| Florence Delay | ... | Narrator (French version) (voice) | |
| Arielle Dombasle | ... | Herself | |
| Riyoko Ikeda | ... | Narrator (Japanese version) (voice) | |
| Charlotte Kerr | ... | Narrator (German version) (voice) | |
| Kim Novak | ... | Herself / Madeleine Elster / Judy Burton (archive footage) | |
| Alexandra Stewart | ... | Narrator (English version) (voice) | |
| James Stewart | ... | Himself / John 'Scottie' Ferguson (archive footage) |
Directed by | |||
| Chris Marker | (as Chris. Marker) | ||
Writing credits(in alphabetical order) | ||
| Chris Marker | (as Chris. Marker) | |
Original Music by | |||
| Chris Marker | (as Michel Krasna) | ||
Cinematography by | |||
| Chris Marker | |||
Film Editing by | |||
| Chris Marker | (as Chris. Marker) | ||
Second Unit Director or Assistant Director | |||
| Pierre Camus | .... | assistant director | |
Sound Department | |||
| Paul Bertault | .... | sound mixer | |
| Antoine Bonfanti | .... | sound mixer | |
Special Effects by | |||
| Chris Marker | .... | special effects (as Hayao Yamaneko) | |
Editorial Department | |||
| Catherine Adda | .... | assistant editor | |
| Anne-Marie Lhote | .... | assistant editor | |
Thanks | |||
| Eugenio Bentivoglio | .... | acknowledgment: archive footage (segment: Guerrilla in Bissau) | |
| Jean-Michel Humeau | .... | acknowledgment: archive footage (segment: Graduation Ceremony) | |
| Mario Marret | .... | acknowledgment: archive footage (segment: Guerrilla in Bissau) | |
| Sana Na N'Hada | .... | acknowledgment: archive footage (segment: Bissau Carnival) | |
| Haroun Tazieff | .... | acknowledgment: archive footage (segment: Iceland 1970) | |
| Danièle Tessier | .... | acknowledgment: archive footage (segment: Death of a Giraffe) | |
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| The Clowns | Fellini's Roma | Mon oncle d'Amérique | Kurt & Courtney | Edvard Munch |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb France section |
I've only seen this film twice, both on the same day, nearly fifteen years ago; and yet its poetic-philosophical themes, its melancholy, its images still remain with me. Viewing it was an intensely personal experience; I find myself a little startled to find that other people have seen it. I find myself plagiarising it constantly; I think of it at odd times (when I accidentally catch someone's eyes and immediately look away; whenever I visit San Francisco); it is a work of lingering and subtle beauty that percolates through my bloodstream, informing the hours and days, changing the things and ways I see...