move her family out of the field they live in as plowing time approaches, however her son Timothy has fallen ill, and moving him could prove fatal. Mrs. Brisby visits The Great Owl, a wise creature who advises her to visit a mysterious group of rats who live beneath a rose bush on the farm. Upon visiting the rats, Brisby meets Nicodemus, the wise and mystical leader of the rats, and Justin, a friendly rat who immediately becomes attached to Mrs. Brisby. While there, she learns that her late husband, Mr. Jonathon Brisby, along with the rats, was a part of a series of experiments at a place known only as N.I.M.H. (revealed earlier in the story as the National Institute of Mental Health). The experiments performed on the mice and rats there boosted their intelligence, allowing them to read without being taught and to understand things such as complex mechanics and ... Written by
Supervising Effects animator Dorse A. Lanpher was responsible for most of the effects scenes. He and his and his tiny crew of three effects animators managed to fill the film with the needed sparks, fire, shadows and water. The multiplane techniques he adapted for the project include a pseudo-hologram and the use of backlit animation making every dewdrop sparkle or supernatural amulet glow with a brilliance never seen before in animated films since Fantasia (1940). Shortcuts in the film include the photographing of three-dimensional model sets and objects for transfer to animation and the xeroxing of individual cels although, unlike the later Disney films, the cels are linked by hand to eliminate the animators' original sketchy lines. These time-saving devices do not, however, incorporate the use of TV's limited animation techniques or total rotoscoping. See more »
When Auntie Shrew is leaving the den in a huff, Mrs. Brisby's head is briefly seen from her left side with her face colored green, but when she is shown again it is back to the normal color. See more »
Johnathan Brisby was killed today while helping with the plan. It is four years since our departure from NIMH, and our world is changing. We cannot stay here much longer. Johnathan was a dear friend. I am lost in knowing how to help his widow. She knows nothing about us or the plan. Perhaps best that I do nothing at present. I shall miss him. Johnathan - wherever you are - your thoughts must comfort her tonight. She will be waiting and you will not return. Farewell... my friend.
See more »
The production storyboards are used for background in the end credits. See more »
Anybody who doesn't like this movie just doesn't love animation. How can a proclaimed fan of feature animation not be dazzled by the extravagance of Don Bluth's work seen in NIMH? Here is a perfect example of what happens when artists are given free reign to just create whatever their vivid imaginations may produce. To me, the greatest triumph of this movie is the art itself. Its greatest flaw is that it was cheapened by a sequel! Why in the name of HUMANITY was a sequel made? A masterpiece of this magnitude should not be so insulted as to be milked for every dollar that the bean counters say it can!
But I digress...
Bluth's use of highly stylized art to influence your emotions is rarely seen in others' work. The whole point of animation is that you are not limited by the bounds of reality, so thorns and cobwebs can be just that much more twisty and foreboding. Owls' eyes can glow- not because they do, but because it just plain looks cooler. The bright and sunny entrance to the rats' lair can suddenly fade to a background of blood red as Mrs. Brisby runs in terror from Brutus' electrified blade. What plot holes does using a lit electric lamp as a diving bell produce? Who cares? The concept just looks awesome on screen! The effects animation is spectacular in this movie as well. The glow of Nicodemus' eyes, the sparkling of the fairy dust ink and the flaming letters of the movie title screen are great, and the radiance emitting from Mrs. Brisby as the sheer strength of her character lifts her home from the mud is fantastic.
If the story were no more than a shabby framework to lace all of this cool art together, it would be good enough, but there's a lot going for it as well. It's not a complicated story, but its message of love, devotion, and courage shown in the meekest of people (mice?) is enough to inspire anyone! Mrs. Brisby's simple wish for the safety of her family drives her to the greatest of courage, despite her apparant simplicity and weakness. She stands as a model for all of us to aspire to.
Animation should never be considered something just for kids. It should not require the characters to burst into song at regular intervals, or the story to be sappy and condescending. NIMH does none of this. It is truly a movie for movie-lovers of all ages. Disney, take a hint!!! Don Bluth, keep making movies like this, and your field will reach an entirely new level of acceptance among older viewers in America.
48 of 49 people found this review helpful.
Was this review helpful to you?